{"id":3040,"date":"2026-10-21T16:02:45","date_gmt":"2026-10-21T16:02:45","guid":{"rendered":"https:\/\/reverbdata.ipl.pt\/?page_id=3040"},"modified":"2026-10-22T15:28:31","modified_gmt":"2026-10-22T15:28:31","slug":"royal-chapel","status":"publish","type":"page","link":"https:\/\/reverbdata.ipl.pt\/pt\/reverbdata-old\/royal-chapel\/","title":{"rendered":"Capela Real"},"content":{"rendered":"<div class=\"wp-block-group has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-2e5c17e0 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\"><h3 class=\"has-link-color wp-elements-1 wp-block-post-title has-text-color has-custom-color-1-color\">Capela Real<\/h3>\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"678\" src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/10\/Royal-Chapel_Fotos_v1.gif\" alt=\"\" class=\"wp-image-3055\"\/><\/figure>\n\n\n\n<p class=\"justify-text has-body-text-color has-text-color has-link-color wp-elements-2 wp-block-paragraph\">A geometria da Capela Real \u00e9 extremamente complexa e pode ser dividida em cinco \u00e1reas principais. Ao entrar, os visitantes s\u00e3o recebidos pela antecapela, um espa\u00e7o retangular de 15,5 m x 9,1 m. Este espa\u00e7o d\u00e1 acesso \u00e0 sacristia a nascente e ao relic\u00e1rio a poente. A antecapela liga \u00e0 nave da Capela Real, que possui paredes ricamente decoradas com 11,6 m de altura e \u00e9 coroada por uma c\u00fapula cujo ponto mais alto se eleva a 30,6 m do ch\u00e3o. A nascente, encontra-se o altar-mor, enquadrado por uma estrutura de m\u00e1rmore esculpido. Os restantes dois espa\u00e7os, correspondentes aos coros, localizam-se num n\u00edvel superior e ligados \u00e0 capela atrav\u00e9s de varandas. O primeiro deles \u00e9 o Coro de Canto Gregoriano, situado atr\u00e1s do altar a uma altura de 10,0 m, com planta retangular de 11,5 m x 5,4 m. O segundo \u00e9 o Coro do \u00d3rg\u00e3o, situado no lado oposto ao altar a uma altura de 6,2 m. De referir ainda que a Capela Real possui janelas ao longo de todo o seu per\u00edmetro, que d\u00e3o acesso a aposentos privados.<\/p>\n\n\n\n<p class=\"justify-text has-body-text-color has-text-color has-link-color wp-elements-3 wp-block-paragraph\">O volume estimado da Capela Real \u00e9 de 7386,5 m\u00b3, n\u00e3o incluindo os espa\u00e7os ocupados pelas salas atr\u00e1s das janelas. Os materiais predominantes neste espa\u00e7o s\u00e3o o reboco, que comp\u00f5e a maioria das paredes e tetos; o m\u00e1rmore, a partir do qual foram constru\u00eddos o pavimento, as colunas e os altares; e a madeira, que constitui grande parte do mobili\u00e1rio e dos pavimentos dos dois coros. Notavelmente, apesar de ser em m\u00e1rmore, o pavimento da nave e do altar \u00e9 coberto por um tapete do s\u00e9culo XVIII produzido na F\u00e1brica Real de Tape\u00e7arias.<\/p>\n\n\n\n<p class=\"justify-text has-body-text-color has-text-color has-link-color wp-elements-4 wp-block-paragraph\">Principais materiais: alvenaria mista, gesso pintado, m\u00e1rmore, madeira, vidro, tapete de grandes dimens\u00f5es (da F\u00e1brica Real de Tape\u00e7arias).<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"padding-top:3rem;flex-basis:50%\">\n<h5 class=\"wp-block-heading has-text-align-left has-custom-color-1-color has-text-color has-link-color wp-elements-5\" id=\"0-measurement-points-and-source-location\">Pontos de medi\u00e7\u00e3o e localiza\u00e7\u00e3o da fonte ac\u00fastica<\/h5>\n\n\n\n<p class=\"justify-text has-text-color has-link-color wp-elements-6 wp-block-paragraph\" style=\"color:#4a4a4a\">O Patrim\u00f3nio Ac\u00fastico do Pal\u00e1cio Real de Madrid foi adquirido e registado pela UPM \u2013 Universidade Polit\u00e9cnica de Madrid.<\/p>\n\n\n\n<p class=\"justify-text has-body-text-color has-text-color has-link-color wp-elements-7 wp-block-paragraph\">A fonte sonora foi posicionada em 3 locais dentro da Capela Real: perto do Altar-Mor (S1), perto da entrada da antecapela (S2) e no Coro de Canto Gregoriano (S3). As aquisi\u00e7\u00f5es e grava\u00e7\u00f5es ac\u00fasticas foram realizadas em 4 locais: tr\u00eas situados no piso t\u00e9rreo da Capela Real (Pos1, Pos2, Pos3) e um situado no Coro do \u00d3rg\u00e3o (Pos4).<\/p>\n\n\n\n<figure class=\"wp-block-image alignwide size-full is-style-default\"><img loading=\"lazy\" decoding=\"async\" width=\"2311\" height=\"2560\" src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/10\/Royal-Palace-of-Madrid-Royal-Chapel-Measurement-positions2-scaled.png\" alt=\"\" class=\"wp-image-3042\" srcset=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/10\/Royal-Palace-of-Madrid-Royal-Chapel-Measurement-positions2-scaled.png 2311w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/10\/Royal-Palace-of-Madrid-Royal-Chapel-Measurement-positions2-271x300.png 271w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/10\/Royal-Palace-of-Madrid-Royal-Chapel-Measurement-positions2-924x1024.png 924w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/10\/Royal-Palace-of-Madrid-Royal-Chapel-Measurement-positions2-768x851.png 768w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/10\/Royal-Palace-of-Madrid-Royal-Chapel-Measurement-positions2-1387x1536.png 1387w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/10\/Royal-Palace-of-Madrid-Royal-Chapel-Measurement-positions2-1849x2048.png 1849w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/10\/Royal-Palace-of-Madrid-Royal-Chapel-Measurement-positions2-11x12.png 11w\" sizes=\"auto, (max-width: 2311px) 100vw, 2311px\" \/><\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\">\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading has-custom-color-1-color has-text-color has-link-color wp-elements-8\">Ficheiros de \u00c1udio de Demonstra\u00e7\u00e3o<\/h3>\n\n\n\n<h6 class=\"wp-block-heading has-custom-color-1-color has-text-color has-link-color wp-elements-9\">\"Discurso masculino e feminino\" -&gt; Original<\/h6>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/03\/Male_and_Female_speech_40s-1.wav\"><\/audio><\/figure>\n\n\n\n<h6 class=\"wp-block-heading has-custom-color-1-color has-text-color has-link-color wp-elements-10\">\"Discurso masculino e feminino\" -&gt; Processado em Est\u00e9reo<\/h6>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/10\/Male_and_Female_speech_Stereo_40s.wav\"><\/audio><figcaption class=\"wp-element-caption\">Fonte ac\u00fastica localizada perto do altar-mor (S1) e sistema de aquisi\u00e7\u00e3o no coro do \u00f3rg\u00e3o (Pos 4); T<sub>30,wide<\/sub>&nbsp;= 2.82 s<\/figcaption><\/figure>\n\n\n\n<h6 class=\"wp-block-heading has-custom-color-1-color has-text-color has-link-color wp-elements-11\">\"Discurso masculino e feminino\" -&gt; Processado em Binaural (usar headphones)<\/h6>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/10\/Male_and_Female_speech_Binaural_40s.wav\"><\/audio><figcaption class=\"wp-element-caption\">Fonte ac\u00fastica localizada perto do altar-mor (S1) e sistema de aquisi\u00e7\u00e3o no coro do \u00f3rg\u00e3o (Pos 4); T<sub>30,wide<\/sub>&nbsp;= 2.82 s<\/figcaption><\/figure>\n\n\n\n<h6 class=\"wp-block-heading has-custom-color-1-color has-text-color has-link-color wp-elements-12\">\u201cGuitar_Capriccio_Arabe_Tarrega\u201d -&gt; Original<\/h6>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/03\/Guitar_Capriccio_Arabe_Tarrega_40s-1.wav\"><\/audio><\/figure>\n\n\n\n<h6 class=\"wp-block-heading has-custom-color-1-color has-text-color has-link-color wp-elements-13\">\u201cGuitar_Capriccio_Arabe_Tarrega\u201d -&gt; Processado em Est\u00e9reo<\/h6>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/10\/Guitar_Capriccio_Arabe_Tarrega_Stereo_40s.wav\"><\/audio><figcaption class=\"wp-element-caption\">Fonte ac\u00fastica localizada perto do altar-mor (S1) e sistema de aquisi\u00e7\u00e3o no coro do \u00f3rg\u00e3o (Pos 4); T<sub>30,wide<\/sub>&nbsp;= 2.82 s<\/figcaption><\/figure>\n\n\n\n<h6 class=\"wp-block-heading has-custom-color-1-color has-text-color has-link-color wp-elements-14\">\u201cGuitar_Capriccio_Arabe_Tarrega\u201d -&gt; Processado em Binaural (usar headphones)<\/h6>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/10\/Guitar_Capriccio_Arabe_Tarrega_Binaural_40s.wav\"><\/audio><figcaption class=\"wp-element-caption\">Fonte ac\u00fastica localizada perto do altar-mor (S1) e sistema de aquisi\u00e7\u00e3o no coro do \u00f3rg\u00e3o (Pos 4); T<sub>30,wide<\/sub>&nbsp;= 2.82 s<\/figcaption><\/figure>\n\n\n\n<h6 class=\"wp-block-heading has-custom-color-1-color has-text-color has-link-color wp-elements-15\">\u201cKyrie_Missa_Notre_Dame_Guillame_de_Machaut\u201d -&gt; Original<\/h6>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/03\/Kyrie_Missa_Notre_Dame_Guillaume_de_Machaut_40s-1.wav\"><\/audio><\/figure>\n\n\n\n<h6 class=\"wp-block-heading has-custom-color-1-color has-text-color has-link-color wp-elements-16\">\u201cKyrie_Missa_Notre_Dame_Guillame_de_Machaut\u201d -&gt; Processado em Est\u00e9reo<\/h6>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/10\/Kyrie_Missa_Notre_Dame_Guillaume_de_Machaut_Stereo_40s.wav\"><\/audio><figcaption class=\"wp-element-caption\">Fonte ac\u00fastica localizada perto do altar-mor (S1) e sistema de aquisi\u00e7\u00e3o no coro do \u00f3rg\u00e3o (Pos 4); T<sub>30,wide<\/sub>&nbsp;= 2.82 s<\/figcaption><\/figure>\n\n\n\n<h6 class=\"wp-block-heading has-custom-color-1-color has-text-color has-link-color wp-elements-17\">\u201cKyrie_Missa_Notre_Dame_Guillame_de_Machaut\u201d -&gt; Processado em Binaural (usar headphones)<\/h6>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/10\/Kyrie_Missa_Notre_Dame_Guillaume_de_Machaut_Binaural_40s.wav\"><\/audio><figcaption class=\"wp-element-caption\">Fonte ac\u00fastica localizada perto do altar-mor (S1) e sistema de aquisi\u00e7\u00e3o no coro do \u00f3rg\u00e3o (Pos 4); T<sub>30,wide<\/sub>&nbsp;= 2.82 s<\/figcaption><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group has-custom-color-1-background-color has-background has-global-padding is-layout-constrained wp-container-core-group-is-layout-5ad27458 wp-block-group-is-layout-constrained\" style=\"min-height:0px;margin-top:0;margin-bottom:0;padding-right:5rem;padding-left:5rem\">\n<h3 class=\"wp-block-heading has-text-align-center has-base-color has-text-color has-link-color wp-elements-18\" id=\"1-room-impulse-response-files\" style=\"padding-top:0;padding-right:0;padding-bottom:0;padding-left:0\">Ficheiros de Resposta ao Impulso do Espa\u00e7o<\/h3>\n\n\n\n<div class=\"wp-block-buttons alignwide is-horizontal is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-8a38ce01 wp-block-buttons-is-layout-flex\" style=\"margin-top:var(--wp--preset--spacing--40);margin-bottom:0\">\n<div class=\"wp-block-button is-style-fill\"><a class=\"wp-block-button__link has-section-bg-color has-heading-background-color has-text-color has-background has-link-color has-text-align-center wp-element-button\" href=\"https:\/\/iplx-my.sharepoint.com\/:f:\/g\/personal\/reverbdata_esml_ipl_pt\/IgCPckdDnTCQSIDJBnrG64DWAdmq5gOgpGafv3lWtk6Pc5Y?e=6IP7nd\" style=\"border-style:none;border-width:0px\"><strong>Download<\/strong><\/a><\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-b192c3d7 wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-outline is-style-outline--1\"><a class=\"wp-block-button__link has-custom-color-1-color has-white-background-color has-text-color has-background has-link-color wp-element-button\" href=\"https:\/\/reverbdata.ipl.pt\/pt\/#royal-palace-of-madrid\">Voltar ao Pal\u00e1cio Real de Madrid<\/a><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-right is-layout-flex wp-container-core-buttons-is-layout-b507c051 wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-fill\"><a class=\"wp-block-button__link has-heading-color has-white-background-color has-text-color has-background has-link-color wp-element-button\" href=\"https:\/\/reverbdata.ipl.pt\/pt\/\">Voltar \u00e0 Pagina Inicial<\/a><\/div>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>The Royal Chapel&#8217;s geometry is extremely complex, and it can be divided into five main areas. Upon entering, visitors are greeted by the antechapel, a rectangular space measuring 15.5m x 9.1m. This space leads to the sacristy on the east side and the reliquary on the west side. The antechapel is connected to the nave [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":611,"parent":514,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-3040","page","type-page","status-publish","has-post-thumbnail","hentry"],"featured_image_src":"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/Church_comp.png","_links":{"self":[{"href":"https:\/\/reverbdata.ipl.pt\/pt\/wp-json\/wp\/v2\/pages\/3040","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/reverbdata.ipl.pt\/pt\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/reverbdata.ipl.pt\/pt\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/reverbdata.ipl.pt\/pt\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/reverbdata.ipl.pt\/pt\/wp-json\/wp\/v2\/comments?post=3040"}],"version-history":[{"count":5,"href":"https:\/\/reverbdata.ipl.pt\/pt\/wp-json\/wp\/v2\/pages\/3040\/revisions"}],"predecessor-version":[{"id":3132,"href":"https:\/\/reverbdata.ipl.pt\/pt\/wp-json\/wp\/v2\/pages\/3040\/revisions\/3132"}],"up":[{"embeddable":true,"href":"https:\/\/reverbdata.ipl.pt\/pt\/wp-json\/wp\/v2\/pages\/514"}],"wp:attachment":[{"href":"https:\/\/reverbdata.ipl.pt\/pt\/wp-json\/wp\/v2\/media?parent=3040"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}