{"id":514,"date":"2024-08-13T18:26:29","date_gmt":"2024-08-13T18:26:29","guid":{"rendered":"https:\/\/reverbdata.ipl.pt\/?page_id=514"},"modified":"2026-08-03T13:17:55","modified_gmt":"2026-08-03T13:17:55","slug":"reverbdata","status":"publish","type":"page","link":"https:\/\/reverbdata.ipl.pt\/pt\/","title":{"rendered":"Mainpage-Frontpage"},"content":{"rendered":"<main id=\"mainpage\" class=\"wp-block-group has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\" style=\"margin-top:0px;margin-bottom:0px\">\n<div class=\"wp-block-group bannerimage has-global-padding is-layout-constrained wp-container-core-group-is-layout-54e45203 wp-block-group-is-layout-constrained\" style=\"margin-top:0px;padding-top:0;padding-right:0;padding-bottom:0;padding-left:0\">\n<div class=\"wp-block-cover alignwide has-custom-content-position is-position-bottom-center banner-image-cover\" style=\"min-height:900px;aspect-ratio:unset;\"><img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1920\" class=\"wp-block-cover__image-background wp-image-19\" alt=\"\" src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/07\/IMG_1508-scaled.jpg\" style=\"object-position:25% 50%\" data-object-fit=\"cover\" data-object-position=\"25% 50%\" srcset=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/07\/IMG_1508-scaled.jpg 2560w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/07\/IMG_1508-300x225.jpg 300w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/07\/IMG_1508-1024x768.jpg 1024w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/07\/IMG_1508-768x576.jpg 768w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/07\/IMG_1508-1536x1152.jpg 1536w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/07\/IMG_1508-2048x1536.jpg 2048w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-60 has-background-dim\" style=\"background-color:#000e0d\"><\/span><div class=\"wp-block-cover__inner-container has-global-padding is-layout-constrained wp-block-cover-is-layout-constrained\">\n<div class=\"wp-block-group banner-content wow slideInDown has-global-padding is-layout-constrained wp-container-core-group-is-layout-c1abb2c1 wp-block-group-is-layout-constrained\">\n<h1 class=\"wp-block-heading has-text-align-center alignfull has-white-color has-text-color has-link-color wp-elements-dcbb41acfe91f27b62b8c52c5bd4ac96\" id=\"0-reverbdata-%E2%80%93-acoustic-heritage-of-significant-portuguese-spaces-database-of-room-impulse-responses-%E2%80%93-rir\" style=\"padding-bottom:var(--wp--preset--spacing--50);font-size:40px;text-transform:none\">REVERBDATA \u2013 Patrim\u00f3nio Ac\u00fastico de Espa\u00e7os Portugueses Significativos (Base de dados com Respostas ao Impulso \u2013 RIR)<\/h1>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center\" id=\"1-post-views-\" style=\"font-size:12px\"><code><div class=\"post-views content-post post-514 entry-meta load-static\">\r\n\t\t\t\t<span class=\"post-views-icon dashicons dashicons-chart-bar\"><\/span> <span class=\"post-views-label\">Acessos \u00e0 p\u00e1gina<\/span> <span class=\"post-views-count\">92126<\/span>\r\n\t\t\t<\/div><\/code><\/h2>\n<\/div>\n<\/div><\/div>\n<\/div>\n\n\n\n<div id=\"About\" class=\"wp-block-group service-section has-white-background-color has-background has-global-padding is-content-justification-center is-layout-constrained wp-container-core-group-is-layout-93de39e5 wp-block-group-is-layout-constrained\" style=\"margin-top:0;margin-bottom:0;padding-top:var(--wp--preset--spacing--80);padding-bottom:var(--wp--preset--spacing--80)\">\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-935a068e wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-ee2332cf wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\">\n<h2 class=\"wp-block-heading has-text-align-left has-custom-color-1-color has-text-color has-link-color wp-elements-abf40077c5129d8018bb736716e41da9\" id=\"2-about-reverbdata\" style=\"text-transform:uppercase\">Acerca REVERBDATA<\/h2>\n\n\n\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--50)\">REVERBDATA \u00e9 uma base de dados com Patrim\u00f3nio Ac\u00fastico de espa\u00e7os Portugueses significativos. Contem Respostas ao Impulso de Espa\u00e7os (RIR) de espa\u00e7os que s\u00e3o selecionados com base na sua import\u00e2ncia do ponto de vista ac\u00fastico, arquitet\u00f3nico, cultural e funcional. Respostas ao impulso multicanal s\u00e3o registadas em diversos locais dentro dos espa\u00e7os selecionados, processadas e alimentadas na base de dados, fornecendo uma interface para navega\u00e7\u00e3o e gera\u00e7\u00e3o de reverbera\u00e7\u00e3o artificial. Utilizando t\u00e9cnicas avan\u00e7adas e otimizadas de medi\u00e7\u00e3o e processamento, as RIR s\u00e3o adquiridas sob diferentes formatos multicanal para permitir posteriormente uma reprodu\u00e7\u00e3o sonora imersiva e precisa atrav\u00e9s de reverbera\u00e7\u00e3o por convolu\u00e7\u00e3o FFT. As bases de dados contendo respostas ao impulso de espa\u00e7os t\u00eam sido desenvolvidas e exploradas em \u00e1udio e ac\u00fastica, fornecendo uma valiosa cole\u00e7\u00e3o de informa\u00e7\u00e3o ac\u00fastica medida ou simulada que descreve quase completamente as caracter\u00edsticas ac\u00fasticas dos diferentes espa\u00e7os.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\">Os dados dividem-se em documenta\u00e7\u00e3o arquitet\u00f3nica, medi\u00e7\u00f5es ac\u00fasticas com informa\u00e7\u00e3o associada e materiais fotogr\u00e1ficos. No que diz respeito \u00e0s medi\u00e7\u00f5es ac\u00fasticas, est\u00e1 dispon\u00edvel o \u00e1udio em bruto contendo os varrimentos e os RIR gravados in situ, bem como o \u00e1udio p\u00f3s-processado contendo os mesmos RIR. Os RIRs est\u00e3o subdivididos em duas categorias, a primeira contendo as respostas est\u00e9reo e binaurais (como ficheiros de ondas de 4 canais) e a segunda contendo as respostas Ambisonics nos formatos A e B. Neste \u00faltimo caso as respostas est\u00e3o dispon\u00edveis nos formatos ACN\/AMBIX. As respostas est\u00e9reo-binaural est\u00e3o dispon\u00edveis normalizadas para o valor m\u00e1ximo \u00b11 ou escalonadas de acordo com as dist\u00e2ncias fonte-receptor. Por conveni\u00eancia, os RIR mono adquiridos atrav\u00e9s do software ARTA (v1.9.7) est\u00e3o tamb\u00e9m dispon\u00edveis na Base de Dados. Para cada RIR p\u00f3s-processado, os principais par\u00e2metros objetivos da ac\u00fastica da sala (valores de banda larga e banda de oitava) est\u00e3o dispon\u00edveis num ficheiro .txt.<\/p>\n\n\n\n<div class=\"wp-block-group has-custom-color-1-background-color has-background has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\">\n<p class=\"justify-text has-white-color has-text-color has-link-color wp-elements-18852e6efb453fd217beff555cffbff7 wp-block-paragraph\" style=\"margin-right:0;margin-left:0;padding-right:1rem;padding-left:1rem;font-size:20px\"><strong>O que \u00e9 uma Resposta ao Impulso de um Espa\u00e7o?<\/strong> <\/p>\n\n\n\n<p class=\"justify-text has-white-color has-text-color has-link-color wp-elements-d5ac9a5c3a9eae4ee4cb885baccd35c9 wp-block-paragraph\" style=\"margin-right:0;margin-left:0;padding-right:1rem;padding-left:1rem\">Uma Resposta ao Impulso de um Espa\u00e7o (RIR) \u00e9 como uma fotografia ac\u00fastica de um espa\u00e7o. Cont\u00e9m informa\u00e7\u00e3o completa sobre como o som \u00e9 ouvido e percebido dentro do espa\u00e7o devido \u00e0 reverbera\u00e7\u00e3o.<\/p>\n\n\n\n<p class=\"justify-text has-white-color has-text-color has-link-color wp-elements-f54ad6ae3fec3989ea47912a788e52e0 wp-block-paragraph\" style=\"margin-right:0;margin-left:0;padding-right:1rem;padding-left:1rem\"> A reverbera\u00e7\u00e3o \u00e9 um fen\u00f3meno auditivo comum experimentado diariamente, resultante da intera\u00e7\u00e3o do som com o meio envolvente. Este efeito, que \u00e9 particularmente aud\u00edvel em espa\u00e7os fechados devido aos numerosos ecos que surgem, \u00e9 muitas vezes incorporado artificialmente na m\u00fasica gravada e produzida electronicamente, bem como noutros meios de comunica\u00e7\u00e3o como o cinema, aplica\u00e7\u00f5es de realidade virtual e jogos de computador. Usando RIRs juntamente com uma t\u00e9cnica chamada reverbera\u00e7\u00e3o por convolu\u00e7\u00e3o podemos obter a exacta sensa\u00e7\u00e3o ac\u00fastica experimentada em espa\u00e7os reais.<\/p>\n<\/div>\n\n\n\n<div style=\"height:70px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div id=\"Spaces\" class=\"wp-block-group has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\">\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-left has-custom-color-1-color has-text-color has-link-color wp-elements-80a188d3caf696f65384c306b9701d26\" id=\"3-portuguese-spaces\" style=\"text-transform:uppercase\">Espa\u00e7os Portugueses<\/h2>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-custom-color-1-color has-alpha-channel-opacity has-custom-color-1-background-color has-background is-style-wide\"\/>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/07\/REVERBDATA_SPACES_CAT_10_Por.png\" alt=\"\" class=\"wp-image-2656\" style=\"width:750px\" srcset=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/07\/REVERBDATA_SPACES_CAT_10_Por.png 1280w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/07\/REVERBDATA_SPACES_CAT_10_Por-300x169.png 300w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/07\/REVERBDATA_SPACES_CAT_10_Por-1024x576.png 1024w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/07\/REVERBDATA_SPACES_CAT_10_Por-768x432.png 768w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/07\/REVERBDATA_SPACES_CAT_10_Por-18x10.png 18w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/07\/REVERBDATA_SPACES_CAT_10_Por-200x113.png 200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-custom-color-1-color has-alpha-channel-opacity has-custom-color-1-background-color has-background is-style-wide\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-7387b849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<h3 class=\"wp-block-heading has-text-align-left has-custom-color-1-color has-text-color has-link-color wp-elements-139451dca0236a81bc3cf0c923bc743e\" id=\"3-portuguese-spaces_list-\" style=\"padding-top:var(--wp--preset--spacing--40);padding-bottom:0;text-transform:capitalize\">Lista dos Espa\u00e7os Portugueses<\/h3>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-7387b849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"padding-top:0;padding-right:0;padding-bottom:0;padding-left:0;flex-basis:60%\">\n<ul class=\"wp-block-list\">\n<li class=\"has-body-text-color has-text-color has-link-color wp-elements-720a89b7cbf2a21ac98bf541302e99ff\" style=\"margin-top:var(--wp--preset--spacing--20);margin-bottom:var(--wp--preset--spacing--20);font-size:18px\"><a href=\"#calouste-gulbenkian-foundation\">Funda\u00e7\u00e3o Calouste Gulbenkian<\/a> <strong>\u2460<\/strong><\/li>\n\n\n\n<li class=\"has-body-text-color has-text-color has-link-color wp-elements-a5975e4a1b56a6459dca812277042314\" style=\"margin-top:var(--wp--preset--spacing--20);margin-bottom:var(--wp--preset--spacing--20);font-size:18px\"><a href=\"#cartuxa-monastery\">Mosteiro da Cartuxa<\/a> <strong>\u2461<\/strong><\/li>\n\n\n\n<li class=\"has-body-text-color has-text-color has-link-color wp-elements-8f1ee7dac8db68b3652ef04aa03cddab\" style=\"margin-top:var(--wp--preset--spacing--20);margin-bottom:var(--wp--preset--spacing--20);font-size:18px\"><a href=\"#coliseu-micaelense\">Coliseu Micaelense<\/a> <strong>\u2462<\/strong><\/li>\n\n\n\n<li class=\"has-body-text-color has-text-color has-link-color wp-elements-7f6d696467d9ccb8cf59f6afed6e94af\" style=\"margin-top:var(--wp--preset--spacing--20);margin-bottom:var(--wp--preset--spacing--20);font-size:18px\"><a href=\"#convent-of-christ\">Convento de Cristo<\/a> (Patrim\u00f3nio Mundial da UNESCO) <strong>\u2463<\/strong><\/li>\n\n\n\n<li class=\"has-body-text-color has-text-color has-link-color wp-elements-87ad0f1b4866549b80d362f827041529\" style=\"margin-top:var(--wp--preset--spacing--20);margin-bottom:var(--wp--preset--spacing--20);font-size:18px\"><a href=\"#lisbon-aqueduct\">Aqueduto das \u00c1guas Livres de Lisboa<\/a> <strong>\u2460<\/strong><\/li>\n\n\n\n<li class=\"has-body-text-color has-text-color has-link-color wp-elements-5661fa49d43948b3023e8aa6a963b29b\" style=\"margin-top:var(--wp--preset--spacing--20);margin-bottom:var(--wp--preset--spacing--20);font-size:18px\"><a href=\"#lisbon-cathedral\">S\u00e9 de Lisboa<\/a> <strong>\u2460<\/strong><\/li>\n\n\n\n<li class=\"has-body-text-color has-text-color has-link-color wp-elements-18542ada646cc3bb0bee1e4b801398df\" style=\"margin-top:var(--wp--preset--spacing--20);margin-bottom:var(--wp--preset--spacing--20);font-size:18px\"><a href=\"#lisbon-school-of-education\">Escola Superior de Educa\u00e7\u00e3o de Lisboa<\/a> <strong>\u2460<\/strong><\/li>\n\n\n\n<li class=\"has-body-text-color has-text-color has-link-color wp-elements-3b3d85cca4ec1fed1e19c35c7d0a7b3e\" style=\"margin-top:var(--wp--preset--spacing--20);margin-bottom:var(--wp--preset--spacing--20);font-size:18px\"><a href=\"#lisbon-school-of-music\">Escola Superior de M\u00fasica de Lisboa<\/a> <strong>\u2460<\/strong><\/li>\n\n\n\n<li class=\"has-body-text-color has-text-color has-link-color wp-elements-574ef70e2b2591421f08d73b0abc8727\" style=\"margin-top:var(--wp--preset--spacing--20);margin-bottom:var(--wp--preset--spacing--20);font-size:18px\"><a href=\"#lourinha-mercy-church\">Igreja da Miseric\u00f3rdia da Lourinh\u00e3<\/a> <strong>\u2464<\/strong><\/li>\n\n\n\n<li class=\"has-body-text-color has-text-color has-link-color wp-elements-186510b3b3189e0836a790715fc60a7a\" style=\"margin-top:var(--wp--preset--spacing--20);margin-bottom:var(--wp--preset--spacing--20);font-size:18px\"><a href=\"#lux-fragil-nightclub\">Bar\/Discoteca Lux Fr\u00e1gil<\/a> <strong>\u2460<\/strong><\/li>\n\n\n\n<li class=\"has-body-text-color has-text-color has-link-color wp-elements-e3cc9ae4d80ce9dcf0827f40dceae606\" style=\"margin-top:var(--wp--preset--spacing--20);margin-bottom:var(--wp--preset--spacing--20);font-size:18px\"><a href=\"#monastery-of-alcobaca\">Mosteiro de Alcoba\u00e7a<\/a> (Patrim\u00f3nio Mundial da UNESCO) <strong>\u2465<\/strong><\/li>\n\n\n\n<li class=\"has-body-text-color has-text-color has-link-color wp-elements-91b322682b540badb10d652b43c01b79\" style=\"margin-top:var(--wp--preset--spacing--20);margin-bottom:var(--wp--preset--spacing--20);font-size:18px\"><a href=\"#monastery-of-batalha\">Mosteiro da Batalha<\/a> (Patrim\u00f3nio Mundial da UNESCO) <strong>\u2466<\/strong><\/li>\n\n\n\n<li class=\"has-body-text-color has-text-color has-link-color has-medium-font-size wp-elements-de68bb4309dfed11c2ed21575548a3e9\"><a href=\"#monastery-of-jeronimos\">Mosteiro dos Jer\u00f3nimos<\/a> (Patrim\u00f3nio Mundial da UNESCO) <strong>\u2460<\/strong><\/li>\n\n\n\n<li class=\"has-body-text-color has-text-color has-link-color wp-elements-972729c165d0c311e88ab6ff6fe14976\" style=\"margin-top:var(--wp--preset--spacing--20);margin-bottom:var(--wp--preset--spacing--20);font-size:18px\"><a href=\"#national-palace-of-mafra\">Pal\u00e1cio Nacional de Mafra<\/a> (Patrim\u00f3nio Mundial da UNESCO) <strong>\u2467<\/strong><\/li>\n\n\n\n<li class=\"has-body-text-color has-text-color has-link-color wp-elements-d6713b1c5af18b9094f729658971f140\" style=\"margin-top:var(--wp--preset--spacing--20);margin-bottom:var(--wp--preset--spacing--20);font-size:18px\"><a href=\"#national-pantheon\">Pante\u00e3o Nacional<\/a> <strong>\u2460<\/strong><\/li>\n\n\n\n<li class=\"has-body-text-color has-text-color has-link-color wp-elements-6fe36c50a49d0a718e538a1a3561983c\" style=\"margin-top:var(--wp--preset--spacing--20);margin-bottom:var(--wp--preset--spacing--20);font-size:18px\"><a href=\"#national-theatre-d-maria-ii\">Teatro Nacional D. Maria II<\/a> <strong>\u2460<\/strong><\/li>\n\n\n\n<li class=\"has-body-text-color has-text-color has-link-color has-medium-font-size wp-elements-50ee365c86dc2d7e26c7c75e32b7213f\"><a href=\"#portuguese-parliament\">Parlamento Portugu\u00eas (Assembleia da Rep\u00fablica)<\/a> <strong>\u2460<\/strong><\/li>\n\n\n\n<li class=\"has-body-text-color has-text-color has-link-color wp-elements-84e1b3aca205ffbdeb73efa244799d3e\" style=\"margin-top:var(--wp--preset--spacing--20);margin-bottom:var(--wp--preset--spacing--20);font-size:18px\"><a href=\"#sao-carlos-national-theatre\">Teatro Nacional de S\u00e3o Carlos<\/a> <strong>\u2460<\/strong><\/li>\n\n\n\n<li class=\"has-body-text-color has-text-color has-link-color wp-elements-a7c32944ed946ee5b4d0af4d1087c308\" style=\"margin-top:var(--wp--preset--spacing--20);margin-bottom:var(--wp--preset--spacing--20);font-size:18px\"><a href=\"#st-dominic-convent\">Convento de S. Domingos<\/a> <strong>\u2460<\/strong><\/li>\n\n\n\n<li class=\"has-body-text-color has-text-color has-link-color wp-elements-a11efcfff014524bbdf10923c1d3aa12\" style=\"margin-top:var(--wp--preset--spacing--20);margin-bottom:var(--wp--preset--spacing--20);font-size:18px\"><a href=\"#st-george-cinema\">Cinema S. Jorge<\/a> <strong>\u2460<\/strong><\/li>\n\n\n\n<li class=\"has-body-text-color has-text-color has-link-color wp-elements-47c033188da53fc13da36c5be7303200\" style=\"margin-top:var(--wp--preset--spacing--20);margin-bottom:var(--wp--preset--spacing--20);font-size:18px\"><a href=\"#sao-vicente-de-fora-monastery\">Mosteiro de S\u00e3o Vicente de Fora<\/a> <strong>\u2460<\/strong><\/li>\n\n\n\n<li class=\"has-body-text-color has-text-color has-link-color has-medium-font-size wp-elements-605b75c9ad501119e29b1bee8c62235e\"><a href=\"#shrine-of-fatima\" data-type=\"internal\" data-id=\"#shrine-of-fatima\">Santu\u00e1rio de Nossa Senhora do Ros\u00e1rio de F\u00e1tima<\/a> <strong>\u2468<\/strong><\/li>\n<\/ul>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:40%\">\n<figure class=\"wp-block-image size-large\" style=\"margin-right:0;margin-left:0\"><img loading=\"lazy\" decoding=\"async\" width=\"532\" height=\"1024\" src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/07\/Localizacoes_4b-532x1024.jpg\" alt=\"\" class=\"wp-image-2793\" srcset=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/07\/Localizacoes_4b-532x1024.jpg 532w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/07\/Localizacoes_4b-156x300.jpg 156w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/07\/Localizacoes_4b-768x1478.jpg 768w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/07\/Localizacoes_4b-798x1536.jpg 798w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/07\/Localizacoes_4b-1064x2048.jpg 1064w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/07\/Localizacoes_4b-6x12.jpg 6w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/07\/Localizacoes_4b-200x385.jpg 200w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/07\/Localizacoes_4b-scaled.jpg 1330w\" sizes=\"auto, (max-width: 532px) 100vw, 532px\" \/><\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-custom-color-1-color has-alpha-channel-opacity has-custom-color-1-background-color has-background is-style-wide\"\/>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 id=\"5-demo-video-clip\" class=\"wp-block-heading has-custom-color-1-color has-text-color has-link-color wp-elements-e4906c2d8442b9c3a327503a5c9bc24d\">V\u00eddeo de Demonstra\u00e7\u00e3o<\/h3>\n\n\n\n<figure class=\"wp-block-video\"><video controls controlslist=\"nodownload noplaybackrate noremoteplayback\" src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/10\/REVERBDATA-Demo-v3.mp4\"><\/video><\/figure>\n\n\n\n<p class=\"has-custom-color-1-color has-text-color has-link-color has-medium-font-size wp-elements-f611dadb51f76b407be9584b8cab08ca wp-block-paragraph\" style=\"margin-top:16px;margin-bottom:16px\">Demonstra\u00e7\u00e3o da aplica\u00e7\u00e3o do REVERBDATA:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"margin-top:0px;margin-bottom:0px;padding-top:0;padding-right:0;padding-bottom:0;padding-left:0\">Visita virtual a museus e monumentos com uma experi\u00eancia sonora REALMENTE IMERSIVA.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"margin-top:4px;margin-bottom:4px\">(Tributo a Berta Alves de Sousa 1906-1997)<\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-custom-color-1-color has-alpha-channel-opacity has-custom-color-1-background-color has-background is-style-wide\"\/>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 id=\"calouste-gulbenkian-foundation\" class=\"wp-block-heading has-custom-color-1-color has-text-color has-link-color wp-elements-62cdddfaae80f074a49223079d22d7cb\" style=\"padding-top:var(--wp--preset--spacing--40)\"><strong>Funda\u00e7\u00e3o Calouste Gulbenkian<\/strong><\/h3>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-7387b849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\">\n<h4 class=\"wp-block-heading has-text-align-left has-custom-color-1-color has-text-color has-link-color wp-elements-32035c2fa5487db5ea1efc797aeb8d1c\" id=\"7-grand-auditorium\">Grande Audit\u00f3rio<\/h4>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:45% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/07\/Gulbenkian-Great-Hall-1024x768.png\" alt=\"\" class=\"wp-image-31 size-full\" srcset=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/07\/Gulbenkian-Great-Hall-1024x768.png 1024w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/07\/Gulbenkian-Great-Hall-300x225.png 300w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/07\/Gulbenkian-Great-Hall-768x576.png 768w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/07\/Gulbenkian-Great-Hall-1536x1152.png 1536w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/07\/Gulbenkian-Great-Hall-2048x1536.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:-0.2rem\">O Grande Audit\u00f3rio da Funda\u00e7\u00e3o Calouste Gulbenkian em Lisboa teve o seu concerto inaugural no dia 3 de Outubro de 1969, um dia ap\u00f3s a inaugura\u00e7\u00e3o oficial deste complexo. Com uma ac\u00fastica excepcional, a sua concep\u00e7\u00e3o e constru\u00e7\u00e3o visaram acolher diversas actividades culturais, nomeadamente m\u00fasica sinf\u00f3nica e coral-sinf\u00f3nica, congressos e confer\u00eancias, ballet, teatro e cinema. O espa\u00e7o foi projectado pelos arquitectos portugueses Alberto Pessoa, Pedro Cid e Ruy d\u2019 Athouguia e pelo ac\u00fastico brit\u00e2nico William Alexander Allen. Renovado em 2014, tendo a ARUP como consultora ac\u00fastica, o Grande Audit\u00f3rio tem capacidade para 1203 pessoas, distribu\u00eddas por 36 filas em 3 n\u00edveis distintos.<\/p>\n\n\n\n<p class=\"justify-text has-vivid-red-color has-text-color has-link-color has-extra-small-font-size wp-elements-aac2010fcbc2379e26c5f3d08084269d wp-block-paragraph\" style=\"margin-top:-0.2rem\"><a href=\"https:\/\/google.com\/maps\/?q=38\u00b044'12&quot;N,9\u00b009'15&quot;W\" target=\"_blank\" rel=\"noreferrer noopener\">GPS: 38\u00b0 44&#8242; 12&#8243; N , 09\u00b0 09&#8242; 15&#8243; W<\/a><\/p>\n\n\n\n<p class=\"has-text-align-right has-secondary-color has-text-color has-link-color wp-elements-0b7593a1bd943bedbf3f74c511e3fba2 wp-block-paragraph\"><a href=\"https:\/\/reverbdata.ipl.pt\/pt\/reverbdata\/gulbenkian-hall\/\" data-type=\"link\" data-id=\"https:\/\/reverbdata.ipl.pt\/reverbdata\/gulbenkian-hall\/\">Ou\u00e7a algumas amostras de \u00e1udio e obtenha os ficheiros RIR<\/a><\/p>\n<\/div><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-826109c2 wp-block-buttons-is-layout-flex\" style=\"padding-right:0;padding-left:0rem\">\n<div class=\"wp-block-button is-style-outline is-style-outline--1\"><a class=\"wp-block-button__link has-base-color has-custom-color-1-background-color has-text-color has-background has-link-color has-text-align-left has-extra-small-font-size has-custom-font-size wp-element-button\" href=\"#3-portuguese-spaces_list-\" style=\"padding-right:var(--wp--preset--spacing--30);padding-left:var(--wp--preset--spacing--30)\">Ir para a lista de Espa\u00e7os Portugueses<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-custom-color-1-color has-alpha-channel-opacity has-custom-color-1-background-color has-background is-style-wide\"\/>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 id=\"cartuxa-monastery\" class=\"wp-block-heading has-custom-color-1-color has-text-color has-link-color wp-elements-5f38f8331cb10e536a973bd3cfbb7dd2\" style=\"padding-top:var(--wp--preset--spacing--40)\"><strong>Mosteiro da Cartuxa<\/strong><\/h3>\n\n\n\n<div class=\"wp-block-media-text has-media-on-the-right is-stacked-on-mobile is-vertically-aligned-top\"><div class=\"wp-block-media-text__content\">\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:0;margin-right:0;margin-bottom:0;padding-left:0\">O projeto para uma Igreja Nova nasce com o plano geral do Mosteiro de D. Bas\u00edlio de Faria,  Prior  de  Vallis  Misericordiae  entre  1613  e  1621. No  entanto  a  constru\u00e7\u00e3o  da  Igreja  foi  arrastada para uma segunda fase de obras, pois impunha-se a necessidade da constru\u00e7\u00e3o do Ermit\u00e9rio. Cerca de um s\u00e9culo depois, no priorato de D. Lu\u00eds de Brito (1716 - 1746), re\u00fanem-se as condi\u00e7\u00f5es  econ\u00f3micas  que  permitem  avan\u00e7ar  com  a  segunda  fase  de  constru\u00e7\u00f5es  do Mosteiro Novo, muito gra\u00e7as \u00e0s esmolas recolhidas por Greg\u00f3rio dos Santos no Brasil, que come\u00e7aram  a  chegar  a  Laveiras  no  ano  1727. A  25  de  mar\u00e7o de  1733,  realiza-se  uma segunda  b\u00ean\u00e7\u00e3o  da  Igreja  e  lan\u00e7a-se  a  primeira  pedra  da  constru\u00e7\u00e3o,  na  presen\u00e7a  do primeiro patriarca de Lisboa, D. Tom\u00e1s de Almeida.  Segundo alguns autores as obras propriamente ditas, ter\u00e3o iniciado em 1736. Nesse ano, o Frei Greg\u00f3rio consegue arrecadar mais 99.800 reis de benfeitores em Portugal e o Mosteiro recebe uma generosa contribui\u00e7\u00e3o do rei D. Jo\u00e3o V para as obras da Igreja Nova.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-right:0;margin-left:0rem\">Retirado do artigo: Guerin, A.; Marrinhas, M. L.; Bulh\u00f5es, D. , \u201cSanta Maria Vallis Misericordiae \u2013 A Cartuxa em Oeiras\u201d, Municipality of Oeiras, Oeiras 2023.<\/p>\n\n\n\n<p class=\"has-vivid-red-color has-text-color has-link-color has-extra-small-font-size wp-elements-9f95162a27d61ca66fe71bdeddcdb2dc wp-block-paragraph\"><a href=\"https:\/\/google.com\/maps\/?q=38\u00b042'12.64&quot;N,9\u00b016'22.93&quot;W\" target=\"_blank\" rel=\"noreferrer noopener\">GPS: 38\u00b0 42&#8242; 12&#8243; N , 09\u00b0 16&#8242; 23&#8243; W<\/a><\/p>\n<\/div><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"918\" height=\"1024\" src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/cartuxa_laveiras-918x1024.png\" alt=\"\" class=\"wp-image-720 size-full\" srcset=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/cartuxa_laveiras-918x1024.png 918w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/cartuxa_laveiras-269x300.png 269w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/cartuxa_laveiras-768x857.png 768w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/cartuxa_laveiras-11x12.png 11w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/cartuxa_laveiras-200x223.png 200w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/cartuxa_laveiras.png 1181w\" sizes=\"auto, (max-width: 918px) 100vw, 918px\" \/><\/figure><\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-7387b849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\">\n<h4 class=\"wp-block-heading has-text-align-left has-custom-color-1-color has-text-color has-link-color wp-elements-6deb25bc3f201e8145b3a45ec30d13bc\" id=\"9-church\">Igreja<\/h4>\n\n\n\n<div style=\"height:8px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top\" style=\"border-style:none;border-width:0px;border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-left-radius:0px;border-bottom-right-radius:0px;margin-top:0;padding-bottom:0;grid-template-columns:45% auto\"><figure class=\"wp-block-media-text__media\"><img decoding=\"async\" src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/07\/Cartuxa-Church.png\" alt=\"\" class=\"wp-image-30 size-full\"\/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:-0.2rem\">Em 1746 a Igreja j\u00e1 estava edificada e em uso, faltando somente o painel da capela mor, e no frontisp\u00edcio o nicho de Nossa Senhora e fogar\u00e9us do seu remate, o que logo se conclui-o.  A Igreja Nova \u00e9 edificada a Sul do Eremit\u00e9rio e alinhada com o eixo deste, como tradi\u00e7\u00e3o da arquitetura mon\u00e1stico da Ordem de S\u00e3o Bruno. A oeste encontra-se o Claustro Pequeno e respetivas depend\u00eancias da vida comunit\u00e1ria mon\u00e1stica. A arquitetura e distribui\u00e7\u00e3o dos espa\u00e7os de uma Igreja Cartuxa est\u00e1 ao servi\u00e7o de um culto que obedecesse a regras e estatutos espec\u00edficos da Ordem de S. Bruno, raz\u00e3o pela qual o espa\u00e7o apresenta caracter\u00edsticas pr\u00f3prias da Ordem.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:-0.2rem\">A igreja, de ampla fachada em pedra calc\u00e1ria, \u00e9 encimada por uma imagem da Virgem com o Menino e foi constru\u00edda no s\u00e9culo XVIII. Pela sua excelente ac\u00fastica, este espa\u00e7o tem recebido regularmente concertos da Orquestra Metropolitana de Lisboa e da Orquestra de Cascais e Oeiras.<\/p>\n\n\n\n<p class=\"has-text-align-right has-secondary-color has-text-color has-link-color wp-elements-f132b0d7cc6410c43fce2c66f514824e wp-block-paragraph\"><a href=\"https:\/\/reverbdata.ipl.pt\/pt\/reverbdata\/cartuxa-monastery-church\/\" data-type=\"link\" data-id=\"https:\/\/reverbdata.ipl.pt\/reverbdata\/cartuxa-monastery-church\/\">Ou\u00e7a algumas amostras de \u00e1udio e obtenha os ficheiros RIR<\/a><\/p>\n<\/div><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-826109c2 wp-block-buttons-is-layout-flex\" style=\"padding-right:0;padding-left:0rem\">\n<div class=\"wp-block-button is-style-outline is-style-outline--2\"><a class=\"wp-block-button__link has-base-color has-custom-color-1-background-color has-text-color has-background has-link-color has-text-align-left has-extra-small-font-size has-custom-font-size wp-element-button\" href=\"#3-portuguese-spaces_list-\" style=\"padding-right:var(--wp--preset--spacing--30);padding-left:var(--wp--preset--spacing--30)\">Ir para a lista de Espa\u00e7os Portugueses<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-custom-color-1-color has-alpha-channel-opacity has-custom-color-1-background-color has-background is-style-wide\"\/>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 id=\"coliseu-micaelense\" class=\"wp-block-heading has-custom-color-1-color has-text-color has-link-color wp-elements-1493ef1343bb9588aa490f930d497505\" style=\"padding-top:var(--wp--preset--spacing--40)\"><strong>Coliseu Micaelense<\/strong><\/h3>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top\" style=\"padding-top:0;grid-template-columns:45% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"776\" height=\"508\" src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/07\/Coliseu-Micaelense.png\" alt=\"\" class=\"wp-image-23 size-full\" srcset=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/07\/Coliseu-Micaelense.png 776w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/07\/Coliseu-Micaelense-300x196.png 300w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/07\/Coliseu-Micaelense-768x503.png 768w\" sizes=\"auto, (max-width: 776px) 100vw, 776px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:-0.2rem\">Situado na cidade de Ponta Delgada, \u00e9 o maior espa\u00e7o de entretenimento da Regi\u00e3o Aut\u00f3noma dos A\u00e7ores. Constru\u00eddo em 1917, foi adquirido, remodelado e reinaugurado pela C\u00e2mara Municipal de Ponta Delgada em 2005. Pode acolher uma grande variedade de eventos, desde espect\u00e1culos em audit\u00f3rio convencional e espect\u00e1culos em arena de circo, a espect\u00e1culos como caf\u00e9-concerto, concertos de rock, banquetes, casino, congressos, feiras e bailes.<\/p>\n\n\n\n<p class=\"has-vivid-red-color has-text-color has-link-color has-extra-small-font-size wp-elements-e29bdbd160034aa7e604384896cc94b4 wp-block-paragraph\"><a href=\"https:\/\/google.com\/maps\/?q=37\u00b044'20&quot;N,25\u00b040'29&quot;W\" target=\"_blank\" rel=\"noreferrer noopener\">GPS: 37\u00b0 44&#8242; 20&#8243; N , 25\u00b0 40&#8242; 29&#8243; W<\/a><\/p>\n\n\n\n<p class=\"has-text-align-right has-secondary-color has-text-color has-link-color wp-elements-00011066de2232a678554e97fd1af35c wp-block-paragraph\"><a href=\"https:\/\/reverbdata.ipl.pt\/pt\/reverbdata\/coliseu-micaelense\/\" data-type=\"link\" data-id=\"https:\/\/reverbdata.ipl.pt\/reverbdata\/coliseu\/\">Ou\u00e7a algumas amostras de \u00e1udio e obtenha os ficheiros RIR<\/a><\/p>\n<\/div><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-826109c2 wp-block-buttons-is-layout-flex\" style=\"padding-right:0;padding-left:0rem\">\n<div class=\"wp-block-button is-style-outline is-style-outline--3\"><a class=\"wp-block-button__link has-base-color has-custom-color-1-background-color has-text-color has-background has-link-color has-text-align-left has-extra-small-font-size has-custom-font-size wp-element-button\" href=\"#3-portuguese-spaces_list-\" style=\"padding-right:var(--wp--preset--spacing--30);padding-left:var(--wp--preset--spacing--30)\">Ir para a lista de Espa\u00e7os Portugueses<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-custom-color-1-color has-alpha-channel-opacity has-custom-color-1-background-color has-background is-style-wide\"\/>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 id=\"convent-of-christ\" class=\"wp-block-heading has-custom-color-1-color has-text-color has-link-color wp-elements-4f8a8a90705f87b2ed910d3e408ced01\" style=\"padding-top:var(--wp--preset--spacing--40)\"><strong>Convento de Cristo<\/strong><\/h3>\n\n\n\n<p class=\"has-body-text-color has-text-color has-link-color wp-elements-4b334d2e214492da546408c057952ed4 wp-block-paragraph\">Patrim\u00f3nio Mundial da UNESCO<\/p>\n\n\n\n<div class=\"wp-block-media-text has-media-on-the-right is-stacked-on-mobile is-vertically-aligned-top\"><div class=\"wp-block-media-text__content\">\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:0;margin-right:0\">O Convento de Cristo, Patrim\u00f3nio da Humanidade UNESCO, \u00e9 um conjunto edificado monumental situado na cidade de Tomar. Foi constru\u00eddo continuamente entre os s\u00e9culos 12 e 16. O Convento de Cristo \u00e9 conhecido pela sua hist\u00f3ria templ\u00e1ria e pelos seus diversos estilos arquitect\u00f3nicos e possui uma ineg\u00e1vel import\u00e2ncia hist\u00f3rica, cultural e arqueol\u00f3gica.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:0;margin-right:0\">Hoje em dia encontra-se permanentemente aberto ao p\u00fablico e ocasionalmente t\u00eam lugar no convento exibi\u00e7\u00f5es art\u00edsticas e eventos culturais como concertos e pe\u00e7as. <\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:0;margin-right:0\">Os registos ac\u00fasticos foram efectuados em 4 espa\u00e7os significativos do Convento de Cristo: na Igreja do Convento (Charola e Corpo da Igreja), no Claustro Principal D. Jo\u00e3o III, no Refeit\u00f3rio e na Cisterna (do Claustro dos Corvos), permitindo assim uma preserva\u00e7\u00e3o bastante completa e \u00fanica do patrim\u00f3nio ac\u00fastico do complexo monumental.<\/p>\n\n\n\n<p class=\"has-vivid-red-color has-text-color has-link-color has-extra-small-font-size wp-elements-5657f66f7fb6d3967bdf5485d5ee7e36 wp-block-paragraph\"><a href=\"https:\/\/google.com\/maps\/?q=39\u00b036'14.67&quot;N,08\u00b025'07.24&quot;W\" target=\"_blank\" rel=\"noreferrer noopener\">GPS: 39\u00b0 36&#8242; 15&#8243; N , 08\u00b0 25&#8242; 07&#8243; W<\/a><\/p>\n<\/div><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"745\" src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/Foto_Geral_4-1024x745.png\" alt=\"\" class=\"wp-image-609 size-full\" srcset=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/Foto_Geral_4-1024x745.png 1024w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/Foto_Geral_4-300x218.png 300w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/Foto_Geral_4-768x559.png 768w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/Foto_Geral_4-1536x1117.png 1536w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/Foto_Geral_4-2048x1490.png 2048w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/Foto_Geral_4-16x12.png 16w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/Foto_Geral_4-200x145.png 200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/div>\n\n\n\n<div style=\"height:16px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-7387b849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h4 class=\"wp-block-heading has-text-align-left has-custom-color-1-color has-text-color has-link-color wp-elements-6d9e7c2036ccc63f26640d193a771ae0\" id=\"12-charola-round-church-and-main-body-3rd-floor\">Igreja do Convento - Charola e Corpo da Igreja (3\u00ba Piso)<\/h4>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:45% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"512\" height=\"1024\" src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/Church_comp-512x1024.png\" alt=\"\" class=\"wp-image-611 size-full\" srcset=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/Church_comp-512x1024.png 512w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/Church_comp-150x300.png 150w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/Church_comp-768x1536.png 768w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/Church_comp-1024x2048.png 1024w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/Church_comp-6x12.png 6w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/Church_comp-200x400.png 200w\" sizes=\"auto, (max-width: 512px) 100vw, 512px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:-0.2rem\">Situada no 3\u00ba piso, a Igreja do Convento de Cristo \u00e9 composta pela Charola e pelo Corpo da Igreja.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\">A Charola \u00e9 um primitivo orat\u00f3rio rom\u00e2nico dos Templ\u00e1rios, em forma de rotunda fortificada e inspirado no Templo de Jerusal\u00e9m, datado do s\u00e9culo XII. Dessa \u00e9poca s\u00e3o os capit\u00e9is das colunas centrais e a pintura sobre pedra alusiva a S\u00e3o Crist\u00f3v\u00e3o. O Corpo da Igreja, constru\u00eddo na campanha manuelina de 1510-15 por Diogo Arruda e Jo\u00e3o de Castilho, inclui a nave, coro alto e o coro baixo e foi ligado \u00e0 Charola por um grande arco rasgado nos muros do velho orat\u00f3rio. O tambor interior da rotunda foi convertido em capela-mor.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\">Entre 1510-15, D. Manuel I promoveu tamb\u00e9m o enriquecimento decorativo da Igreja, atrav\u00e9s de obras de talha, estuque e pintura a fresco e a secco. Datam dessa \u00e9poca a estatu\u00e1ria de madeira da capela-mor e o cadeiral do coro alto \u2013 este desaparecido -, trabalhos concebidos pelo escultor flamengo Olivier de Gand e terminados por Fern\u00e3o Munhoz, assim como o conjunto de t\u00e1buas monumentais executadas pelo pintor r\u00e9gio Jorge Afonso. Ainda no s\u00e9culo XVI foram acrescentados quadros dos altares perif\u00e9ricos da Charola, de Greg\u00f3rio Lopes (1536-38), e a decora\u00e7\u00e3o a fresco do arco triunfal, de Domingos Vieira Serr\u00e3o e Sim\u00e3o de Abreu (1592-97).<\/p>\n\n\n\n<p class=\"has-text-align-right has-secondary-color has-text-color has-link-color wp-elements-1a982a86273d6d67b08a707e39ca59fa wp-block-paragraph\"><a href=\"https:\/\/reverbdata.ipl.pt\/pt\/reverbdata\/church-of-convent-of-christ\/\" data-type=\"page\" data-id=\"613\">Ou\u00e7a algumas amostras de \u00e1udio e obtenha os ficheiros RIR<\/a><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-7387b849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h4 class=\"wp-block-heading has-text-align-left has-custom-color-1-color has-text-color has-link-color wp-elements-aec7878ddfbdd438460516284d38707d\" id=\"13-main-cloister-d-jo%C3%A3o-iii-1st-floor\">Claustro D. Jo\u00e3o III (1\u00ba Piso)<\/h4>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:45% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/Claustro_Foto-1024x683.png\" alt=\"\" class=\"wp-image-711 size-full\" srcset=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/Claustro_Foto-1024x683.png 1024w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/Claustro_Foto-300x200.png 300w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/Claustro_Foto-768x512.png 768w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/Claustro_Foto-1536x1024.png 1536w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/Claustro_Foto-2048x1365.png 2048w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/Claustro_Foto-18x12.png 18w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/Claustro_Foto-200x133.png 200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:-0.2rem\">O Claustro Principal (Claustro D. Jo\u00e3o III), \u00e9 a obra magna do convento renascentista edificado pelo rei D. Jo\u00e3o III, extramuros do castelo, e rodeando a nave com que o pai, D. Manuel I, ampliou a igreja templ\u00e1ria.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\">Faz parte do grupo de quatro grandes claustros em torno dos quais assenta a estrutura formal da espacialidade conventual. Cont\u00edguo \u00e0 Igreja do Convento, o Claustro D. Jo\u00e3o III flanqueia a fachada sul da nave manuelina. A sua tra\u00e7a \u00e9 diversa da restante arquitectura conventual castilhiana. Refeito ap\u00f3s a morte de Diogo de Castilho, por Diogo de Torralva, no estilo maneirista do Cinquecento italiano, este claustro ir\u00e1 receber uma graciosa fonte de \u00e1gua, da lavra de Fernandes Torres, alimentada pela \u00e1gua do aqueduto conventual. \u00c9 considerado uma obra-prima da Renascen\u00e7a europeia.<\/p>\n\n\n\n<p class=\"has-text-align-right has-secondary-color has-text-color has-link-color wp-elements-19defead243d2d1bdcf078d4ddba6d4d wp-block-paragraph\"><a href=\"https:\/\/reverbdata.ipl.pt\/pt\/reverbdata\/main-cloister-d-joao-iii\/\" data-type=\"page\" data-id=\"713\">Ou\u00e7a algumas amostras de \u00e1udio e obtenha os ficheiros RIR<\/a><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-7387b849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h4 class=\"wp-block-heading has-text-align-left has-custom-color-1-color has-text-color has-link-color wp-elements-ece5b23d431e94edb6d07cbc526235c9\" id=\"14-refectory-1st-floor\">Refeit\u00f3rio (1\u00ba Piso)<\/h4>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:45% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/Refeitorio_2-1024x683.png\" alt=\"\" class=\"wp-image-722 size-full\" srcset=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/Refeitorio_2-1024x683.png 1024w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/Refeitorio_2-300x200.png 300w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/Refeitorio_2-768x512.png 768w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/Refeitorio_2-1536x1024.png 1536w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/Refeitorio_2-2048x1365.png 2048w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/Refeitorio_2-18x12.png 18w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/Refeitorio_2-200x133.png 200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:-0.2rem\">O Refeit\u00f3rio, constru\u00eddo por Jo\u00e3o de Castilho durante a grande campanha de D. Jo\u00e3o III, deve ter sido conclu\u00eddo entre 1535 e 1536 de acordo com as inscri\u00e7\u00f5es nos p\u00falpitos destinados \u00e0 leitura durante a refei\u00e7\u00e3o.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\">O espa\u00e7o possui umas interessantes nervuras perspectivadas na ab\u00f3bada e tem uma antec\u00e2mara que serviu de aparador e que comunica com a cozinha. Sob o refeit\u00f3rio localiza-se a adega do vinho e outras depend\u00eancias de cariz agr\u00edcola, em articula\u00e7\u00e3o com o laranjal (Horta dos Frades) e a cerca do Convento. A actual organiza\u00e7\u00e3o das mesas deveu-se a obras posteriores, do tempo do Semin\u00e1rio das Miss\u00f5es (1922-92).<\/p>\n\n\n\n<p class=\"has-text-align-right has-secondary-color has-text-color has-link-color wp-elements-e01cbbc7373c82db06fa525639d571d2 wp-block-paragraph\"><a href=\"https:\/\/reverbdata.ipl.pt\/pt\/reverbdata\/refectory\/\" data-type=\"page\" data-id=\"710\">Ou\u00e7a algumas amostras de \u00e1udio e obtenha os ficheiros RIR<\/a><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-7387b849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h4 class=\"wp-block-heading has-text-align-left has-custom-color-1-color has-text-color has-link-color wp-elements-4671a870c0b71612f37eed5c984e81a3\" id=\"15-cistern-of-the-crows%E2%80%99-cloister-basement\">Cisterna do Claustro dos Corvos (Subsolo)<\/h4>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:45% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/Cisterna_foto-1024x683.png\" alt=\"\" class=\"wp-image-728 size-full\" srcset=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/Cisterna_foto-1024x683.png 1024w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/Cisterna_foto-300x200.png 300w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/Cisterna_foto-768x512.png 768w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/Cisterna_foto-1536x1024.png 1536w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/Cisterna_foto-2048x1365.png 2048w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/Cisterna_foto-18x12.png 18w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/Cisterna_foto-200x133.png 200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:-0.2rem\">A Cisterna (do Claustro dos Corvos), edificado entre 1543 e 1546 por Jo\u00e3o de Castilho, foi utilizada provavelmente para regas. O pr\u00f3prio Castilho chamou a este espa\u00e7o o claustro do celeiro. A cisterna tem acesso exclusivo por uma pequena escada, junto \u00e0 porta da cozinha dos frades. <\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\">A Cisterna de formato quadrangular tem duas galerias de dupla arcada separadas por contrafortes, que sobem at\u00e9 ao 3.\u00ba registo a sul e oeste, e coberturas e suportes id\u00eanticos aos do Claustro da Micha. Rodeiam a quadra 4 corpos de 3 pisos, sendo o lado sul ocupado pelo antigo celeiro (hoje capela), o lado norte pela cozinha (piso t\u00e9rreo) e as celas do noviciado (1.\u00ba piso) e o lado este pelo Refeit\u00f3rio e pelas celas do bra\u00e7o sul dos dormit\u00f3rios.<\/p>\n\n\n\n<p class=\"has-text-align-right has-secondary-color has-text-color has-link-color wp-elements-bfc25ebf33eb4657c5bc4c372a23be68 wp-block-paragraph\"><a href=\"https:\/\/reverbdata.ipl.pt\/pt\/reverbdata\/cistern-of-the-crows-cloister\/\" data-type=\"page\" data-id=\"706\">Ou\u00e7a algumas amostras de \u00e1udio e obtenha os ficheiros RIR<\/a><\/p>\n<\/div><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-826109c2 wp-block-buttons-is-layout-flex\" style=\"padding-right:0;padding-left:0rem\">\n<div class=\"wp-block-button is-style-outline is-style-outline--4\"><a class=\"wp-block-button__link has-base-color has-custom-color-1-background-color has-text-color has-background has-link-color has-text-align-left has-extra-small-font-size has-custom-font-size wp-element-button\" href=\"#3-portuguese-spaces_list-\" style=\"padding-right:var(--wp--preset--spacing--30);padding-left:var(--wp--preset--spacing--30)\">Ir para a lista de Espa\u00e7os Portugueses<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-custom-color-1-color has-alpha-channel-opacity has-custom-color-1-background-color has-background is-style-wide\"\/>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 id=\"lisbon-aqueduct\" class=\"wp-block-heading has-custom-color-1-color has-text-color has-link-color wp-elements-f05586abd02288d5de9d5b910e7a3008\" style=\"padding-top:var(--wp--preset--spacing--40)\"><strong>Aqueduto das \u00c1guas Livres de Lisboa<\/strong><\/h3>\n\n\n\n<div class=\"wp-block-media-text has-media-on-the-right is-stacked-on-mobile is-vertically-aligned-top\"><div class=\"wp-block-media-text__content\">\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:0;margin-right:0\">Constru\u00eddo entre 1731 e 1799, por determina\u00e7\u00e3o r\u00e9gia, o Aqueduto das \u00c1guas Livres de Lisboa constituiu um vasto sistema de capta\u00e7\u00e3o e transporte de \u00e1gua, por via grav\u00edtica. Classificado como Monumento Nacional desde 1910 \u00e9 considerado uma obra not\u00e1vel da engenharia hidr\u00e1ulica.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:0;margin-right:0\">A concretiza\u00e7\u00e3o desta obra implicou o recurso \u00e0s nascentes de \u00e1gua das \u00c1guas Livres integradas na bacia hidrogr\u00e1fica da serra de Sintra, na zona de Belas, a noroeste de Lisboa.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">O trajecto escolhido coincidia, em linhas gerais, com o percurso do antigo aqueduto romano. A sua constru\u00e7\u00e3o s\u00f3 foi poss\u00edvel gra\u00e7as a um imposto denominado Real de \u00c1gua, lan\u00e7ado sobre bens essenciais como o azeite, o vinho e a carne.<\/p>\n<\/div><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"532\" src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/07\/Aqueduto_Foto_2.jpg\" alt=\"\" class=\"wp-image-2638 size-full\" srcset=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/07\/Aqueduto_Foto_2.jpg 800w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/07\/Aqueduto_Foto_2-300x200.jpg 300w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/07\/Aqueduto_Foto_2-768x511.jpg 768w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/07\/Aqueduto_Foto_2-18x12.jpg 18w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/07\/Aqueduto_Foto_2-200x133.jpg 200w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">O sistema, que resistiu ao terramoto de 1755, \u00e9 composto por: um tro\u00e7o principal, de 14 km de extens\u00e3o, com in\u00edcio na M\u00e3e de \u00c1gua Velha, em Belas, e final no Reservat\u00f3rio da M\u00e3e d\u2019\u00c1gua das Amoreiras, em Lisboa; v\u00e1rios tro\u00e7os secund\u00e1rios destinados a transportar a \u00e1gua de cerca de 60 nascentes; cinco galerias para abastecimento de cerca de 30 chafarizes da capital.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">No total, o sistema do Aqueduto das \u00c1guas Livres, dentro e fora de Lisboa, atingia cerca de 58 km de extens\u00e3o em meados do s\u00e9culo XIX, tendo as suas \u00e1guas deixado de ser aproveitadas para consumo humano apenas a partir da d\u00e9cada de 60, do s\u00e9culo XX.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A extraordin\u00e1ria arcaria do vale de Alc\u00e2ntara, numa extens\u00e3o de 941m, \u00e9 composta por 35 arcos, incluindo, entre estes, o maior arco em ogiva, em pedra, do mundo, com 65,29 m de altura e 28,86 m de largura.<\/p>\n\n\n\n<div style=\"height:16px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-7387b849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h4 class=\"wp-block-heading has-text-align-left has-custom-color-1-color has-text-color has-link-color wp-elements-101e195bad32c69ed0485d40d3c33af9\" id=\"mae-dagua-reservoire\">Reservat\u00f3rio da M\u00e3e d'\u00c1gua<\/h4>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:45% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/07\/Mae-dAgua_foto-1-1024x1024.jpg\" alt=\"\" class=\"wp-image-2639 size-full\" srcset=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/07\/Mae-dAgua_foto-1-1024x1024.jpg 1024w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/07\/Mae-dAgua_foto-1-300x300.jpg 300w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/07\/Mae-dAgua_foto-1-150x150.jpg 150w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/07\/Mae-dAgua_foto-1-768x768.jpg 768w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/07\/Mae-dAgua_foto-1-1536x1536.jpg 1536w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/07\/Mae-dAgua_foto-1-12x12.jpg 12w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/07\/Mae-dAgua_foto-1-200x200.jpg 200w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/07\/Mae-dAgua_foto-1.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:-0.2rem\">A entrada em Lisboa do Aqueduto das \u00c1guas Livres, marcada pelo arco triunfal da Rua das Amoreiras, realizado pelo arquitecto h\u00fangaro Carlos Mardel, entre 1746 e 1748, fechou-se no Reservat\u00f3rio da M\u00e3e d\u2019\u00c1gua das Amoreiras.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\">A cisterna conheceu tr\u00eas plantas, apresentando um projecto inicial cuja implanta\u00e7\u00e3o inclu\u00eda mais tr\u00eas arcos levando o edif\u00edcio at\u00e9 \u00e0 face norte do Largo do Rato. No projecto final, o reservat\u00f3rio surgiu simplificado com a diminui\u00e7\u00e3o do n\u00famero de tanques e da carga decorativa exterior.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\">Ap\u00f3s a morte de Carlos Mardel, em 1763, o reservat\u00f3rio final do Aqueduto, iniciado em 1746, ainda estava por concluir. A obra foi retomada, em 1771, por Reinaldo Manuel dos Santos, que introduziu algumas modifica\u00e7\u00f5es ao plano inicial.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\">As principais altera\u00e7\u00f5es ao projecto sentiram-se na cobertura do edif\u00edcio, na cascata e na substitui\u00e7\u00e3o das quatro colunas toscanas, projectadas por Mardel, por quatro robustos pilares quadrangulares.<\/p>\n<\/div><\/div>\n\n\n\n<p class=\"justify-text wp-block-paragraph\">A obra do reservat\u00f3rio, apesar de ter sido v\u00e1rias vezes retomada, mesmo ap\u00f3s a morte de Reinaldo dos Santos, em 1791, s\u00f3 viu terminado o remate da cobertura e mais alguns pormenores em 1834, j\u00e1 durante o reinado de D. Maria II.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\">Actualmente, o Reservat\u00f3rio da M\u00e3e d\u2019\u00c1gua apresenta-se como um espa\u00e7o amplo, luzente e unificado, sugerindo o seu interior a planta de uma igreja estilo Sal\u00e3o, propondo a sacralidade do espa\u00e7o.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\">A \u00e1gua das nascentes jorra da boca de um golfinho sobre uma cascata, constru\u00edda com pedra transportada das nascentes do Aqueduto das \u00c1guas Livres, e converge para o tanque de sete metros e meio de profundidade, que apresenta uma capacidade de ca. 5.500 m3. Do tanque emergem quatro colunas que sustentam um tecto de ab\u00f3badas de aresta que, por sua vez, suporta o magn\u00edfico terra\u00e7o panor\u00e2mico sobre a cidade de Lisboa.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\">Na frente ocidental deste reservat\u00f3rio encontra-se a Casa do Registo, local onde se controlavam os caudais de \u00e1gua que partiam para os chafarizes, f\u00e1bricas, conventos e casas nobres.<\/p>\n\n\n\n<p class=\"has-vivid-red-color has-text-color has-link-color has-extra-small-font-size wp-elements-1d6fa87f5183cfebd434857011e03b39 wp-block-paragraph\"><a href=\"https:\/\/google.com\/maps\/?q=38\u00b043'16.77&quot;N,09\u00b009'20.11&quot;W\" target=\"_blank\" rel=\"noreferrer noopener\">GPS: 38\u00b0 43&#8242; 17&#8243; N , 09\u00b0 09&#8242; 20&#8243; W<\/a><\/p>\n\n\n\n<p class=\"has-text-align-right has-secondary-color has-text-color has-link-color wp-elements-d4787a701df3b8ea5643b6296d8d7064 wp-block-paragraph\"><a href=\"https:\/\/reverbdata.ipl.pt\/pt\/reverbdata\/mae-dagua-reservoire\/\" data-type=\"page\" data-id=\"2659\">Ou\u00e7a algumas amostras de \u00e1udio e obtenha os ficheiros RIR<\/a><\/p>\n\n\n\n<div style=\"height:35px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-7387b849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h4 class=\"wp-block-heading has-text-align-left has-custom-color-1-color has-text-color has-link-color wp-elements-759874bf86cb85bbc86a81f8d5fe6d98\" id=\"mae-dagua-gallery\">Galeria da M\u00e3e d'\u00c1gua<\/h4>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:45% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/07\/IMG_3721-1024x683.jpg\" alt=\"\" class=\"wp-image-2641 size-full\" srcset=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/07\/IMG_3721-1024x683.jpg 1024w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/07\/IMG_3721-300x200.jpg 300w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/07\/IMG_3721-768x512.jpg 768w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/07\/IMG_3721-1536x1024.jpg 1536w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/07\/IMG_3721-2048x1365.jpg 2048w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/07\/IMG_3721-18x12.jpg 18w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/07\/IMG_3721-200x133.jpg 200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:-0.2rem\">A Galeria da M\u00e3e d\u2019\u00c1gua come\u00e7a na Casa de \u00c1gua do Arco, passa pelo arco triunfal de Carlos Mardel das Amoreiras e termina no Reservat\u00f3rio da M\u00e3e d\u2019\u00c1gua.<\/p>\n\n\n\n<div style=\"height:48px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-align-right has-secondary-color has-text-color has-link-color wp-elements-5c8c3cc487e90c65885b3c99e38a115e wp-block-paragraph\"><a href=\"https:\/\/reverbdata.ipl.pt\/pt\/reverbdata\/mae-dagua-gallery\/\" data-type=\"page\" data-id=\"2675\">Ou\u00e7a algumas amostras de \u00e1udio e obtenha os ficheiros RIR<\/a><\/p>\n\n\n\n<p class=\"has-vivid-red-color has-text-color has-link-color has-extra-small-font-size wp-elements-6159c433d3e694f1783d45d085db2068 wp-block-paragraph\"><a href=\"https:\/\/google.com\/maps\/?q=38\u00b043'17.5&quot;N,09\u00b009'21.8&quot;W\" target=\"_blank\" rel=\"noreferrer noopener\">GPS: 38\u00b0 43&#8242; 18&#8243; N , 09\u00b0 09&#8242; 22&#8243; W<\/a><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-7387b849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h4 class=\"wp-block-heading has-text-align-left has-custom-color-1-color has-text-color has-link-color wp-elements-37c3fd4c7c4540a224418ded6cbaab36\" id=\"patriarchal-reservoire\">Reservat\u00f3rio da Patriarcal<\/h4>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:45% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/07\/20260525_230256-768x1024.jpg\" alt=\"\" class=\"wp-image-2642 size-full\" srcset=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/07\/20260525_230256-768x1024.jpg 768w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/07\/20260525_230256-225x300.jpg 225w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/07\/20260525_230256-1152x1536.jpg 1152w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/07\/20260525_230256-1536x2048.jpg 1536w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/07\/20260525_230256-9x12.jpg 9w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/07\/20260525_230256-200x267.jpg 200w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/07\/20260525_230256-scaled.jpg 1920w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:-0.2rem\">Instalado no subsolo do jardim do Pr\u00edncipe Real, o Reservat\u00f3rio da Patriarcal, tamb\u00e9m denominado por Reservat\u00f3rio da Pra\u00e7a de D. Pedro V, foi projectado em 1856, integrado no projecto de abastecimento de \u00e1gua a Lisboa do Engenheiro franc\u00eas Louis-Charles Mary.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\">Programado para abastecer a zona baixa da cidade de Lisboa, este reservat\u00f3rio foi constru\u00eddo entre 1860 e 1864. A sua forma octogonal coincide com a do pol\u00edgono representado pelo gradeamento de ferro em volta do lago que est\u00e1 localizado sobre o dep\u00f3sito, no centro do jardim do Pr\u00edncipe Real.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\">A cisterna, inicialmente abastecida pelo Aqueduto das \u00c1guas Livres e a partir de 1833 pelo sistema Alviela, foi edificada em alvenaria de pedra, sendo composta por dois compartimentos com capacidade total de 884m3 de \u00e1gua. A fun\u00e7\u00e3o principal deste reservat\u00f3rio foi a regula\u00e7\u00e3o da press\u00e3o entre o Reservat\u00f3rio do Arco (na Rua das Amoreiras) e a canaliza\u00e7\u00e3o da zona baixa da cidade.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\">Os trinta e um pilares de 9,25 metros, com diferentes larguras, suportam os arcos em cantaria, que por sua vez sustentam as ab\u00f3badas. Sobre as ab\u00f3badas assentou a bacia (lago) munida com o repuxo. Tanto o lago como o repuxo estariam destinados a arejar as \u00e1guas antes delas entrarem no dep\u00f3sito.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\">A \u00e1gua repuxada entrava no reservat\u00f3rio atrav\u00e9s de quatro aberturas colocadas no fundo da bacia, munidas com tubos que se prolongavam at\u00e9 \u00e0 superf\u00edcie da \u00e1gua e que funcionavam como escoadouros.<\/p>\n<\/div><\/div>\n\n\n\n<p class=\"justify-text wp-block-paragraph\">Partem deste reservat\u00f3rio tr\u00eas galerias subterr\u00e2neas: a primeira rompe da parede de Leste (\u00e0 altura de 3 metros do fundo) e vai encontrar a galeria do Loreto, e era respons\u00e1vel pelo transporte de \u00e1gua do Reservat\u00f3rio do Arco. A segunda galeria, localizada por baixo da primeira, seguia at\u00e9 \u00e0 Rua da Alegria onde terminava a terceira galeria partia da parede do lado ocidental em direc\u00e7\u00e3o \u00e0 Rua de S. Mar\u00e7al e abastecia a zona poente de Lisboa.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\">O Reservat\u00f3rio da Patriarcal foi desactivado no final dos anos 40, do s\u00e9culo XX.<\/p>\n\n\n\n<p class=\"has-vivid-red-color has-text-color has-link-color has-extra-small-font-size wp-elements-150b676e5b7c6c31e3cc822df6b215c0 wp-block-paragraph\"><a href=\"https:\/\/google.com\/maps\/?q=38\u00b042'58.75&quot;N,09\u00b008'55.41&quot;W\" target=\"_blank\" rel=\"noreferrer noopener\">GPS: 38\u00b0 42&#8242; 59&#8243; N , 09\u00b0 08&#8242; 55&#8243; W<\/a><\/p>\n\n\n\n<p class=\"has-text-align-right has-secondary-color has-text-color has-link-color wp-elements-6c789f1f239046daa454cc0bc08fbe9b wp-block-paragraph\"><a href=\"https:\/\/reverbdata.ipl.pt\/pt\/reverbdata\/patriarchal-reservoire\/\" data-type=\"page\" data-id=\"2687\">Ou\u00e7a algumas amostras de \u00e1udio e obtenha os ficheiros RIR<\/a><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-7387b849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-left has-custom-color-1-color has-text-color has-link-color wp-elements-1b0e327287427f0d268d598b7f501a19\" id=\"loreto-gallery\">Galeria do Loreto<\/h4>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:45% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"696\" src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/07\/De-Gritos_halloween_peq-002-scaled-1-1024x696.jpg\" alt=\"\" class=\"wp-image-2643 size-full\" srcset=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/07\/De-Gritos_halloween_peq-002-scaled-1-1024x696.jpg 1024w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/07\/De-Gritos_halloween_peq-002-scaled-1-300x204.jpg 300w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/07\/De-Gritos_halloween_peq-002-scaled-1-768x522.jpg 768w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/07\/De-Gritos_halloween_peq-002-scaled-1-1536x1043.jpg 1536w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/07\/De-Gritos_halloween_peq-002-scaled-1-2048x1391.jpg 2048w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/07\/De-Gritos_halloween_peq-002-scaled-1-18x12.jpg 18w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/07\/De-Gritos_halloween_peq-002-scaled-1-200x136.jpg 200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:-0.2rem\">A Galeria do Loreto era uma das cinco galerias que integravam o sistema Aqueduto das \u00c1guas Livres. A sua extens\u00e3o, totalmente enterrada, era de 2835 metros e inclu\u00eda todos os ramais.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:0px;margin-right:var(--wp--preset--spacing--30);margin-bottom:0px\">A Galeria do Loreto apresenta o seguinte trajecto subterr\u00e2neo: in\u00edcio na Casa do Registo, cont\u00edgua ao Reservat\u00f3rio da M\u00e3e d\u2019\u00c1gua das Amoreiras, na Rua das Amoreiras; desce no mesmo alinhamento da Rua das Amoreiras at\u00e9 ao Largo do Rato; passagem no mesmo alinhamento da Rua da Escola Polit\u00e9cnica; passagem no mesmo alinhamento da Rua D. Pedro V; prossegue pela Rua da Miseric\u00f3rdia; atravessa o Largo do Chiado; prossegue pela Rua Paiva de Andrade; termina no Largo de S\u00e3o Carlos.<\/p>\n<\/div><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:-0.2rem\">Junto ao antigo Col\u00e9gio dos Nobres, actual Museu de Hist\u00f3ria Natural, existia uma pia de onde sa\u00eda \u00e1gua para a Imprensa R\u00e9gia e para o Chafariz do Monte Olivete (antigo Chafariz do Arco de S\u00e3o Bento) e, no alinhamento com a Travessa da M\u00e3e d\u2019\u00c1gua, existia uma pia quadrada em cantaria, denominada Pia do Penalva, onde se separavam as \u00e1guas que seguiam para o Aqueduto do S\u00e9culo e para o Aqueduto da Pra\u00e7a da Alegria, cujo prolongamento abastecia um fontan\u00e1rio do passeio p\u00fablico.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Esta galeria abasteceu alguns estabelecimentos p\u00fablicos onde se destaca a Imprensa Nacional, o Passeio P\u00fablico, a Miseric\u00f3rdia, o recolhimento de S. Pedro de Alc\u00e2ntara, o Passeio de S. Pedro de Alc\u00e2ntara e o Quartel da Guarda Municipal do Carmo.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A Galeria do Loreto inicia-se na Casa do Registo perto do Reservat\u00f3rio da M\u00e3e d\u2019\u00c1gua, passa pela Casa de \u00c1gua do Chafariz do Rato, pela Casa d\u2019\u00c1gua da Rua da Escola Polit\u00e9cnica, e vai at\u00e9 \u00e0 Galeria de acesso ao Reservat\u00f3rio da Patriarcal (Sec\u00e7\u00e3o 1), depois continua e termina no Miradouro de S\u00e3o Pedro de Alc\u00e2ntara (Sec\u00e7\u00e3o 2).<\/p>\n\n\n\n<p class=\"has-vivid-red-color has-text-color has-link-color has-extra-small-font-size wp-elements-e29970a0504b1ccb32c88adabaed0c45 wp-block-paragraph\"><a href=\"https:\/\/google.com\/maps\/?q=38\u00b043'2.7&quot;N,09\u00b009'01.14&quot;W\" target=\"_blank\" rel=\"noreferrer noopener\">GPS: 38\u00b0 43&#8242; 03&#8243; N , 09\u00b0 09&#8242; 1&#8243; W<\/a> (Section 1)<\/p>\n\n\n\n<p class=\"has-vivid-red-color has-text-color has-link-color has-extra-small-font-size wp-elements-4aec1e880e37232676153521a56316a4 wp-block-paragraph\"><a href=\"https:\/\/google.com\/maps\/?q=38\u00b042'56.75&quot;N,09\u00b008'46.67&quot;W\" target=\"_blank\" rel=\"noreferrer noopener\">GPS: 38\u00b0 42&#8242; 57&#8243; N , 09\u00b0 08&#8242; 46&#8243; W<\/a> (Section 2)<\/p>\n\n\n\n<p class=\"has-text-align-right has-secondary-color has-text-color has-link-color wp-elements-ba903649cf910c3bf13ff24cefc7b750 wp-block-paragraph\"><a href=\"https:\/\/reverbdata.ipl.pt\/pt\/reverbdata\/loreto-gallery\/\" data-type=\"page\" data-id=\"2719\">Ou\u00e7a algumas amostras de \u00e1udio e obtenha os ficheiros RIR<\/a><\/p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-826109c2 wp-block-buttons-is-layout-flex\" style=\"padding-right:0;padding-left:0rem\">\n<div class=\"wp-block-button is-style-outline is-style-outline--5\"><a class=\"wp-block-button__link has-base-color has-custom-color-1-background-color has-text-color has-background has-link-color has-text-align-left has-extra-small-font-size has-custom-font-size wp-element-button\" href=\"#3-portuguese-spaces_list-\" style=\"padding-right:var(--wp--preset--spacing--30);padding-left:var(--wp--preset--spacing--30)\">Ir para a lista de Espa\u00e7os Portugueses<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-custom-color-1-color has-alpha-channel-opacity has-custom-color-1-background-color has-background is-style-wide\"\/>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 id=\"lisbon-cathedral\" class=\"wp-block-heading has-custom-color-1-color has-text-color has-link-color wp-elements-106d25fc64a7b9f4e532b4c7534aca3e\" style=\"padding-top:var(--wp--preset--spacing--40)\"><strong>S\u00e9 de Lisboa<\/strong><\/h3>\n\n\n\n<div class=\"wp-block-media-text has-media-on-the-right is-stacked-on-mobile is-vertically-aligned-top\"><div class=\"wp-block-media-text__content\">\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:0;margin-right:0\">A S\u00e9 de Lisboa ter\u00e1 come\u00e7ado a ser edificada em 1147, sendo por isso considerada a igreja mais antiga da atual capital portuguesa. A reorganiza\u00e7\u00e3o da Diocese de Lisboa come\u00e7ou logo a seguir \u00e0 conquista da cidade pelo primeiro rei de Portugal e pelos cavaleiros da Segunda Cruzada. Foi ent\u00e3o nomeado um cruzado ingl\u00eas, Gilberto de Hastings, para Bispo e iniciou-se a constru\u00e7\u00e3o desta Catedral, tendo as obras terminado nas primeiras d\u00e9cadas do s\u00e9culo XIII. O edif\u00edcio original, em estilo rom\u00e2nico, de planta em cruz latina, com tr\u00eas naves, trif\u00f3rio sobre as naves laterais, transepto saliente e cabeceira tripartida, foi projetado pelo Mestre Roberto e apresenta muitas semelhan\u00e7as com o da S\u00e9 Velha de Coimbra, constru\u00edda alguns anos antes. O claustro g\u00f3tico foi iniciado no reinado de D. Dinis (1261 a 1325). A cabeceira com deambulat\u00f3rio foi mandada construir por D. Afonso IV (1325 a 1357), para receber os peregrinos que vinham venerar as rel\u00edquias de S\u00e3o Vicente e criar o seu pante\u00e3o, e constitui o \u00fanico deambulat\u00f3rio catedral\u00edcio g\u00f3tico nacional, tendo as suas obras terminado j\u00e1 durante o reinado de D. Jo\u00e3o I (1385 a 1433). Dois s\u00e9culos mais tarde, em 1649, foi acrescentada uma nova sacristia, de estilo maneirista.<\/p>\n<\/div><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"854\" height=\"1024\" src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/03\/Se_Foto-854x1024.jpg\" alt=\"\" class=\"wp-image-2516 size-full\" srcset=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/03\/Se_Foto-854x1024.jpg 854w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/03\/Se_Foto-250x300.jpg 250w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/03\/Se_Foto-768x921.jpg 768w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/03\/Se_Foto-1281x1536.jpg 1281w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/03\/Se_Foto-1708x2048.jpg 1708w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/03\/Se_Foto-10x12.jpg 10w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/03\/Se_Foto-200x240.jpg 200w\" sizes=\"auto, (max-width: 854px) 100vw, 854px\" \/><\/figure><\/div>\n\n\n\n<div style=\"height:16px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:0;margin-right:0\">Com o grande terramoto de Lisboa, em 1755, parte do edif\u00edcio ficou destru\u00edda. A capela-mor g\u00f3tica, a capela do Sant\u00edssimo, a cobertura da nave, a torre sul da fachada e a torre-lanterna ru\u00edram. Entre 1761 e 1785, foi reconstru\u00edda a Capela do Sant\u00edssimo. A torre sul, a cobertura da nave e a nova capela-mor, foram realizadas entre 1769 e 1771, pelo arquiteto Reinaldo dos Santos. Nos princ\u00edpios do s\u00e9culo XX, a S\u00e9 de Lisboa foi ainda objeto de restauros revivalistas, que retiraram v\u00e1rios acrescentos do per\u00edodo barroco. Augusto Fuschini e Ant\u00f3nio do Couto Abreu planearam ent\u00e3o um templo baseado nas estruturas medievais existentes. Fuschini reconstruiu ab\u00f3badas, restaurou e abriu janelas e coroou de ameias o edif\u00edcio. Com Ant\u00f3nio do Couto Abreu, foi reconstru\u00edda a ab\u00f3bada da nave central, a fachada foi restaurada e refeita a ros\u00e1cea, al\u00e9m de outras altera\u00e7\u00f5es que deram ao edif\u00edcio a apar\u00eancia neorrom\u00e2nica que tem hoje. Classificada como Monumento Nacional desde 1910, foi reinaugurada, com pompa e circunst\u00e2ncia, em 1940, em pleno Estado Novo.<\/p>\n\n\n\n<p class=\"has-vivid-red-color has-text-color has-link-color has-extra-small-font-size wp-elements-d4e5fb6e681eefb29d3b5af45efc270d wp-block-paragraph\"><a href=\"https:\/\/google.com\/maps\/?q=38\u00b042'36.06&quot;N,09\u00b007'58.63&quot;W\" target=\"_blank\" rel=\"noreferrer noopener\">GPS: 38\u00b0 42&#8242; 36&#8243; N , 09\u00b0 07&#8242; 59&#8243; W<\/a><\/p>\n\n\n\n<div style=\"height:16px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-7387b849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h4 class=\"wp-block-heading has-text-align-left has-custom-color-1-color has-text-color has-link-color wp-elements-ed4b2ebeaacf636cdadc16850e22154b\" id=\"12-charola-round-church-and-main-body-3rd-floor\">Igreja<\/h4>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:45% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"683\" height=\"1024\" src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/03\/Church_Foto-683x1024.jpg\" alt=\"\" class=\"wp-image-2518 size-full\" srcset=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/03\/Church_Foto-683x1024.jpg 683w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/03\/Church_Foto-200x300.jpg 200w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/03\/Church_Foto-768x1152.jpg 768w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/03\/Church_Foto-1024x1536.jpg 1024w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/03\/Church_Foto-1365x2048.jpg 1365w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/03\/Church_Foto-8x12.jpg 8w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/03\/Church_Foto-scaled.jpg 1707w\" sizes=\"auto, (max-width: 683px) 100vw, 683px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:-0.2rem\">A S\u00e9 de Lisboa apresenta um estilo rom\u00e2nico, possui planta em cruz latina, com tr\u00eas naves, trif\u00f3rio sobre as naves laterais, transepto saliente e cabeceira tripartida, foi projetada pelo Mestre Roberto e apresenta muitas semelhan\u00e7as com a S\u00e9 Velha de Coimbra, constru\u00edda alguns anos antes. A cabeceira com deambulat\u00f3rio foi mandada construir por D. Afonso IV (1325 e 1357), para receber os peregrinos que vinham venerar as rel\u00edquias de S\u00e3o Vicente e criar o seu pante\u00e3o, e constitui o \u00fanico deambulat\u00f3rio catedral\u00edcio g\u00f3tico nacional, tendo as suas obras terminado j\u00e1 durante o reinado de D. Jo\u00e3o I (1385 e 1433).<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\">A actual capela-mor, de tipologia barroca, foi idealizada ap\u00f3s o terramoto de 1755. Possui um tecto de estuque, formado por ab\u00f3bada de lunetas com tr\u00eas tramos, revestido com pain\u00e9is policromados, representando nos medalh\u00f5es centrais as tr\u00eas pessoas da Sant\u00edssima Trindade, e, nas lunetas, s\u00edmbolos marianos e cristol\u00f3gicos. As paredes laterais est\u00e3o revestidas por elementos marm\u00f3reos setecentistas, adornados com tribunas de balaustrada. \u00c9 tamb\u00e9m aqui que se encontram os dois \u00f3rg\u00e3os de tubos, um em talha dourada, constru\u00eddo pelo organeiro Joaquim Ant\u00f3nio Peres Fontanes, entre 1785 e 1786, e outro pela firma holandesa D. A. Flentrop, em 1960.<\/p>\n<\/div><\/div>\n\n\n\n<p class=\"justify-text wp-block-paragraph\">O espa\u00e7o do transepto ainda conserva as ab\u00f3badas rom\u00e2nicas originais, mas durante os restauros revivalistas do s\u00e9culo XX foram acrescentadas as arcadas nos extremos dos bra\u00e7os do cruzeiro e os dois vitrais representando os padroeiros de Lisboa, S\u00e3o Vicente e Santo Ant\u00f3nio. Ao centro, sobre o actual altar, ergue-se uma c\u00fapula, torre-lanterna, formada por ab\u00f3bada de oito nervuras, com flor\u00e3o central: uma adapta\u00e7\u00e3o da torre sineira destru\u00edda pelo terramoto de 1755 (g\u00f3tica, de planta quadrangular e tr\u00eas andares).<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\">O deambulat\u00f3rio e as capelas radiantes, edificados em estilo g\u00f3tico entre o reinado de D. Afonso IV e D. Jo\u00e3o I, transformaram a S\u00e9 numa igreja de peregrina\u00e7\u00e3o, nomeadamente em torno da devo\u00e7\u00e3o das rel\u00edquias de S. Vicente. O seu corredor encontra-se coberto por ab\u00f3badas de ogivas que d\u00e3o acesso \u00e0s nove capelas radiantes.<\/p>\n\n\n\n<p class=\"has-text-align-right has-secondary-color has-text-color has-link-color wp-elements-5da377a513ea79509f02b47253909f92 wp-block-paragraph\"><a href=\"https:\/\/reverbdata.ipl.pt\/pt\/reverbdata\/church-of-lisbon-cathedral\/\" data-type=\"page\" data-id=\"2523\">Ou\u00e7a algumas amostras de \u00e1udio e obtenha os ficheiros RIR<\/a><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-7387b849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h4 class=\"wp-block-heading has-text-align-left has-custom-color-1-color has-text-color has-link-color wp-elements-d7c08943fb3720f57acafed610cd0f5f\" id=\"13-main-cloister-d-jo%C3%A3o-iii-1st-floor\">Claustro<\/h4>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:45% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/03\/Cloister_Foto-1024x683.jpg\" alt=\"\" class=\"wp-image-2519 size-full\" srcset=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/03\/Cloister_Foto-1024x683.jpg 1024w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/03\/Cloister_Foto-300x200.jpg 300w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/03\/Cloister_Foto-768x512.jpg 768w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/03\/Cloister_Foto-1536x1024.jpg 1536w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/03\/Cloister_Foto-2048x1365.jpg 2048w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/03\/Cloister_Foto-18x12.jpg 18w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/03\/Cloister_Foto-200x133.jpg 200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:-0.2rem\">The Cloister of Lisbon Cathedral, located at the back of the church, is a jewel of Gothic architecture, built between the late 13th and early 14th centuries during the reign of D. Dinis (1261-1325). It stands out for its pointed and mullioned arcades, with double columns and vegetal capitals, resembling the style of the Monastery of Jer\u00f3nimos, but on a smaller scale. It features Gothic (ogival) arches on the lower floor and a semicircular arcade in the upper cloister. <\/p>\n<\/div><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:-0.2rem\">Several independent chapels with elevated access open onto the north and east galleries, such as the Chapels of Santo Aleixo, Santo Estev\u00e3o, and Nossa Senhora da Piedade da Terra Solta. The central courtyard houses visible archaeological remains of previous occupations, including Roman (paved), Islamic (houses and a well-tank), and medieval remains. The cloister is a serene space of great historical and archaeological value, allowing one to observe the superimposition of different eras on the Castle hill.<\/p>\n\n\n\n<p class=\"has-text-align-right has-secondary-color has-text-color has-link-color wp-elements-4f36a3fc22917a067515c457b7330dab wp-block-paragraph\"><a href=\"https:\/\/reverbdata.ipl.pt\/pt\/reverbdata\/lisbon-cathedral-cloister\/\" data-type=\"page\" data-id=\"2541\">Ou\u00e7a algumas amostras de \u00e1udio e obtenha os ficheiros RIR<\/a><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-7387b849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h4 class=\"wp-block-heading has-text-align-left has-custom-color-1-color has-text-color has-link-color wp-elements-1a228a406f396fd024f1b52e4e2f1f5b\" id=\"14-refectory-1st-floor\">Camarim do Patriarca<\/h4>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:45% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/03\/Dressing_Foto-1024x683.jpg\" alt=\"\" class=\"wp-image-2520 size-full\" srcset=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/03\/Dressing_Foto-1024x683.jpg 1024w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/03\/Dressing_Foto-300x200.jpg 300w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/03\/Dressing_Foto-768x512.jpg 768w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/03\/Dressing_Foto-1536x1024.jpg 1536w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/03\/Dressing_Foto-2048x1365.jpg 2048w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/03\/Dressing_Foto-18x12.jpg 18w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/03\/Dressing_Foto-200x133.jpg 200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:-0.2rem\">A maravilhosa escultura de Santa Ana com a Virgem Maria menina e a Cruz Patriarcal com dupla travessa s\u00e3o apenas duas das muitas e valiosas pe\u00e7as que podem ser contempladas no Camarim do Patriarca. Era neste espa\u00e7o que o Patriarca se paramentava: quando chegava \u00e0 S\u00e9, dirigia-se para a sala que antecedia o camarim, onde cal\u00e7ava as c\u00e1ligas, sapatos da cor do paramento, e vestia a falda, uma t\u00fanica branca muito larga e comprida. Depois, dirigia-se ent\u00e3o ao camarim para colocar os restantes paramentos.<\/p>\n<\/div><\/div>\n\n\n\n<p class=\"justify-text wp-block-paragraph\">O ret\u00e1bulo barroco de talha dourada \u00e9, s\u00f3 por si, motivo para uma visita. Est\u00e3o aqui expostas as sete mitras, representativas das Dioceses sufrag\u00e2neas de Lisboa, as esculturas setecentistas dos dois pilares da Igreja, S. Pedro e S. Paulo, v\u00e1rias pinturas a \u00f3leo, e ainda outras pe\u00e7as especiais, como a capa magna e o genuflex\u00f3rio.<\/p>\n\n\n\n<p class=\"has-text-align-right has-secondary-color has-text-color has-link-color wp-elements-9e47f96e2ea02636a663741bcc52770f wp-block-paragraph\"><a href=\"https:\/\/reverbdata.ipl.pt\/pt\/reverbdata\/lisbon-cathedral-patriarchs-dressing-room\/\" data-type=\"page\" data-id=\"2551\">Ou\u00e7a algumas amostras de \u00e1udio e obtenha os ficheiros RIR<\/a><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-7387b849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h4 class=\"wp-block-heading has-text-align-left has-custom-color-1-color has-text-color has-link-color wp-elements-595548ef98d0183da1a0f554a903d6f8\" id=\"15-cistern-of-the-crows%E2%80%99-cloister-basement\">Sacristia<\/h4>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:45% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/03\/Sacristy_Foto-1024x683.jpg\" alt=\"\" class=\"wp-image-2521 size-full\" srcset=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/03\/Sacristy_Foto-1024x683.jpg 1024w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/03\/Sacristy_Foto-300x200.jpg 300w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/03\/Sacristy_Foto-768x512.jpg 768w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/03\/Sacristy_Foto-1536x1024.jpg 1536w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/03\/Sacristy_Foto-2048x1365.jpg 2048w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/03\/Sacristy_Foto-18x12.jpg 18w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/03\/Sacristy_Foto-200x133.jpg 200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:-0.2rem\">A sacristia, em estilo maneirista, foi executada em 1649 pelo arquitecto Marcos de Magalh\u00e3es. Possui um interior revestido com m\u00e1rmores policromados e por um magnifico tecto de estuque, datado do s\u00e9culo XVIII, composto por quatro tramos embelezados por v\u00e1rias pinturas aleg\u00f3ricas repletas de s\u00edmbolos relacionados com a Igreja Cat\u00f3lica e o Patriarcado. O espa\u00e7o encontra-se preenchido por v\u00e1rias pe\u00e7as dos s\u00e9culos XVI a XVIII, como o orat\u00f3rio com S. Vicente, a cred\u00eancia em m\u00e1rmore da Arr\u00e1bida, o lavabo de cantaria, os arcazes de pau santo e jacarand\u00e1 do entalhador Ant\u00f3nio Vaz de Castro, as quatro telas de Pedro Alexandrino de Carvalho, um candelabro que servia no Of\u00edcio de Trevas de 5.\u00aa e 6.\u00aa feira Santa, e v\u00e1rias esculturas de santos portugueses, como Santa Isabel, S\u00e3o Jo\u00e3o de Deus, S\u00e3o Dam\u00e1sio, Santo Ant\u00f3nio, Santa Engr\u00e1cia, e S\u00e3o Ver\u00edssimo. Foi um dos lugares da Catedral que menos danos sofreu com o terramoto de 1755, tendo-se partido apenas alguns estuques.<\/p>\n\n\n\n<p class=\"has-text-align-right has-secondary-color has-text-color has-link-color wp-elements-2ff44cc249889652d562509cc5a10a12 wp-block-paragraph\"><a href=\"https:\/\/reverbdata.ipl.pt\/pt\/reverbdata\/lisbon-cathedral-sacristy\/\" data-type=\"page\" data-id=\"2561\">Ou\u00e7a algumas amostras de \u00e1udio e obtenha os ficheiros RIR<\/a><\/p>\n<\/div><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-826109c2 wp-block-buttons-is-layout-flex\" style=\"padding-right:0;padding-left:0rem\">\n<div class=\"wp-block-button is-style-outline is-style-outline--6\"><a class=\"wp-block-button__link has-base-color has-custom-color-1-background-color has-text-color has-background has-link-color has-text-align-left has-extra-small-font-size has-custom-font-size wp-element-button\" href=\"#3-portuguese-spaces_list-\" style=\"padding-right:var(--wp--preset--spacing--30);padding-left:var(--wp--preset--spacing--30)\">Ir para a lista de Espa\u00e7os Portugueses<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-custom-color-1-color has-alpha-channel-opacity has-custom-color-1-background-color has-background is-style-wide\"\/>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 id=\"lisbon-school-of-education\" class=\"wp-block-heading has-custom-color-1-color has-text-color has-link-color wp-elements-6e83f213937c80e8a3e29c62ad0f0506\" style=\"padding-top:var(--wp--preset--spacing--40)\"><strong>Escola Superior de Educa\u00e7\u00e3o de Lisboa<\/strong><\/h3>\n\n\n\n<div class=\"wp-block-media-text has-media-on-the-right is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:auto 55%\"><div class=\"wp-block-media-text__content\">\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:-0.2rem;margin-bottom:0rem;margin-left:0rem\">Pode considerar-se que as ra\u00edzes da ESELx remontam ao reinado de D. Lu\u00eds e ao ano de 1862, quando foi criada a Escola Normal Prim\u00e1ria de Lisboa. Instalada no Pal\u00e1cio dos Marqueses de Abrantes, em Marvila, esta Escola admitia apenas alunos do sexo masculino. A Escola Normal Feminina, localizada no Calv\u00e1rio, iniciou a sua atividade no ano de 1866. A partir de 1914, as duas Escolas Normais fundiram-se e passariam a funcionar em regime de coeduca\u00e7\u00e3o, em edif\u00edcio pr\u00f3prio, localizado na Quinta de Marrocos em Benfica, no ano de 1919. <\/p>\n<\/div><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"798\" height=\"456\" src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/eselx_270.jpg\" alt=\"\" class=\"wp-image-544 size-full\" srcset=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/eselx_270.jpg 798w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/eselx_270-300x171.jpg 300w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/eselx_270-768x439.jpg 768w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/eselx_270-18x10.jpg 18w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/eselx_270-200x114.jpg 200w\" sizes=\"auto, (max-width: 798px) 100vw, 798px\" \/><\/figure><\/div>\n\n\n\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-bottom:0rem;margin-left:0rem\">Trata-se do edif\u00edcio onde hoje se encontra instalada a Escola Superior de Educa\u00e7\u00e3o de Lisboa.Este edif\u00edcio tem vindo a sofrer obras de restauro, manuten\u00e7\u00e3o e recupera\u00e7\u00e3o, as quais t\u00eam permitido adaptar, rentabilizar e melhorar os espa\u00e7os, tornando-os mais funcionais e consent\u00e2neos com as atividades que a Escola desenvolve.A ESELx apenas deu in\u00edcio \u00e0s suas atividades em 1985 com a nomea\u00e7\u00e3o da Comiss\u00e3o Instaladora.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\"> Durante oito anos, de 1985 a 1993, a Escola desenvolveu atividades nos diversos dom\u00ednios de interven\u00e7\u00e3o que lhe foram atribu\u00eddos - forma\u00e7\u00e3o inicial, cont\u00ednua e especializada; profissionaliza\u00e7\u00e3o em servi\u00e7o; investiga\u00e7\u00e3o, pesquisa e desenvolvimento; presta\u00e7\u00e3o de servi\u00e7os \u00e0 comunidade - a par com as tarefas inerentes ao regime de instala\u00e7\u00e3o. Em 1 de Janeiro de 1994, na sequ\u00eancia da homologa\u00e7\u00e3o dos estatutos da Escola, assumiu fun\u00e7\u00f5es o Conselho Diretivo, eleito pelos membros da comunidade escolar.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\" style=\"padding-left:0rem\">Retirado da p\u00e1gina do ESELx em \"Hist\u00f3ria\"<\/p>\n\n\n\n<p class=\"has-vivid-red-color has-text-color has-link-color has-extra-small-font-size wp-elements-ec5c5f529d478060d6f981ce44aa777b wp-block-paragraph\"><a href=\"https:\/\/google.com\/maps\/?q=38\u00b044'46&quot;N,09\u00b011'43&quot;W\" target=\"_blank\" rel=\"noreferrer noopener\">GPS: 38\u00b0 44&#8242; 46&#8243; N , 09\u00b0 11&#8242; 43&#8243; W<\/a><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-7387b849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h4 class=\"wp-block-heading has-text-align-left has-custom-color-1-color has-text-color has-link-color wp-elements-49d5a650c510ca222ac003c122e21c04\" id=\"17-great-hall\">Grande Audit\u00f3rio<\/h4>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top is-image-fill-element\" style=\"grid-template-columns:45% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/07\/Great-Hall-ESELx-1024x768.png\" alt=\"\" class=\"wp-image-24 size-full\" style=\"object-position:50% 50%\" srcset=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/07\/Great-Hall-ESELx-1024x768.png 1024w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/07\/Great-Hall-ESELx-300x225.png 300w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/07\/Great-Hall-ESELx-768x576.png 768w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/07\/Great-Hall-ESELx-1536x1152.png 1536w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/07\/Great-Hall-ESELx-2048x1536.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:-0.2rem\">Situado na Escola Superior de Educa\u00e7\u00e3o de Lisboa, tem uma lota\u00e7\u00e3o m\u00e1xima de 300 pessoas e permite uma variedade de eventos culturais como teatro, cinema, concertos e confer\u00eancias. O espa\u00e7o disp\u00f5e de uma \u00e1rea de plateia plana, com cadeiras individuais e um balc\u00e3o em formato circular.<\/p>\n\n\n\n<p class=\"has-text-align-right has-secondary-color has-text-color has-link-color wp-elements-9d3f75d1b6639dfdd2d73dd82ba1c3ef wp-block-paragraph\"><a href=\"https:\/\/reverbdata.ipl.pt\/pt\/reverbdata\/great-hall-of-esel\/\" data-type=\"link\" data-id=\"https:\/\/reverbdata.ipl.pt\/reverbdata\/great-hall-of-esel\/\">Ou\u00e7a algumas amostras de \u00e1udio e obtenha os ficheiros RIR<\/a><\/p>\n<\/div><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-826109c2 wp-block-buttons-is-layout-flex\" style=\"padding-right:0;padding-left:0rem\">\n<div class=\"wp-block-button is-style-outline is-style-outline--7\"><a class=\"wp-block-button__link has-base-color has-custom-color-1-background-color has-text-color has-background has-link-color has-text-align-left has-extra-small-font-size has-custom-font-size wp-element-button\" href=\"#3-portuguese-spaces_list-\" style=\"padding-right:var(--wp--preset--spacing--30);padding-left:var(--wp--preset--spacing--30)\">Ir para a lista de Espa\u00e7os Portugueses<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-custom-color-1-color has-alpha-channel-opacity has-custom-color-1-background-color has-background is-style-wide\"\/>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 id=\"lisbon-school-of-music\" class=\"wp-block-heading has-custom-color-1-color has-text-color has-link-color wp-elements-bce4e03d29dc20638f88b93b3bd4ce74\" style=\"padding-top:var(--wp--preset--spacing--40)\"><strong>Escola Superior de M\u00fasica de Lisboa<\/strong><\/h3>\n\n\n\n<div class=\"wp-block-media-text has-media-on-the-right is-stacked-on-mobile is-vertically-aligned-top\"><div class=\"wp-block-media-text__content\">\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:-0.2rem\">A ESML foi criada em 1983 na sequ\u00eancia da reconvers\u00e3o do Conservat\u00f3rio Nacional, tendo sido integrada no Instituto Polit\u00e9cnico de Lisboa em 1985. A ESML assume como sua a miss\u00e3o da forma\u00e7\u00e3o art\u00edstica, t\u00e9cnica, tecnol\u00f3gica e cient\u00edfica, ao mais alto n\u00edvel, de profissionais na \u00e1rea da M\u00fasica. <\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:-0.2rem\">Apresenta-se, no panorama nacional e internacional, como uma escola de refer\u00eancia, o que se alicer\u00e7a n\u00e3o s\u00f3 nas suas origens e na reconhecida qualidade do seu corpo docente de n\u00edvel internacional, mas tamb\u00e9m na din\u00e2mica, diversidade, projec\u00e7\u00e3o e prest\u00edgio das suas realiza\u00e7\u00f5es art\u00edsticas nos dom\u00ednios da produ\u00e7\u00e3o e divulga\u00e7\u00e3o art\u00edstica, do ensino e da investiga\u00e7\u00e3o, as quais ilustram e corporizam o seu compromisso com a constante procura da excel\u00eancia, de abertura \u00e0 inova\u00e7\u00e3o e \u00e0 contemporaneidade.<\/p>\n<\/div><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/ESML_3-1024x683.jpeg\" alt=\"\" class=\"wp-image-564 size-full\" srcset=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/ESML_3-1024x683.jpeg 1024w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/ESML_3-300x200.jpeg 300w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/ESML_3-768x512.jpeg 768w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/ESML_3-1536x1024.jpeg 1536w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/ESML_3-18x12.jpeg 18w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/ESML_3-200x133.jpeg 200w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/ESML_3.jpeg 1600w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/div>\n\n\n\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:-0.2rem\">Localizada no Campus de Benfica do IPL, disp\u00f5e de instala\u00e7\u00f5es de reconhecido prest\u00edgio internacional no plano arquitect\u00f3nico, bem como de equipamentos adequados \u00e0 sua actividade formativa. Na prossecu\u00e7\u00e3o da sua miss\u00e3o promove um ambiente de ensino\/aprendizagem dotado dos mais altos padr\u00f5es de exig\u00eancia e de qualidade, orientando os estudantes no sentido do seu desenvolvimento com vista a desempenhos profissionais empreendedores, nacional e internacionalmente competitivos e socialmente relevantes, nas \u00e1reas das Artes e Ind\u00fastrias Musicais.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"padding-left:0rem\">Retirado da p\u00e1gina da ESML em \"sobre n\u00f3s\"<\/p>\n\n\n\n<p class=\"has-vivid-red-color has-text-color has-link-color has-extra-small-font-size wp-elements-0ada8e759a2347cbe742fe176b8d1660 wp-block-paragraph\"><a href=\"https:\/\/google.com\/maps\/?q=38\u00b044'46&quot;N,09\u00b011'48&quot;W\" target=\"_blank\" rel=\"noreferrer noopener\">GPS: 38\u00b0 44&#8242; 46&#8243; N , 09\u00b0 11&#8242; 48&#8243; W<\/a><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-7387b849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h4 id=\"19-great-hall\" class=\"wp-block-heading has-custom-color-1-color has-text-color has-link-color wp-elements-a6ddb86ca168fb61446e044eea535fef\">Grande Audit\u00f3rio<\/h4>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:45% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"728\" height=\"485\" src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/07\/Great-Hall-ESML.png\" alt=\"\" class=\"wp-image-26 size-full\" srcset=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/07\/Great-Hall-ESML.png 728w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/07\/Great-Hall-ESML-300x200.png 300w\" sizes=\"auto, (max-width: 728px) 100vw, 728px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:-0.2rem\">Tamb\u00e9m designado Audit\u00f3rio Vianna da Motta localiza-se na Escola Superior de M\u00fasica de Lisboa. Este espa\u00e7o foi desenhado pelo arquitecto portugu\u00eas Carrilho da Gra\u00e7a e pelo ac\u00fastico belga Daniel Commins. O palco possui um piso plano de madeira sobre vigas, a zona de audi\u00eancia est\u00e1 inclinada aproximadamente 20\u00ba em rela\u00e7\u00e3o ao plano horizontal e possui dois lan\u00e7os de escadas de madeira entre as filas de cadeiras. As paredes que rodeiam o p\u00fablico circundam continuamente o palco numa forma aproximadamente trapezoidal e consistem inteiramente em difusores e reflectores ac\u00fasticos com formato otimizado para grande escala.<\/p>\n\n\n\n<p class=\"has-text-align-right has-secondary-color has-text-color has-link-color wp-elements-10504d6f2fa03a19fe52ce0b84a944b7 wp-block-paragraph\"><a href=\"https:\/\/reverbdata.ipl.pt\/pt\/reverbdata\/great-hall-of-esml\/\" data-type=\"link\" data-id=\"https:\/\/reverbdata.ipl.pt\/great-hall-of-lisbon-school-of-music\/\">Ou\u00e7a algumas amostras de \u00e1udio e obtenha os ficheiros RIR<\/a><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-7387b849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h4 class=\"wp-block-heading has-text-align-left has-custom-color-1-color has-text-color has-link-color wp-elements-963aab2a304e26428447a73ad5788604\" id=\"20-small-hall-\">Pequeno Audit\u00f3rio <\/h4>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:45% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"563\" src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/07\/Small-Hall-ESML-1024x563.png\" alt=\"\" class=\"wp-image-27 size-full\" srcset=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/07\/Small-Hall-ESML-1024x563.png 1024w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/07\/Small-Hall-ESML-300x165.png 300w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/07\/Small-Hall-ESML-768x422.png 768w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/07\/Small-Hall-ESML.png 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:-0.2rem\">Localizada na Escola Superior de M\u00fasica de Lisboa, esta sala foi desenhada pelo arquitecto portugu\u00eas Carrilho da Gra\u00e7a. Tem capacidade para 58 pessoas, com caracter\u00edsticas que lhe conferem versatilidade para acolher diversos eventos culturais, como m\u00fasica, confer\u00eancias, teatro, dan\u00e7a e cinema.<\/p>\n\n\n\n<p class=\"has-text-align-right has-secondary-color has-text-color has-link-color wp-elements-895b9a8d087193107ed38699961151ac wp-block-paragraph\"><a href=\"https:\/\/reverbdata.ipl.pt\/pt\/reverbdata\/small-hall-of-esml\/\" data-type=\"link\" data-id=\"https:\/\/reverbdata.ipl.pt\/reverbdata\/small-hall-of-esml\/\">Ou\u00e7a algumas amostras de \u00e1udio e obtenha os ficheiros RIR<\/a><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-7387b849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h4 class=\"wp-block-heading has-text-align-left has-custom-color-1-color has-text-color has-link-color wp-elements-f0d36a3234ef8513925596270cde8ea4\" id=\"21-organ-room\">Sala do Org\u00e3o<\/h4>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top is-image-fill-element\" style=\"grid-template-columns:45% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/07\/20221206_172104-1024x768.jpg\" alt=\"\" class=\"wp-image-2879 size-full\" style=\"object-position:50% 50%\" srcset=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/07\/20221206_172104-1024x768.jpg 1024w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/07\/20221206_172104-300x225.jpg 300w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/07\/20221206_172104-768x576.jpg 768w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/07\/20221206_172104-16x12.jpg 16w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/07\/20221206_172104-200x150.jpg 200w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/07\/20221206_172104.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:-0.2rem\">Localizada na Escola de M\u00fasica de Lisboa, esta sala \u00e9 espec\u00edfica para a pr\u00e1tica e ensaio de m\u00fasica de \u00f3rg\u00e3o, realizando tamb\u00e9m apresenta\u00e7\u00f5es peri\u00f3dicas para pequenos grupos.<\/p>\n\n\n\n<p class=\"has-text-align-right has-secondary-color has-text-color has-link-color wp-elements-024129c4cedbdc2627aef75034a58f51 wp-block-paragraph\"><a href=\"https:\/\/reverbdata.ipl.pt\/pt\/reverbdata\/organ-room-of-esml\/\" data-type=\"page\" data-id=\"577\">Ou\u00e7a algumas amostras de \u00e1udio e obtenha os ficheiros RIR<\/a><\/p>\n<\/div><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-826109c2 wp-block-buttons-is-layout-flex\" style=\"padding-right:0;padding-left:0rem\">\n<div class=\"wp-block-button is-style-outline is-style-outline--8\"><a class=\"wp-block-button__link has-base-color has-custom-color-1-background-color has-text-color has-background has-link-color has-text-align-left has-extra-small-font-size has-custom-font-size wp-element-button\" href=\"#3-portuguese-spaces_list-\" style=\"padding-right:var(--wp--preset--spacing--30);padding-left:var(--wp--preset--spacing--30)\">Ir para a lista de Espa\u00e7os Portugueses<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-custom-color-1-color has-alpha-channel-opacity has-custom-color-1-background-color has-background is-style-wide\"\/>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 id=\"lourinha-mercy-church\" class=\"wp-block-heading has-custom-color-1-color has-text-color has-link-color wp-elements-0bb2dfe5c894b0758889412411c9d027\" style=\"padding-top:var(--wp--preset--spacing--40)\"><strong>Igreja da Miseric\u00f3rdia da Lourinh\u00e3<\/strong><\/h3>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top is-image-fill-element\" style=\"grid-template-columns:45% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/10\/20240918_150812-768x1024.jpg\" alt=\"\" class=\"wp-image-1141 size-full\" style=\"object-position:50% 50%\" srcset=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/10\/20240918_150812-768x1024.jpg 768w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/10\/20240918_150812-225x300.jpg 225w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/10\/20240918_150812-1152x1536.jpg 1152w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/10\/20240918_150812-1536x2048.jpg 1536w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/10\/20240918_150812-9x12.jpg 9w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/10\/20240918_150812-200x267.jpg 200w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/10\/20240918_150812-scaled.jpg 1920w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:-0.2rem\">A Igreja da Miseric\u00f3rdia da Lourinh\u00e3 remonta a 1626, estando a sua data de constru\u00e7\u00e3o inscrita no t\u00edmpano, \u00e0 entrada. A fachada da Igreja \u00e9 de empena de bico e na porta, sobrepujada com t\u00edmpano triangular, onde se inscreve a data de 1626 e a frase: \"Bem-aventurados os misericordiosos porque alcan\u00e7ar\u00e3o a miseric\u00f3rdia\". No edif\u00edcio onde se localiza a Igreja, encontra-se um portal Manuelino, de grande valor art\u00edstico, que pertenceu \u00e0 Capela do Esp\u00edrito Santo.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\">A Igreja est\u00e1 actualmente inserida no Espa\u00e7o Museol\u00f3gico da Santa Casa da Miseric\u00f3rdia da Lourinh\u00e3. Este espa\u00e7o, no cora\u00e7\u00e3o da vila, apresenta um acervo de valor inestim\u00e1vel, com obras de arte sacra, objectos lit\u00fargicos e informa\u00e7\u00e3o hist\u00f3rica extremamente relevante para entender o papel da Santa Casa da Miseric\u00f3rdia como parte activa no desenvolvimento da vila da Lourinh\u00e3, ao longo dos \u00faltimos 450 anos.<\/p>\n\n\n\n<p class=\"has-vivid-red-color has-text-color has-link-color has-extra-small-font-size wp-elements-19d12ddd5e6db75fb07d9e2a6a2ac61a wp-block-paragraph\"><a href=\"https:\/\/google.com\/maps\/?q=39\u00b014'34.31&quot;N,09\u00b018'51.03&quot;W\" target=\"_blank\" rel=\"noreferrer noopener\">GPS: 39\u00b0 14&#8242; 34&#8243; N , 09\u00b0 18&#8242; 51&#8243; W<\/a><\/p>\n\n\n\n<p class=\"has-text-align-right has-secondary-color has-text-color has-link-color wp-elements-309116cb8a082232cdbd599ea2d643bb wp-block-paragraph\"><a href=\"https:\/\/reverbdata.ipl.pt\/pt\/reverbdata\/lourinha-mercy-church\/\" data-type=\"page\" data-id=\"1135\">Ou\u00e7a algumas amostras de \u00e1udio e obtenha os ficheiros RIR<\/a><\/p>\n<\/div><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-826109c2 wp-block-buttons-is-layout-flex\" style=\"padding-right:0;padding-left:0rem\">\n<div class=\"wp-block-button is-style-outline is-style-outline--9\"><a class=\"wp-block-button__link has-base-color has-custom-color-1-background-color has-text-color has-background has-link-color has-text-align-left has-extra-small-font-size has-custom-font-size wp-element-button\" href=\"#3-portuguese-spaces_list-\" style=\"padding-right:var(--wp--preset--spacing--30);padding-left:var(--wp--preset--spacing--30)\">Ir para a lista de Espa\u00e7os Portugueses<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-custom-color-1-color has-alpha-channel-opacity has-custom-color-1-background-color has-background is-style-wide\"\/>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 id=\"lux-fragil-nightclub\" class=\"wp-block-heading has-custom-color-1-color has-text-color has-link-color wp-elements-adbe6dc7bbbfbfc6eedf7213755c9086\" style=\"padding-top:var(--wp--preset--spacing--40)\"><strong>Bar\/Discoteca<\/strong> NightClub<\/h3>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-7387b849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h4 class=\"wp-block-heading has-text-align-left has-custom-color-1-color has-text-color has-link-color wp-elements-9301126fb43af4a20a8089c8a5c8ee95\" id=\"24-disco-room\">Discoteca<\/h4>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:45% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"754\" height=\"394\" src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/07\/Lux.png\" alt=\"\" class=\"wp-image-32 size-full\" srcset=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/07\/Lux.png 754w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/07\/Lux-300x157.png 300w\" sizes=\"auto, (max-width: 754px) 100vw, 754px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:-0.2rem\">\u00c9 uma famosa discoteca situada em Lisboa, inaugurada a 29 de Setembro de 1998. O Lux Fr\u00e1gil, para al\u00e9m de bar e discoteca, j\u00e1 recebeu concertos, performances, exposi\u00e7\u00f5es, apresenta\u00e7\u00f5es de livros e grava\u00e7\u00f5es e at\u00e9 esteve no plateau de muitos programas de televis\u00e3o.<\/p>\n\n\n\n<p class=\"has-vivid-red-color has-text-color has-link-color has-extra-small-font-size wp-elements-ba50aebd44f11112a236e17c755ab146 wp-block-paragraph\"><a href=\"https:\/\/google.com\/maps\/?q=38\u00b042'53.65&quot;N,09\u00b007'13.94&quot;W\" target=\"_blank\" rel=\"noreferrer noopener\">GPS: 38\u00b0 42&#8242; 53&#8243; N , 09\u00b0 07&#8242; 14&#8243; W<\/a><\/p>\n\n\n\n<p class=\"has-text-align-right has-secondary-color has-text-color has-link-color wp-elements-a7910bdf322f389d178776bf30a5e279 wp-block-paragraph\"><a href=\"https:\/\/reverbdata.ipl.pt\/pt\/reverbdata\/lux-fragil\/\">Ou\u00e7a algumas amostras de \u00e1udio e obtenha os ficheiros RIR<\/a><\/p>\n<\/div><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-826109c2 wp-block-buttons-is-layout-flex\" style=\"padding-right:0;padding-left:0rem\">\n<div class=\"wp-block-button is-style-outline is-style-outline--10\"><a class=\"wp-block-button__link has-base-color has-custom-color-1-background-color has-text-color has-background has-link-color has-text-align-left has-extra-small-font-size has-custom-font-size wp-element-button\" href=\"#3-portuguese-spaces_list-\" style=\"padding-right:var(--wp--preset--spacing--30);padding-left:var(--wp--preset--spacing--30)\">Ir para a lista de Espa\u00e7os Portugueses<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-custom-color-1-color has-alpha-channel-opacity has-custom-color-1-background-color has-background is-style-wide\" style=\"margin-top:1rem;margin-bottom:1rem\"\/>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 id=\"monastery-of-alcobaca\" class=\"wp-block-heading has-custom-color-1-color has-text-color has-link-color wp-elements-4c945ae4c5ea95c33ab9eb298368b77e\" style=\"padding-top:var(--wp--preset--spacing--40)\"><strong>Mosteiro de Alcoba\u00e7a<\/strong><\/h3>\n\n\n\n<p class=\"has-body-text-color has-text-color has-link-color wp-elements-4b334d2e214492da546408c057952ed4 wp-block-paragraph\">Patrim\u00f3nio Mundial da UNESCO<\/p>\n\n\n\n<div class=\"wp-block-media-text has-media-on-the-right is-stacked-on-mobile is-vertically-aligned-top\"><div class=\"wp-block-media-text__content\">\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:0\">O conjunto monumental do Mosteiro de Alcoba\u00e7a constitui um dos mais not\u00e1veis e bem conservados exemplos da arquitectura e filosofia espacial Cisterciense.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:0;margin-right:0\">A Abadia de Santa Maria de Alcoba\u00e7a foi a \u00faltima funda\u00e7\u00e3o em vida de S\u00e3o Bernardo e o primeiro monumento integralmente g\u00f3tico do pa\u00eds. A Abadia foi fundada em 1153, por doa\u00e7\u00e3o de D. Afonso Henriques a S\u00e3o Bernardo de Claraval. O plano arquitect\u00f3nico assenta sobre as caracter\u00edsticas da casa m\u00e3e Claraval e obedece \u00e0 filosofia de austeridade e simplicidade defendida por S\u00e3o Bernardo. As obras iniciaram-se por volta de 1178, arrastando-se por v\u00e1rias d\u00e9cadas, come\u00e7ando pela Igreja que viria a ser a maior abacial g\u00f3tica existente em Portugal. Em paralelo, constroem-se as Alas monacais. Em 1223, os religiosos ocuparam as instala\u00e7\u00f5es j\u00e1 constru\u00eddas, seguindo um programa bipartido entre a ora\u00e7\u00e3o e o trabalho manual - \"Ora et Labora\".<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:0;margin-right:0\">A igreja, com 100 metros de comprimento, representa o maior espa\u00e7o religioso g\u00f3tico existente no pa\u00eds. A sua planta, em forma de cruz latina, contempla um Deambulat\u00f3rio que integra nove capelas radiantes. A verticalidade acentuada (mais de vinte metros de altura) confere-lhe uma beleza \u00edmpar. De salientar a adop\u00e7\u00e3o de arcobotantes no exterior da capela-mor. O transepto deste templo acolhe actualmente os T\u00famulos de D. Pedro e D. In\u00eas depositados no Pante\u00e3o R\u00e9gio ainda no s\u00e9culo XIV, exemplares \u00fanicos da escultura tumular g\u00f3tica existente em Portugal.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:0;margin-right:0\">As depend\u00eancias medievais constitu\u00eddas pela Sala do Cap\u00edtulo, o Refeit\u00f3rio, a Sala dos Monges e o Dormit\u00f3rio foram edificados nos s\u00e9culos XIII e XIV. <\/p>\n<\/div><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"683\" height=\"1024\" src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/10\/Foto_Alcobaca-683x1024.jpg\" alt=\"\" class=\"wp-image-1801 size-full\" srcset=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/10\/Foto_Alcobaca-683x1024.jpg 683w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/10\/Foto_Alcobaca-200x300.jpg 200w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/10\/Foto_Alcobaca-768x1152.jpg 768w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/10\/Foto_Alcobaca-8x12.jpg 8w\" sizes=\"auto, (max-width: 683px) 100vw, 683px\" \/><\/figure><\/div>\n\n\n\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:0;margin-right:0\">D. Dinis mandou construir o Claustro do Sil\u00eancio em 1308, o maior claustro medieval portugu\u00eas. Com D. Manuel, o Mosteiro \u00e9 alvo de um novo \u00edmpeto: o monarca manda construir a Sacristia Nova, o primeiro piso do Claustro de D. Dinis (Sobreclaustro), um novo cadeiral para a Igreja e uma Livraria cuja localiza\u00e7\u00e3o n\u00e3o se conhece. Deste vasto programa de interven\u00e7\u00f5es, apenas resta o Atrium da Sacristia e o Sobreclaustro.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\">A cozinha, totalmente revestida de azulejos, data de 1752. Destacamos a sua imponente chamin\u00e9 que assenta em oito colunas de ferro forjado bem como o tanque com \u00e1gua corrente proveniente da \"Levada\", testemunho da genialidade dos monges de Cister no que concerne \u00e0 engenharia hidr\u00e1ulica.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--40);margin-right:0;margin-bottom:0rem;margin-left:0rem\">A monumentalidade, beleza e despojamento desta abadia, lograram, por parte da Unesco, a classifica\u00e7\u00e3o de Patrim\u00f3nio da Humanidade em 1989.<\/p>\n\n\n\n<p class=\"has-vivid-red-color has-text-color has-link-color has-extra-small-font-size wp-elements-d44040aa572df7a8d6c8de62e8a3aa69 wp-block-paragraph\"><a href=\"https:\/\/google.com\/maps\/?q=39\u00b032'53.97&quot;N,08\u00b058'46.47&quot;W\" target=\"_blank\" rel=\"noreferrer noopener\">GPS: 39\u00b0 32&#8242; 54&#8243; N , 08\u00b0 58&#8242; 48&#8243; W<\/a><\/p>\n\n\n\n<div style=\"height:16px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-7387b849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h4 class=\"wp-block-heading has-text-align-left has-custom-color-1-color has-text-color has-link-color wp-elements-d334a8b0dc48595e731c2e31b0624146\" id=\"26-church\">Igreja<\/h4>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:45% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"683\" height=\"1024\" src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/10\/Foto_Igreja_planta-683x1024.jpg\" alt=\"\" class=\"wp-image-1786 size-full\" srcset=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/10\/Foto_Igreja_planta-683x1024.jpg 683w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/10\/Foto_Igreja_planta-200x300.jpg 200w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/10\/Foto_Igreja_planta-768x1152.jpg 768w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/10\/Foto_Igreja_planta-1024x1536.jpg 1024w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/10\/Foto_Igreja_planta-1365x2048.jpg 1365w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/10\/Foto_Igreja_planta-8x12.jpg 8w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/10\/Foto_Igreja_planta-scaled.jpg 1707w\" sizes=\"auto, (max-width: 683px) 100vw, 683px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:-0.2rem\">Consagrada em 1252, constitui-se como o primeiro exemplar g\u00f3tico portugu\u00eas. As suas grandes dimens\u00f5es e a not\u00e1vel eleg\u00e2ncia das propor\u00e7\u00f5es, fazem desta abacial um exemplo acabado da dicotomia pedra\/luz.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\">A sua edifica\u00e7\u00e3o ter\u00e1 sido iniciada em 1178, n\u00e3o sendo cabalmente conhecida a data do respectivo terminus. Esta abacial adopta a fei\u00e7\u00e3o de cruz latina (s\u00edmbolo do cristianismo), sendo composta pela nave principal e pelo transepto, onde se encontram os t\u00famulos de D. Pedro e D. In\u00eas de Castro. A nave encontra-se dividida em tr\u00eas: a central e as laterais, que serviam apenas de corredor de passagem.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\">A constru\u00e7\u00e3o iniciou-se pela cabeceira que \u00e9 constitu\u00edda por nove capelas radiantes de planta trapezoidal, ligadas entre si e ao transepto por um deambulat\u00f3rio, sendo cobertas por ab\u00f3badas de ber\u00e7o. A ilumina\u00e7\u00e3o difunde-se atrav\u00e9s da grande ros\u00e1cea, dos dois v\u00e3os laterais da frontaria, pelas estreitas frestas das paredes laterais e ainda pelas ros\u00e1ceas e janel\u00f5es dos dois topos do transepto e pelos altos janel\u00f5es da cabeceira. O transepto norte tinha acesso directo para o Dormit\u00f3rio dos Monges. No topo oposto do transepto, sob uma grande ros\u00e1cea e dois janel\u00f5es, continua a existir a porta de acesso ao cemit\u00e9rio dos Monges, vulgarmente chamada \"Porta dos Mortos\".<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\">Toda a abacial \u00e9 sustentada por contrafortes que, na parede sul das naves e no topo do transepto sul, correspondem ao alinhamento dos arcos torais e formeiros.<\/p>\n\n\n\n<p class=\"has-text-align-right has-secondary-color has-text-color has-link-color wp-elements-43655b3718113dafb98b346b6e60f21c wp-block-paragraph\"><a href=\"https:\/\/reverbdata.ipl.pt\/pt\/reverbdata\/church-of-monastery-of-alcobaca\/\" data-type=\"page\" data-id=\"1803\">Ou\u00e7a algumas amostras de \u00e1udio e obtenha os ficheiros RIR<\/a><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-7387b849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h4 class=\"wp-block-heading has-text-align-left has-custom-color-1-color has-text-color has-link-color wp-elements-b30e023a83bcb53e9bf9442122ac5d95\" id=\"27-sacristy\">Sacristia<\/h4>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:45% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"991\" src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/10\/Foto_Sacristia_Planta-1024x991.jpg\" alt=\"\" class=\"wp-image-1793 size-full\" srcset=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/10\/Foto_Sacristia_Planta-1024x991.jpg 1024w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/10\/Foto_Sacristia_Planta-300x290.jpg 300w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/10\/Foto_Sacristia_Planta-768x743.jpg 768w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/10\/Foto_Sacristia_Planta-1536x1487.jpg 1536w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/10\/Foto_Sacristia_Planta-2048x1982.jpg 2048w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/10\/Foto_Sacristia_Planta-12x12.jpg 12w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/10\/Foto_Sacristia_Planta-200x194.jpg 200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:-0.2rem\">A Sacristia foi constru\u00edda durante o reinado de D. Manuel I, por ordem do pr\u00f3prio Rei. Foi edificada segundo os planos de Jo\u00e3o de Castilho, e nela trabalharam Jo\u00e3o de Ru\u00e3o, Nicolau Chanterene e Rui Garcia, tendo depois sido transformada durante os s\u00e9c. XVII e XVIII. <\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\">Em 1755 devido ao terramoto, foi destru\u00edda. Da sacristia de D. Manuel I, pouco sobrou: apenas a porta da entrada, o \u00e1trio abobadado e os contrafortes do lado exterior.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\">A Sacristia possui um l\u00edndissimo tecto trabalhado barroco e inclui os not\u00e1veis amitu\u00e1rios, um par de m\u00f3veis de 1664 em madeira ex\u00f3tica com embutidos de marfim. Estes m\u00f3veis, que guardavam paramentos e amitos, s\u00e3o um exemplo not\u00e1vel da t\u00e9cnica de embutidos e testemunho do per\u00edodo est\u00e9tico da comunidade mon\u00e1stica, representando uma parte significativa do acervo do mosteiro.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:-0.2rem\">A Capela Relic\u00e1rio, de suprema beleza e espiritualidade, \u201cO Espelho do C\u00e9u \u201c segundo Reynaldo dos Santos, foi edificada entre 1669-1672, durante o abaciado de Frei Constantino de Sampaio.<\/p>\n\n\n\n<p class=\"has-text-align-right has-secondary-color has-text-color has-link-color wp-elements-fbfe3f23819c74df2f870bad6b8a9afb wp-block-paragraph\"><a href=\"https:\/\/reverbdata.ipl.pt\/pt\/reverbdata\/sacristy-of-monastery-of-alcobaca\/\" data-type=\"page\" data-id=\"1848\">Ou\u00e7a algumas amostras de \u00e1udio e obtenha os ficheiros RIR<\/a><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-7387b849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h4 class=\"wp-block-heading has-text-align-left has-custom-color-1-color has-text-color has-link-color wp-elements-be5924d354e12be9f7b6c741c5f8b7b6\" id=\"28-main-cloister-of-d-dinis\">Claustro D. Dinis<\/h4>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:45% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/10\/foto_Claustro_planta-768x1024.jpg\" alt=\"\" class=\"wp-image-1788 size-full\" srcset=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/10\/foto_Claustro_planta-768x1024.jpg 768w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/10\/foto_Claustro_planta-225x300.jpg 225w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/10\/foto_Claustro_planta-1152x1536.jpg 1152w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/10\/foto_Claustro_planta-1536x2048.jpg 1536w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/10\/foto_Claustro_planta-9x12.jpg 9w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/10\/foto_Claustro_planta-200x267.jpg 200w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/10\/foto_Claustro_planta-scaled.jpg 1920w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:-0.2rem\">Centro nevr\u00e1lgico de toda a abadia, passagem obrigat\u00f3ria de acesso a todas as depend\u00eancias, era tamb\u00e9m, local de leitura e medita\u00e7\u00e3o.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\">Trata-se do \u00fanico claustro medieval do Mosteiro de Alcoba\u00e7a. Constru\u00eddo no reinado de D. Dinis, presumivelmente entre 1308 e 1311, foi concebido por Domingo Domingues e Mestre Diogo, sendo um dos mais belos do g\u00f3tico portugu\u00eas. Posteriormente, no reinado de D. Manuel I (1495-1521) por ordem do Abade D. Jorge de Melo, foi-lhe acrescentado um piso superior (Sobreclaustro) com tra\u00e7a de Jo\u00e3o de Castilho.<\/p>\n\n\n\n<p class=\"has-text-align-right has-secondary-color has-text-color has-link-color wp-elements-079eea13fae4a9c90e1efcde79f74ff6 wp-block-paragraph\"><a href=\"https:\/\/reverbdata.ipl.pt\/pt\/reverbdata\/main-cloister-d-dinis\/\" data-type=\"page\" data-id=\"1816\">Ou\u00e7a algumas amostras de \u00e1udio e obtenha os ficheiros RIR<\/a><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-7387b849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h4 class=\"wp-block-heading has-text-align-left has-custom-color-1-color has-text-color has-link-color wp-elements-b982a567e1469139dcaba609b8a5fde7\" id=\"29-refectory\">Refeit\u00f3rio<\/h4>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:45% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/10\/Foto_Refeitorio_planta-1024x682.jpg\" alt=\"\" class=\"wp-image-1789 size-full\" srcset=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/10\/Foto_Refeitorio_planta-1024x682.jpg 1024w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/10\/Foto_Refeitorio_planta-300x200.jpg 300w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/10\/Foto_Refeitorio_planta-768x511.jpg 768w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/10\/Foto_Refeitorio_planta-1536x1023.jpg 1536w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/10\/Foto_Refeitorio_planta-2048x1364.jpg 2048w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/10\/Foto_Refeitorio_planta-18x12.jpg 18w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/10\/Foto_Refeitorio_planta-200x133.jpg 200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:-0.2rem\">Situado ao lado da actual Cozinha, o Refeit\u00f3rio \u00e9 uma constru\u00e7\u00e3o impressionante, dadas as suas dimens\u00f5es, de arquitectura cuidada e complexidade estrutural.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\">O interior \u00e9 constitu\u00eddo por tr\u00eas naves abobadadas, divididas por duas fileiras de quatro colunas, o que confere harmonia e unidade espacial ao conjunto. Destaca-se, em especial, o elegante P\u00falpito do Leitor, situado a poente, onde um monge se encarregava diariamente da leitura sacra durante as refei\u00e7\u00f5es. O acesso a este p\u00falpito faz-se atrav\u00e9s de uma pequena escada. Existem duas outras passagens: uma delas acede directamente \u00e0 Cozinha medieval j\u00e1 desaparecida, e a outra ao respectivo p\u00e1tio.<\/p>\n\n\n\n<p class=\"has-text-align-right has-secondary-color has-text-color has-link-color wp-elements-950d688d2b9ff8e12756e104963ee5c4 wp-block-paragraph\"><a href=\"https:\/\/reverbdata.ipl.pt\/pt\/reverbdata\/refectory-of-monastery-of-alcobaca\/\" data-type=\"page\" data-id=\"1827\">Ou\u00e7a algumas amostras de \u00e1udio e obtenha os ficheiros RIR<\/a><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-7387b849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h4 class=\"wp-block-heading has-text-align-left has-custom-color-1-color has-text-color has-link-color wp-elements-2e627410db42328982a47e409de7779a\" id=\"30-dormitory\">Dormit\u00f3rio<\/h4>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:45% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/10\/Foto_Dormitorio_planta-768x1024.jpg\" alt=\"\" class=\"wp-image-1790 size-full\" srcset=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/10\/Foto_Dormitorio_planta-768x1024.jpg 768w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/10\/Foto_Dormitorio_planta-225x300.jpg 225w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/10\/Foto_Dormitorio_planta-1152x1536.jpg 1152w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/10\/Foto_Dormitorio_planta-1536x2048.jpg 1536w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/10\/Foto_Dormitorio_planta-9x12.jpg 9w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/10\/Foto_Dormitorio_planta-200x267.jpg 200w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/10\/Foto_Dormitorio_planta-scaled.jpg 1920w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:-0.2rem\">O Dormit\u00f3rio do Mosteiro de Alcoba\u00e7a \u00e9 um amplo espa\u00e7o g\u00f3tico no primeiro andar, com acesso por uma escada descoberta em 1930, onde os monges dormiam em comunidade.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\">Servia como uma camarata onde os monges dormiam todos juntos, vestidos e separados por divis\u00f3rias m\u00f3veis, j\u00e1 que as celas individuais s\u00f3 foram permitidas mais tarde. Ao longo do tempo, o espa\u00e7o foi alterado com a constru\u00e7\u00e3o de salas por baixo e a adi\u00e7\u00e3o de um segundo piso no s\u00e9culo XVI. Este segundo piso foi removido em 1940, durante obras de restaura\u00e7\u00e3o. Possui uma grande porta que d\u00e1 acesso ao transepto da Igreja e uma porta mais estreita que, na Idade M\u00e9dia, dava acesso ao Calefact\u00f3rio.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\">Restaurado na sua forma medieval original, o Dormit\u00f3rio \u00e9 hoje um espa\u00e7o muito longo, e imponente, de tr\u00eas naves, com tectos abobadados e acesso a um miradouro sobre a Igreja, que permite ver os t\u00famulos de D. Pedro e D. In\u00eas. O espa\u00e7o sofreu v\u00e1rias altera\u00e7\u00f5es ao longo dos s\u00e9culos e hoje \u00e9 usado para eventos culturais e exposi\u00e7\u00f5es.<\/p>\n\n\n\n<p class=\"has-text-align-right has-secondary-color has-text-color has-link-color wp-elements-2cbe9e805f8ba2e9609924d5dba94841 wp-block-paragraph\"><a href=\"https:\/\/reverbdata.ipl.pt\/pt\/reverbdata\/dormitory-of-monastery-of-alcobaca\/\" data-type=\"page\" data-id=\"1837\">Ou\u00e7a algumas amostras de \u00e1udio e obtenha os ficheiros RIR<\/a><\/p>\n<\/div><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-826109c2 wp-block-buttons-is-layout-flex\" style=\"padding-right:0;padding-left:0rem\">\n<div class=\"wp-block-button is-style-outline is-style-outline--11\"><a class=\"wp-block-button__link has-base-color has-custom-color-1-background-color has-text-color has-background has-link-color has-text-align-left has-extra-small-font-size has-custom-font-size wp-element-button\" href=\"#3-portuguese-spaces_list-\" style=\"padding-right:var(--wp--preset--spacing--30);padding-left:var(--wp--preset--spacing--30)\">Ir para a lista de Espa\u00e7os Portugueses<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-custom-color-1-color has-alpha-channel-opacity has-custom-color-1-background-color has-background is-style-wide\"\/>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 id=\"monastery-of-batalha\" class=\"wp-block-heading has-custom-color-1-color has-text-color has-link-color wp-elements-f27dddce019445e3c5ccad6744232b30\" style=\"padding-top:var(--wp--preset--spacing--40)\"><strong>Mosteiro da Batalha<\/strong><\/h3>\n\n\n\n<p class=\"has-body-text-color has-text-color has-link-color wp-elements-4b334d2e214492da546408c057952ed4 wp-block-paragraph\">Patrim\u00f3nio Mundial da UNESCO<\/p>\n\n\n\n<div class=\"wp-block-media-text has-media-on-the-right is-stacked-on-mobile is-vertically-aligned-top\"><div class=\"wp-block-media-text__content\">\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:0;margin-right:0\">O Mosteiro de Santa Maria da Vit\u00f3ria, vulgo Mosteiro da Batalha, foi fundado por D. Jo\u00e3o I, em cumprimento de uma promessa a Nossa Senhora, ap\u00f3s a vit\u00f3ria sobre as tropas castelhanas em Aljubarrota, em 1385. Tr\u00eas anos mais tarde, o edif\u00edcio, j\u00e1 em constru\u00e7\u00e3o, foi doado pelo rei \u00e0 Ordem dos Pregadores, ou de S\u00e3o Domingos.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--40);margin-right:0;margin-bottom:0rem;margin-left:0rem\">O projecto inicial, da autoria do mestre lisboeta Afonso Domingues, compreendia a igreja e um claustro adjacente com as respectivas depend\u00eancias. Conclu\u00edda a cabeceira da igreja, o projecto foi remodelado em colabora\u00e7\u00e3o com o ent\u00e3o mestre secund\u00e1rio, formado no norte de Fran\u00e7a, Huguet. J\u00e1 como mestre principal, projecta dois espa\u00e7os funer\u00e1rios aut\u00f3nomos \u2013 a Capela do Fundador e as Capelas Imperfeitas, tendo executado o primeiro, mas apenas iniciado o segundo.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--40);margin-right:0;margin-bottom:0rem;margin-left:0rem\">Se a coopera\u00e7\u00e3o dos dois mestres ocasionou uma obra de ambi\u00e7\u00e3o internacional que brota da tradi\u00e7\u00e3o arquitect\u00f3nica das catedrais portuguesas do s\u00e9culo XIV, o legado de Huguet foi de uma transversalidade est\u00e9tica que fez da Batalha o ponto de partida para v\u00e1rios pante\u00f5es ib\u00e9ricos not\u00e1veis que se lhe seguiram.<\/p>\n<\/div><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"890\" height=\"1024\" src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/11\/Mosteiro_da_Batalha_foto_3-890x1024.jpg\" alt=\"\" class=\"wp-image-1969 size-full\" srcset=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/11\/Mosteiro_da_Batalha_foto_3-890x1024.jpg 890w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/11\/Mosteiro_da_Batalha_foto_3-261x300.jpg 261w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/11\/Mosteiro_da_Batalha_foto_3-768x884.jpg 768w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/11\/Mosteiro_da_Batalha_foto_3-1335x1536.jpg 1335w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/11\/Mosteiro_da_Batalha_foto_3-1780x2048.jpg 1780w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/11\/Mosteiro_da_Batalha_foto_3-10x12.jpg 10w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/11\/Mosteiro_da_Batalha_foto_3-200x230.jpg 200w\" sizes=\"auto, (max-width: 890px) 100vw, 890px\" \/><\/figure><\/div>\n\n\n\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--40);margin-right:0;margin-bottom:0rem;margin-left:0rem\">Ao conjunto inicial foram acrescentados tr\u00eas claustros, sobrevivendo somente um, o de D. Afonso V, da autoria de Fern\u00e3o de \u00c9vora, que atesta uma linguagem de despojamento, concorde com a sua funcionalidade dom\u00e9stica, mas espelhando tamb\u00e9m a espiritualidade do seu tempo.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--40);margin-right:0;margin-bottom:0rem;margin-left:0rem\">No tempo de D. Manuel I, foi projectada e parcialmente executada uma reforma na casa conventual. Procurou-se ent\u00e3o concluir as Capelas Imperfeitas, que deveriam vir a receber a sepultura do pr\u00f3prio rei e nobilitou-se o claustro mais antigo, atrav\u00e9s da substitui\u00e7\u00e3o do preenchimento dos v\u00e3os das respectivas janelas e edificando o portal de uma nova sala capitular. Por fim, foi dado corpo a um extenso programa de vitral, afim da pintura retabular, na capela-mor da igreja e na sala do cap\u00edtulo.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--40);margin-right:0;margin-bottom:0rem;margin-left:0rem\">A monumentalidade, beleza e despojamento desta abadia, lograram, por parte da Unesco, a classifica\u00e7\u00e3o de Patrim\u00f3nio da Humanidade em 1983.<\/p>\n\n\n\n<p class=\"has-vivid-red-color has-text-color has-link-color has-extra-small-font-size wp-elements-cfbcd2907705dbab04dd1941dedd0e77 wp-block-paragraph\"><a href=\"https:\/\/google.com\/maps\/?q=39\u00b039'32&quot;N,08\u00b049'33&quot;W\" target=\"_blank\" rel=\"noreferrer noopener\">GPS: 39\u00b0 39&#8242; 32&#8243; N , 08\u00b0 49&#8242; 33&#8243; W<\/a><\/p>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-7387b849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h4 class=\"wp-block-heading has-text-align-left has-custom-color-1-color has-text-color has-link-color wp-elements-5bfca25d925a139eaf1193d7400402e0\" id=\"32-church\">Igreja<\/h4>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:45% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/11\/Batalha_Church-768x1024.jpg\" alt=\"\" class=\"wp-image-1958 size-full\" srcset=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/11\/Batalha_Church-768x1024.jpg 768w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/11\/Batalha_Church-225x300.jpg 225w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/11\/Batalha_Church-1152x1536.jpg 1152w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/11\/Batalha_Church-1536x2048.jpg 1536w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/11\/Batalha_Church-9x12.jpg 9w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/11\/Batalha_Church-200x267.jpg 200w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/11\/Batalha_Church-scaled.jpg 1920w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:-0.2rem\">Embora o templo da Batalha reitere a tradi\u00e7\u00e3o arquitect\u00f3nica estabelecida em diversos edif\u00edcios episcopais portugueses, o modelo que segue fora praticado em igrejas mendicantes nacionais, tendo sido experimentado por Afonso Domingues na igreja da Gra\u00e7a de Santar\u00e9m. Distingue-se a igreja da Batalha pela inusitada escala, tanto em altura como em comprimento, e pelo facto de ser completamente abobadada de cantaria, \u00e0 maneira das grandes catedrais g\u00f3ticas do Ocidente. Tamb\u00e9m destas herda a tipologia de portal ocidental, cuja concep\u00e7\u00e3o se deve justamente a mestre Huguet.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\">Na capela-mor, aquele mestre deu testemunho da sua passagem pelo sudoeste franc\u00eas, antes de ter atingido a Coroa de Arag\u00e3o, atrav\u00e9s de ab\u00f3badas que n\u00e3o se encontram em edif\u00edcios contempor\u00e2neos dos demais reinos ib\u00e9ricos.<\/p>\n\n\n\n<p class=\"has-text-align-right has-secondary-color has-text-color has-link-color wp-elements-a511c4444528fa2653a5550c72b423fa wp-block-paragraph\"><a href=\"https:\/\/reverbdata.ipl.pt\/pt\/reverbdata\/church-of-monastery-of-batalha\/\" data-type=\"page\" data-id=\"1975\">Ou\u00e7a algumas amostras de \u00e1udio e obtenha os ficheiros RIR<\/a><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-7387b849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h4 class=\"wp-block-heading has-text-align-left has-custom-color-1-color has-text-color has-link-color wp-elements-1b2f5f086035fcae8b2ee0f075fff77f\" id=\"33-founders-chapel\">Capela do Fundador<\/h4>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:45% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/11\/Batalha_Capela_2-768x1024.jpg\" alt=\"\" class=\"wp-image-1962 size-full\" srcset=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/11\/Batalha_Capela_2-768x1024.jpg 768w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/11\/Batalha_Capela_2-225x300.jpg 225w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/11\/Batalha_Capela_2-1152x1536.jpg 1152w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/11\/Batalha_Capela_2-1536x2048.jpg 1536w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/11\/Batalha_Capela_2-9x12.jpg 9w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/11\/Batalha_Capela_2-200x267.jpg 200w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/11\/Batalha_Capela_2-scaled.jpg 1920w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:-0.2rem\">\u00c9 neste edif\u00edcio que Huguet melhor expressa a internacionalidade da sua arquitectura, atrav\u00e9s das solu\u00e7\u00f5es t\u00e9cnicas e decorativas pr\u00f3prias do g\u00f3tico flamejante. A elas acrescenta aquisi\u00e7\u00f5es de mais um passo no seu p\u00e9riplo em direc\u00e7\u00e3o a Portugal, na ab\u00f3bada estrelada de oito pontas que coroa o corpo central do edif\u00edcio. De planta centralizada, este comp\u00f5e-se de um volume paralelepip\u00e9dico de base quadrado, em que se inscreve um outro, octogonal, ao centro.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\">O programa tumular, que se sup\u00f5e ser da autoria de D. Duarte, coloca o t\u00famulo do casal r\u00e9gio fundador ao centro, dispondo, ao fundo, os t\u00famulos de quatro dos seus oito filhos. Se para o t\u00famulo central foi seguido o modelo brit\u00e2nico de jacentes unidos pela dextra, os demais seguem uma normativa sistem\u00e1tica quanto \u00e0 her\u00e1ldica e um despojamento geral da figura\u00e7\u00e3o que conferem uma unidade not\u00e1vel ao conjunto. O programa era completado por altares dedicados a cada sepultura, dotados de obras de arte, paramentos e alfaia lit\u00fargica adequada.<\/p>\n\n\n\n<p class=\"has-text-align-right has-secondary-color has-text-color has-link-color wp-elements-7c7775f8a27b004c722365f52c917272 wp-block-paragraph\"><a href=\"https:\/\/reverbdata.ipl.pt\/pt\/reverbdata\/founders-chapel-of-monastery-of-batalha\/\" data-type=\"page\" data-id=\"1990\">Ou\u00e7a algumas amostras de \u00e1udio e obtenha os ficheiros RIR<\/a><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-7387b849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h4 class=\"wp-block-heading has-text-align-left has-custom-color-1-color has-text-color has-link-color wp-elements-77ea49d2bae2cff0b7fd08c8f289f846\" id=\"34-chapterhouse\">Sala do Cap\u00edtulo<\/h4>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:45% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/11\/Chapterhouse_foto_4-768x1024.jpg\" alt=\"\" class=\"wp-image-2095 size-full\" srcset=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/11\/Chapterhouse_foto_4-768x1024.jpg 768w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/11\/Chapterhouse_foto_4-225x300.jpg 225w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/11\/Chapterhouse_foto_4-1152x1536.jpg 1152w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/11\/Chapterhouse_foto_4-1536x2048.jpg 1536w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/11\/Chapterhouse_foto_4-9x12.jpg 9w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/11\/Chapterhouse_foto_4-200x267.jpg 200w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/11\/Chapterhouse_foto_4-scaled.jpg 1920w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:-0.2rem\">Destinado \u00e0 reuni\u00e3o dos frades, este espa\u00e7o nunca conheceu certamente tal uso, pelo facto de ter tido que albergar os t\u00famulos de D. Afonso V, sua mulher, e de seu neto o infante D. Afonso, enquanto se esperava que as chamadas Capelas Imperfeitas se terminassem.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\">A base de sustenta\u00e7\u00e3o da not\u00e1vel ab\u00f3bada estrelada \u2013 mais um projecto de Huguet \u2013 \u00e9 o resultado, uma vez mais, da sua coopera\u00e7\u00e3o com o primeiro mestre, Afonso Domingues. Distingue-se, nesta fase, a excepcional fachada que d\u00e1 para o claustro, composta de um fundo portal moldurado, ladeado por duas janelas.<\/p>\n\n\n\n<p class=\"has-text-align-right has-secondary-color has-text-color has-link-color wp-elements-6aac899081f4f762255536302b5ed10c wp-block-paragraph\"><a href=\"https:\/\/reverbdata.ipl.pt\/pt\/reverbdata\/chapterhouse-of-monastery-of-batalha\/\" data-type=\"page\" data-id=\"2000\">Ou\u00e7a algumas amostras de \u00e1udio e obtenha os ficheiros RIR<\/a><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-7387b849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h4 class=\"wp-block-heading has-text-align-left has-custom-color-1-color has-text-color has-link-color wp-elements-06c20d5a18f034a50ad08cade68c21ae\" id=\"35-unfinished-chapels\">Capelas Imperfeitas<\/h4>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:45% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/11\/Unfinished_Chapels_foto-768x1024.jpg\" alt=\"\" class=\"wp-image-1964 size-full\" srcset=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/11\/Unfinished_Chapels_foto-768x1024.jpg 768w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/11\/Unfinished_Chapels_foto-225x300.jpg 225w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/11\/Unfinished_Chapels_foto-1152x1536.jpg 1152w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/11\/Unfinished_Chapels_foto-1536x2048.jpg 1536w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/11\/Unfinished_Chapels_foto-9x12.jpg 9w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/11\/Unfinished_Chapels_foto-200x267.jpg 200w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/11\/Unfinished_Chapels_foto-scaled.jpg 1920w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:-0.2rem\">O nome cristalizado para este edif\u00edcio resulta da utiliza\u00e7\u00e3o erudita, \u00e0 volta de 1620, por Frei Lu\u00eds de Sousa, de uma inscri\u00e7\u00e3o patente no edif\u00edcio que reza \u201cperfectum fuit anno 1509\u201d, ou seja, \u201cacabado em 1509\u201d.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\">As Capelas Imperfeitas resultaram da vontade de D. Duarte, filho e sucessor de D. Jo\u00e3o I, de se fazer sepultar num edif\u00edcio independente, alinhado com a capela-mor da igreja. Por\u00e9m, em sua vida e na do pr\u00f3prio mestre Huguet, pouco mais se ter\u00e1 executado al\u00e9m das funda\u00e7\u00f5es, entre 1437 e 1438. A obra prosseguiu at\u00e9 ao reinado de D. Afonso V, ficando suspensa \u00e0 volta de 1477.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\">Ainda que tenha vindo a abandonar a ideia, D. Manuel I adoptou a capela de seu av\u00f4 paterno para sepultamento pr\u00f3prio, prevendo-se que o t\u00famulo ficasse colocado ao centro. Com tra\u00e7a de mestre Mateus Fernandes, concluiu-se, nessa \u00e9poca (1495-1515), o abobadamento das capelas radiantes, ergueu-se um majestoso portal e foram criados pilares maci\u00e7os que delimitavam grandes janel\u00f5es, apresentando ademais os arranques da ab\u00f3bada central n\u00e3o constru\u00edda.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\">Por disposi\u00e7\u00e3o testament\u00e1ria, o Venturoso deixou a seu filho o encargo de terminar o edif\u00edcio. D. Jo\u00e3o III, com mestre Jo\u00e3o de Castilho, procurou estabelecer a liga\u00e7\u00e3o \u00e0 igreja, prevista desde in\u00edcio, mas apenas construiu a ab\u00f3bada. Nessa \u00faltima interven\u00e7\u00e3o, inapelavelmente interrompida, mandou edificar, por cima do portal referido, uma tribuna cl\u00e1ssica voltada para o interior do edif\u00edcio. Privilegiando o Convento de Cristo enquanto obra maior do seu reinado, D. Jo\u00e3o III, abandonou o empreendimento da Batalha, deslocando Jo\u00e3o Castilho para Tomar.<\/p>\n\n\n\n<p class=\"has-text-align-right has-secondary-color has-text-color has-link-color wp-elements-306dabb382e4b6059dde55fa745d3ab1 wp-block-paragraph\"><a href=\"https:\/\/reverbdata.ipl.pt\/pt\/reverbdata\/unfinished-chapels-of-monastery-of-batalha\/\" data-type=\"page\" data-id=\"2013\">Ou\u00e7a algumas amostras de \u00e1udio e obtenha os ficheiros RIR<\/a><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-826109c2 wp-block-buttons-is-layout-flex\" style=\"padding-right:0;padding-left:0rem\">\n<div class=\"wp-block-button is-style-outline is-style-outline--12\"><a class=\"wp-block-button__link has-base-color has-custom-color-1-background-color has-text-color has-background has-link-color has-text-align-left has-extra-small-font-size has-custom-font-size wp-element-button\" href=\"#3-portuguese-spaces_list-\" style=\"padding-right:var(--wp--preset--spacing--30);padding-left:var(--wp--preset--spacing--30)\">Ir para a lista de Espa\u00e7os Portugueses<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-custom-color-1-color has-alpha-channel-opacity has-custom-color-1-background-color has-background is-style-wide\"\/>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 id=\"monastery-of-jeronimos\" class=\"wp-block-heading has-custom-color-1-color has-text-color has-link-color wp-elements-6a51a26cedefcea800b4cd983ac4e474\" style=\"padding-top:var(--wp--preset--spacing--40)\"><strong>Mosteiro dos Jer\u00f3nimos<\/strong><\/h3>\n\n\n\n<div class=\"wp-block-media-text has-media-on-the-right is-stacked-on-mobile is-vertically-aligned-top\"><div class=\"wp-block-media-text__content\">\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:0;margin-right:0\">O Real Mosteiro de Santa Maria de Bel\u00e9m oi mandado erigir pelo rei D. Manuel I, tendo sido lan\u00e7ada a primeira pedra na data simb\u00f3lica de 6 de Janeiro de 1501. O conjunto mon\u00e1stico seria implantado no local onde existia antes uma antiga capela, edificada por iniciativa do Infante D. Henrique e doada \u00e0 Ordem de Cristo.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:0;margin-right:0\">Com a constru\u00e7\u00e3o deste conjunto monumental, o rei assim concebia um novo pante\u00e3o r\u00e9gio, escolhendo a poderosa ordem de S\u00e3o Jer\u00f3nimo como suporte para a sua pol\u00edtica ideol\u00f3gica e espiritual. A igreja e o claustro tiveram como mestres alguns dos mais famosos arquitectos da Coroa, como Diogo de Boitaca, Jo\u00e3o de Castilho, Nicolau Chanterenne, Diogo de Torralva e Jer\u00f3nimo de Ru\u00e3o.<\/p>\n<\/div><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"640\" src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/11\/Monastery-of-Jeronimos_Foto2-1024x640.png\" alt=\"\" class=\"wp-image-2118 size-full\" srcset=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/11\/Monastery-of-Jeronimos_Foto2-1024x640.png 1024w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/11\/Monastery-of-Jeronimos_Foto2-300x188.png 300w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/11\/Monastery-of-Jeronimos_Foto2-768x480.png 768w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/11\/Monastery-of-Jeronimos_Foto2-1536x960.png 1536w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/11\/Monastery-of-Jeronimos_Foto2-2048x1280.png 2048w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/11\/Monastery-of-Jeronimos_Foto2-18x12.png 18w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/11\/Monastery-of-Jeronimos_Foto2-200x125.png 200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/div>\n\n\n\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:0;margin-right:0\">Em 1907, o Mosteiro dos Jer\u00f3nimos foi classificado como Monumento Nacional e em 1983 inscrito na Lista de Patrim\u00f3nio Mundial da UNESCO.<\/p>\n\n\n\n<p class=\"has-vivid-red-color has-text-color has-link-color has-extra-small-font-size wp-elements-c0d17988e587d92d58a93b648d64cd94 wp-block-paragraph\"><a href=\"https:\/\/google.com\/maps\/?q=38\u00b041'52&quot;N,09\u00b012'24&quot;W\" target=\"_blank\" rel=\"noreferrer noopener\">GPS: 38\u00b0 41&#8242; 52&#8243; N , 09\u00b0 12&#8242; 24&#8243; W<\/a><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-7387b849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h4 class=\"wp-block-heading has-text-align-left has-custom-color-1-color has-text-color has-link-color wp-elements-e16667103e7590ce8c721344e0e8af7d\" id=\"37-church\">Igreja<\/h4>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top is-image-fill-element\" style=\"grid-template-columns:45% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"774\" height=\"1024\" src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/11\/Igreja-dos-jeronimos_Foto-774x1024.jpg\" alt=\"\" class=\"wp-image-2111 size-full\" style=\"object-position:50% 50%\" srcset=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/11\/Igreja-dos-jeronimos_Foto-774x1024.jpg 774w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/11\/Igreja-dos-jeronimos_Foto-227x300.jpg 227w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/11\/Igreja-dos-jeronimos_Foto-768x1016.jpg 768w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/11\/Igreja-dos-jeronimos_Foto-9x12.jpg 9w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/11\/Igreja-dos-jeronimos_Foto-200x265.jpg 200w\" sizes=\"auto, (max-width: 774px) 100vw, 774px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<h5 id=\"38-nave\" class=\"wp-block-heading has-heading-color has-text-color has-link-color wp-elements-a0eb9526478efbde51ac78e9a19dfee6\" style=\"margin-top:-0.2rem\">Nave<\/h5>\n\n\n\n<p class=\"justify-text wp-block-paragraph\">Insere-se na categoria das chamadas igrejas-sal\u00e3o devido \u00e0 unifica\u00e7\u00e3o do seu espa\u00e7o interior. A nave da igreja apresenta planta em forma de cruz latina, com as tr\u00eas naves cobertas por ab\u00f3badas colocadas \u00e0 mesma altura, que assentam em quatro delgados pilares, profusamente ornamentados.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\">A capela-mor e as capelas do transepto integram diversos t\u00famulos r\u00e9gios: D. Manuel e D. Maria e D. Jo\u00e3o III e D. Catarina na capela-mor, o Cardeal-rei D. Henrique, D. Sebasti\u00e3o e os infantes nas capelas laterais. A arquitectura classicista e depurada da capela-mor, da autoria de Jer\u00f3nimo de Ru\u00e3o, apresenta acentuado contraste com a exuber\u00e2ncia decorativa da nave e resulta da reconstru\u00e7\u00e3o ordenada pela Rainha vi\u00fava D. Catarina, em substitui\u00e7\u00e3o da primitiva capela-mor.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\">O subcoro, \u00e0 entrada, apresenta duas capelas laterais: \u00e0 direita a capela de S\u00e3o Leonardo, actual Capela Baptismal, e \u00e0 esquerda a Capela do Senhor dos Passos, revestida a talha-dourada. \u00c9 not\u00f3rio o contraste de semi-penumbra do subcoro com o elevado p\u00e9-direito da nave central, iluminada de modo mais homog\u00e9neo.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\">Ainda no subcoro est\u00e3o os t\u00famulos de Lu\u00eds de Cam\u00f5es e de Vasco da Gama, da autoria dos escultores v\u00edtor Bastos e Costa Mota (tio), em estilo neo-manuelino, do final do S\u00e9c. XIX.<\/p>\n\n\n\n<h5 id=\"39-high-choir\" class=\"wp-block-heading has-heading-color has-text-color has-link-color wp-elements-d0e9ed7dcb872bcfee74d669388ed367\">Coro-alto<\/h5>\n\n\n\n<p class=\"justify-text wp-block-paragraph\">Local de encontro para os monges que aqui se reuniam para celebrar as v\u00e1rias horas do Of\u00edcio Divino, \u00e9 marcado pela presen\u00e7a impactante do cadeiral renascentista, com desenho de Diogo de Torralva e execu\u00e7\u00e3o de Diego de la Zarza, entre 1548 e 1550, e pelo imponente crucifixo representando Cristo na Cruz, da autoria de Phillipe de Vries (1551). Conserva o pavimento original de tijoleira e ladrilhos.<\/p>\n\n\n\n<p class=\"has-text-align-right has-secondary-color has-text-color has-link-color wp-elements-75ea27a27b27c9bf6cb642be35852c29 wp-block-paragraph\"><a href=\"https:\/\/reverbdata.ipl.pt\/pt\/reverbdata\/church-of-monastery-of-jeronimos\/\" data-type=\"page\" data-id=\"2126\">Ou\u00e7a algumas amostras de \u00e1udio e obtenha os ficheiros RIR<\/a><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-7387b849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h4 class=\"wp-block-heading has-text-align-left has-custom-color-1-color has-text-color has-link-color wp-elements-bc9dc38b3d2d9c6694b963a291978e31\" id=\"40-cloister\">Claustro<\/h4>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top is-image-fill-element\" style=\"grid-template-columns:45% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/11\/Claustro_Foto2-1024x768.jpg\" alt=\"\" class=\"wp-image-2117 size-full\" style=\"object-position:50% 50%\" srcset=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/11\/Claustro_Foto2-1024x768.jpg 1024w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/11\/Claustro_Foto2-300x225.jpg 300w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/11\/Claustro_Foto2-768x576.jpg 768w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/11\/Claustro_Foto2-1536x1152.jpg 1536w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/11\/Claustro_Foto2-2048x1536.jpg 2048w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/11\/Claustro_Foto2-16x12.jpg 16w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/11\/Claustro_Foto2-200x150.jpg 200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:-0.2rem\">Projectado por Diogo de Boitaca, continuado por Jo\u00e3o de Castilho a partir de 1517 e conclu\u00eddo por Diogo de Torralva entre 1540 e 1541, o Claustro do Mosteiro dos Jer\u00f3nimos \u00e9 um espa\u00e7o destinado \u00e0 ora\u00e7\u00e3o e medita\u00e7\u00e3o dos monges da Ordem de S\u00e3o Jer\u00f3nimo. A sua planta quadrangular, com cerca de 55 metros de cada lado, possui \u00e2ngulos cortados nos cantos, apresentando uma original configura\u00e7\u00e3o ligeiramente octogonal.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\">As galerias disp\u00f5em-se em dois pisos com cobertura abobadada tramo a tramo, integralmente projectados e constru\u00eddos em pedra, com uma riqu\u00edssima decora\u00e7\u00e3o de car\u00e1cter vegetalista, combinando temas zoom\u00f3rficos e fant\u00e1sticos, entre a ornamenta\u00e7\u00e3o caracter\u00edstica do tardo-g\u00f3tico e os elementos da tend\u00eancia mais erudita que antecipa o Renascimento.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\">No varandim do piso superior est\u00e3o dispostas diversas esculturas colocadas dentro de nichos num total de vinte - cinco em cada ala; representam santos e virtudes, sendo uma delas a pr\u00f3pria figura\u00e7\u00e3o de D. Manuel. Rematando superiormente o claustro, encontra-se uma platibanda com decora\u00e7\u00e3o renascentista da autoria de Diogo de Torralva.<\/p>\n\n\n\n<p class=\"has-text-align-right has-secondary-color has-text-color has-link-color wp-elements-a2ff7587dc87012817690a8c748024d8 wp-block-paragraph\"><a href=\"https:\/\/reverbdata.ipl.pt\/pt\/reverbdata\/cloister-of-monastery-of-jeronimos\/\" data-type=\"page\" data-id=\"2136\">Ou\u00e7a algumas amostras de \u00e1udio e obtenha os ficheiros RIR<\/a><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-7387b849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h4 class=\"wp-block-heading has-text-align-left has-custom-color-1-color has-text-color has-link-color wp-elements-016e2b4c2f7b94c875ce5aad0a55d8cb\" id=\"41-chapterhouse\">Sala do Cap\u00edtulo<\/h4>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top is-image-fill-element\" style=\"grid-template-columns:45% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"684\" src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/11\/Capitulo_Foto-1024x684.jpg\" alt=\"\" class=\"wp-image-2113 size-full\" style=\"object-position:53% 26%\" srcset=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/11\/Capitulo_Foto-1024x684.jpg 1024w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/11\/Capitulo_Foto-300x200.jpg 300w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/11\/Capitulo_Foto-768x513.jpg 768w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/11\/Capitulo_Foto-1536x1025.jpg 1536w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/11\/Capitulo_Foto-2048x1367.jpg 2048w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/11\/Capitulo_Foto-18x12.jpg 18w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/11\/Capitulo_Foto-200x134.jpg 200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:-0.2rem\">A sala \u00e9 acess\u00edvel a partir do lado nascente do Claustro. O portal que abre para a Sala do Cap\u00edtulo apresenta uma decora\u00e7\u00e3o proto-renascentista e \u00e9 obra do aparelhador Rodrigo de Pontezilha. A meio da sala est\u00e1 disposto o t\u00famulo do historiador e romancista Alexandre Herculano. Originalmente pensada para reuni\u00f5es capitulares dos monges, nunca foi utilizada para este fim, e s\u00f3 foi terminado no s\u00e9c. XIX, com a constru\u00e7\u00e3o da ab\u00f3bada.<\/p>\n\n\n\n<p class=\"has-text-align-right has-secondary-color has-text-color has-link-color wp-elements-33d3ff6811d5104733fd70723b28fbeb wp-block-paragraph\"><a href=\"https:\/\/reverbdata.ipl.pt\/pt\/reverbdata\/chapterhouse-of-monastery-of-jeronimos\/\" data-type=\"page\" data-id=\"2150\">Ou\u00e7a algumas amostras de \u00e1udio e obtenha os ficheiros RIR<\/a><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-7387b849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h4 class=\"wp-block-heading has-text-align-left has-custom-color-1-color has-text-color has-link-color wp-elements-cb334eddf831752959b80c37918316e0\" id=\"42-refectory\">Refeit\u00f3rio<\/h4>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top is-image-fill-element\" style=\"grid-template-columns:45% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"755\" src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/11\/Mosteiro_dos_Jeronimos_Refeitorio_Foto-1024x755.jpg\" alt=\"\" class=\"wp-image-2115 size-full\" style=\"object-position:51% 22%\" srcset=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/11\/Mosteiro_dos_Jeronimos_Refeitorio_Foto-1024x755.jpg 1024w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/11\/Mosteiro_dos_Jeronimos_Refeitorio_Foto-300x221.jpg 300w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/11\/Mosteiro_dos_Jeronimos_Refeitorio_Foto-768x566.jpg 768w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/11\/Mosteiro_dos_Jeronimos_Refeitorio_Foto-16x12.jpg 16w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/11\/Mosteiro_dos_Jeronimos_Refeitorio_Foto-200x148.jpg 200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:-0.2rem\">A sala \u00e9 acess\u00edvel a partir do lado poente do Claustro. Constru\u00eddo entre 1517 e 1518 por Leonardo Vaz, o antigo refeit\u00f3rio do mosteiro manteve as suas fun\u00e7\u00f5es at\u00e9 cerca de 1940. Possui ab\u00f3bada polinervada e abatida e as paredes decoradas com azulejos de 1780\/85, com cenas da vida de Jos\u00e9 do Egipto.<\/p>\n\n\n\n<p class=\"has-text-align-right has-secondary-color has-text-color has-link-color wp-elements-72412b03276a35e8dc69991be1e8b054 wp-block-paragraph\"><a href=\"https:\/\/reverbdata.ipl.pt\/pt\/reverbdata\/refectory-of-monastery-of-jeronimos\/\" data-type=\"page\" data-id=\"2159\">Ou\u00e7a algumas amostras de \u00e1udio e obtenha os ficheiros RIR<\/a><\/p>\n<\/div><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-826109c2 wp-block-buttons-is-layout-flex\" style=\"padding-right:0;padding-left:0rem\">\n<div class=\"wp-block-button is-style-outline is-style-outline--13\"><a class=\"wp-block-button__link has-base-color has-custom-color-1-background-color has-text-color has-background has-link-color has-text-align-left has-extra-small-font-size has-custom-font-size wp-element-button\" href=\"#3-portuguese-spaces_list-\" style=\"padding-right:var(--wp--preset--spacing--30);padding-left:var(--wp--preset--spacing--30)\">Ir para a lista de Espa\u00e7os Portugueses<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-custom-color-1-color has-alpha-channel-opacity has-custom-color-1-background-color has-background is-style-wide\"\/>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 id=\"national-palace-of-mafra\" class=\"wp-block-heading has-custom-color-1-color has-text-color has-link-color wp-elements-ef4ba83611534c18672fb91b8c0f7a9b\" style=\"padding-top:var(--wp--preset--spacing--40)\"><strong>Pal\u00e1cio Nacional de Mafra<\/strong><\/h3>\n\n\n\n<p class=\"has-body-text-color has-text-color has-link-color wp-elements-4b334d2e214492da546408c057952ed4 wp-block-paragraph\">Patrim\u00f3nio Mundial da UNESCO<\/p>\n\n\n\n<div class=\"wp-block-media-text has-media-on-the-right is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:auto 55%\"><div class=\"wp-block-media-text__content\">\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:0;margin-right:0\">O Real Edif\u00edcio de Mafra \u00e9 um S\u00edtio Cultural inscrito na Lista do Patrim\u00f3nio Mundial pela UNESCO, em 2019, integrando o Pal\u00e1cio Real, a Bas\u00edlica, um Convento, o Jardim do Cerco e uma vasta tapada.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--40);margin-right:0;margin-bottom:0rem;margin-left:0rem\">Com mais de 1200 hectares classificados, este \u00e9 o maior monumento nacional portugu\u00eas, dos quais mais de 38.000 m2 s\u00e3o referentes ao Pal\u00e1cio-convento, mandado construir pelo rei D. Jo\u00e3o V.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--40);margin-right:0;margin-bottom:0rem;margin-left:0rem\">A UNESCO reconheceu este monumento como um feito de arquitetura, de engenharia e da capacidade do g\u00e9nio humano. Baseado em projetos de Filippo Juvarra, o seu desenho final foi realizado pelo germ\u00e2nico Johann Friedrich Ludwig (Jo\u00e3o Frederico Ludovice) e a constru\u00e7\u00e3o conduzida pelo engenheiro-mor do reino, Cust\u00f3dio Vieira. A primeira pedra foi lan\u00e7ada a 17 de novembro de 1717 e a sagra\u00e7\u00e3o da Bas\u00edlica ocorreu a 22 de outubro de 1730.<\/p>\n<\/div><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/01\/Palacio_Nacional_Mafra_2_19f111bd7e-1024x683.jpg\" alt=\"\" class=\"wp-image-1231 size-full\" srcset=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/01\/Palacio_Nacional_Mafra_2_19f111bd7e-1024x683.jpg 1024w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/01\/Palacio_Nacional_Mafra_2_19f111bd7e-300x200.jpg 300w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/01\/Palacio_Nacional_Mafra_2_19f111bd7e-768x512.jpg 768w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/01\/Palacio_Nacional_Mafra_2_19f111bd7e-1536x1024.jpg 1536w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/01\/Palacio_Nacional_Mafra_2_19f111bd7e-18x12.jpg 18w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/01\/Palacio_Nacional_Mafra_2_19f111bd7e-200x133.jpg 200w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/01\/Palacio_Nacional_Mafra_2_19f111bd7e.jpg 1980w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/div>\n\n\n\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--40);margin-right:0;margin-bottom:0rem;margin-left:0rem\">No seu interior destaca-se uma das mais importantes bibliotecas iluministas da Europa, com cerca de 38.000 volumes. As torres sineiras da Bas\u00edlica comportam um dos maiores conjuntos sineiros do mundo, constitu\u00eddo por dois carrilh\u00f5es com um total de 98 sinos; e no interior desta capela real, seis \u00f3rg\u00e3os hist\u00f3ricos, instalados entre 1792 e 1807, que voltaram a ecoar na Bas\u00edlica ap\u00f3s o seu restauro integral em 2010. N\u00e3o sendo resid\u00eancia habitual da Fam\u00edlia Real, o Pa\u00e7o de Mafra foi sempre muito visitado pelos reis, para assistirem a festas religiosas ou ca\u00e7ar na Tapada.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"padding-left:0rem\">Retirado de <a href=\"https:\/\/palaciodemafra.pt\">https:\/\/palaciodemafra.pt<\/a><\/p>\n\n\n\n<p class=\"has-vivid-red-color has-text-color has-link-color has-extra-small-font-size wp-elements-a8bbe9db7a240e23464be38348a01bd4 wp-block-paragraph\"><a href=\"https:\/\/google.com\/maps\/?q=38\u00b056'12&quot;N,09\u00b019'35&quot;W\" target=\"_blank\" rel=\"noreferrer noopener\">GPS: 38\u00b0 56&#8242; 12&#8243; N , 09\u00b0 19&#8242; 35&#8243; W<\/a><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-7387b849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h4 class=\"wp-block-heading has-text-align-left has-custom-color-1-color has-text-color has-link-color wp-elements-17c624af04e4199499939640ac6e770b\" id=\"44-basilica\">Bas\u00edlica<\/h4>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:45% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/02\/IMG_4633_4-768x1024.jpg\" alt=\"\" class=\"wp-image-1352 size-full\" srcset=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/02\/IMG_4633_4-768x1024.jpg 768w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/02\/IMG_4633_4-225x300.jpg 225w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/02\/IMG_4633_4-1152x1536.jpg 1152w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/02\/IMG_4633_4-1536x2048.jpg 1536w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/02\/IMG_4633_4-9x12.jpg 9w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/02\/IMG_4633_4-200x267.jpg 200w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/02\/IMG_4633_4-scaled.jpg 1920w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:-0.2rem\">A Bas\u00edlica do Real Edif\u00edcio de Mafra \u00e9 inspirada nas grandes igrejas de Roma, possui uma das mais significativas cole\u00e7\u00f5es de escultura italiana do seu tempo, com 58 est\u00e1tuas, um grande crucifixo com arcanjos em adora\u00e7\u00e3o e tr\u00eas altos relevos, bem como um importante conjunto de pintura, representativa de alguns dos mais c\u00e9lebres pintores ativos em It\u00e1lia e Fran\u00e7a, no in\u00edcio da d\u00e9cada de 1730. A cole\u00e7\u00e3o de paramentos e alfaias lit\u00fargicas da Bas\u00edlica \u00e9 tamb\u00e9m muito significativa, pela sua qualidade e raridade.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\">Destacam-se, ainda, o conjunto sineiro, com 120 sinos, os quais integram dois dos maiores carrilh\u00f5es do s\u00e9culo XVIII, fundidos em Antu\u00e9rpia e Li\u00e9ge nas oficinas de Willem Witlockx e de Nicolas Levache, respetivamente. Aos sinos associam-se dois rel\u00f3gios datados da primeira metade do s\u00e9culo XVIII, bem como, quatro aut\u00f3matos para m\u00fasica autom\u00e1tica.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\">No interior da Bas\u00edlica encontra-se um conjunto de \u00f3rg\u00e3os de tubos, \u00fanico no mundo, composto por seis instrumentos concebidos para poderem tocar em conjunto, constru\u00eddos entre 1792 e 1807 pelos organeiros portugueses Ant\u00f3nio Machado e Cerveira e por Joaquim Peres Fontanes.<\/p>\n\n\n\n<p class=\"has-text-align-right has-secondary-color has-text-color has-link-color wp-elements-d070fbc0ab336a97a8f55044bb60f28c wp-block-paragraph\"><a href=\"https:\/\/reverbdata.ipl.pt\/pt\/reverbdata\/basilica-of-the-national-palace-of-mafra\/\" data-type=\"page\" data-id=\"1280\">Ou\u00e7a algumas amostras de \u00e1udio e obtenha os ficheiros RIR<\/a><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-7387b849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h4 class=\"wp-block-heading has-text-align-left has-custom-color-1-color has-text-color has-link-color wp-elements-e951ea10b6c353936e424279f6dc7fcc\" id=\"45-library\">Biblioteca<\/h4>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:45% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/02\/IMG_4627_4-768x1024.jpeg\" alt=\"\" class=\"wp-image-1355 size-full\" srcset=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/02\/IMG_4627_4-768x1024.jpeg 768w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/02\/IMG_4627_4-225x300.jpeg 225w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/02\/IMG_4627_4-1152x1536.jpeg 1152w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/02\/IMG_4627_4-1537x2048.jpeg 1537w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/02\/IMG_4627_4-9x12.jpeg 9w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/02\/IMG_4627_4-200x267.jpeg 200w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/02\/IMG_4627_4-scaled.jpeg 1921w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:-0.2rem\">A Biblioteca do Pal\u00e1cio \u00e9 um dos espa\u00e7os mais ic\u00f3nicos do monumento. \u00c9 uma das maiores bibliotecas europeias do s\u00e9culo XVIII, numa \u00fanica sala, com 1000 m2. Aqui se re\u00fanem cerca de 30.000 volumes que refletem os principais temas da cultura iluminista, mais racional e cient\u00edfica, predominando temas religiosos, mas tamb\u00e9m de medicina, farm\u00e1cia, hist\u00f3ria, geografia, literatura, filosofia, arquitetura e arte, direito, literatura, etc.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\">A instala\u00e7\u00e3o das estantes ocorreu em 1776 e, apenas em 1791, os livros foram distribu\u00eddos nas prateleiras. No in\u00edcio do s\u00e9culo XIX, Frei Jo\u00e3o de Santa Ana finalizou o segundo invent\u00e1rio dos livros e organizou-os conforme ainda hoje se mant\u00eam, estando a parte norte reservada aos temas religiosos, e a parte sul, \u00e0s ci\u00eancias exatas e a temas de car\u00e1ter civil.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\">Al\u00e9m dos livros impressos, tamb\u00e9m aqui existe uma importante cole\u00e7\u00e3o de livros de m\u00fasica, de incun\u00e1bulos (obras impressas entre 1455 e 1500, como a Cr\u00f3nica de Nuremberga, de 1493), e uma cole\u00e7\u00e3o de livros manuscritos e iluminados, como os Livros de Horas, do s\u00e9culo XV. No seu arquivo subsiste uma vasta cole\u00e7\u00e3o de partituras musicais de diversos compositores: Marcos de Portugal, Jo\u00e3o de Souza Carvalho, Jos\u00e9 Joaquim dos Santos, Jo\u00e3o Jos\u00e9 Baldi, entre outros, muitas delas destinadas aos \u00f3rg\u00e3os da Bas\u00edlica.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:-0.2rem\">Confirmando a import\u00e2ncia da Biblioteca de Mafra, o Papa Bento XIV concedeu-lhe uma bula, em 1754, autorizando a que aqui se conservassem livros proibidos pelo Index, obras consideradas subversivas ou por tratarem de tem\u00e1ticas condenadas pela Igreja e pelo Estado.<\/p>\n\n\n\n<p class=\"has-text-align-right has-secondary-color has-text-color has-link-color wp-elements-e78ae6d2702e596018f0b961ae5501d3 wp-block-paragraph\"><a href=\"https:\/\/reverbdata.ipl.pt\/pt\/reverbdata\/library-of-the-national-palace-of-mafra\/\" data-type=\"page\" data-id=\"1290\">Ou\u00e7a algumas amostras de \u00e1udio e obtenha os ficheiros RIR<\/a><\/p>\n<\/div><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-826109c2 wp-block-buttons-is-layout-flex\" style=\"padding-right:0;padding-left:0rem\">\n<div class=\"wp-block-button is-style-outline is-style-outline--14\"><a class=\"wp-block-button__link has-base-color has-custom-color-1-background-color has-text-color has-background has-link-color has-text-align-left has-extra-small-font-size has-custom-font-size wp-element-button\" href=\"#3-portuguese-spaces_list-\" style=\"padding-right:var(--wp--preset--spacing--30);padding-left:var(--wp--preset--spacing--30)\">Ir para a lista de Espa\u00e7os Portugueses<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-custom-color-1-color has-alpha-channel-opacity has-custom-color-1-background-color has-background is-style-wide\"\/>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 id=\"national-pantheon\" class=\"wp-block-heading has-custom-color-1-color has-text-color has-link-color wp-elements-5f671e590b40237e838fe7ec537f4e6a\" style=\"padding-top:var(--wp--preset--spacing--40)\"><strong>Pante\u00e3o Nacional<\/strong><\/h3>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-7387b849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h4 class=\"wp-block-heading has-text-align-left has-custom-color-1-color has-text-color has-link-color wp-elements-9c0aff7b122a7bed924e01012881640b\" id=\"47-church-of-santa-engr%C3%A1cia\">Igreja de Santa Engr\u00e1cia<\/h4>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:45% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/09\/IMG_3617-768x1024.jpg\" alt=\"\" class=\"wp-image-1760 size-full\" srcset=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/09\/IMG_3617-768x1024.jpg 768w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/09\/IMG_3617-225x300.jpg 225w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/09\/IMG_3617-1152x1536.jpg 1152w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/09\/IMG_3617-1536x2048.jpg 1536w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/09\/IMG_3617-9x12.jpg 9w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/09\/IMG_3617-200x267.jpg 200w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/09\/IMG_3617-scaled.jpg 1920w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:-0.2rem\">Fundada por desejo da infanta D. Maria (1521-1577), a Igreja de Santa Engr\u00e1cia destinava-se a servir a nova par\u00f3quia criada por Breve do Papa Pio V, em 1568. Embora se saiba pouco sobre a evolu\u00e7\u00e3o dos trabalhos nas primeiras duas d\u00e9cadas do s\u00e9culo XVII, \u00e9 sabido que o arquitecto era Nicolau de Frias e em 1621 a obra passou para Teod\u00f3sio de Frias, seu filho. Em 1630, d\u00e1-se o roubo das h\u00f3stias consagradas, guardadas no sacr\u00e1rio da capela-mor. Sim\u00e3o Solis, crist\u00e3o-novo, \u00e9 acusado e condenado \u00e0 morte na fogueira onde ter\u00e1 jurado que a sua inoc\u00eancia era t\u00e3o certa quanto as obras de Santa Engr\u00e1cia nunca terminarem.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\">Foi, de imediato, criada a Irmandade dos Escravos do Sant\u00edssimo Sacramento, que contou com a filia\u00e7\u00e3o de 100 nobres fidalgos, empenhados em quebrar a maldi\u00e7\u00e3o de Solis. Foi ordenada a constru\u00e7\u00e3o de uma nova capela-mor, a cargo do arquitecto Mateus do Couto, que viria a ruir, subitamente, 50 anos mais tarde. Em 1681 foi escolhido o mestre Jo\u00e3o Antunes (1643-1712) para construir um novo templo. \u00c0 data da sua morte, a igreja ainda n\u00e3o estava terminada. E por terminar ficou ao longo do s\u00e9culo XVIII.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\">Com a extin\u00e7\u00e3o das ordens religiosas, em 1834, o templo de Santa Engr\u00e1cia foi entregue ao Ex\u00e9rcito, que o adaptou a quartel, depois f\u00e1brica de armamento e, mais tarde, oficina de produ\u00e7\u00e3o de cal\u00e7ado.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\">Por decreto de 16 de Junho de 1910, a igreja foi classificada como Monumento Nacional, sendo a decis\u00e3o da sua adapta\u00e7\u00e3o a Pante\u00e3o Nacional tomada j\u00e1 na Rep\u00fablica, em Abril de 1916, mas at\u00e9 \u00e0 d\u00e9cada de 30, por\u00e9m, continuou a ocupa\u00e7\u00e3o militar do im\u00f3vel.<\/p>\n<\/div><\/div>\n\n\n\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:-0.2rem\">Em 1956 foram convidados v\u00e1rios arquitectos a apresentar propostas para a conclus\u00e3o do edif\u00edcio. Lu\u00eds Amoroso Lopes, considerou o desafio, propondo uma solu\u00e7\u00e3o minimalista. Defendia a ideia do monumento como objecto de um restauro, sendo a c\u00fapula um dos raros elementos inovadores. Em 1964, Ant\u00f3nio de Oliveira Salazar decidiu combater uma imagem presa na supersti\u00e7\u00e3o popular (a de uma obra sem fim), ordenando a conclus\u00e3o do edif\u00edcio no prazo de dois anos. A inaugura\u00e7\u00e3o seria coincidente com as comemora\u00e7\u00f5es do 40\u00ba anivers\u00e1rio do regime, em 1966. Numa altura particularmente dif\u00edcil, importava mostrar aos portugueses, e ao mundo, como o Estado Novo tinha for\u00e7a para destruir mitos de incapacidade.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\">Desde ent\u00e3o o Pante\u00e3o Nacional tem como miss\u00e3o homenagear promover e divulgar a Vida e Obra das personalidades nele presentes.<\/p>\n\n\n\n<p class=\"has-vivid-red-color has-text-color has-link-color has-extra-small-font-size wp-elements-56feb07a0519ad8201d7c49f2b7a6177 wp-block-paragraph\"><a href=\"https:\/\/google.com\/maps\/?q=38\u00b042'54&quot;N,09\u00b007'29&quot;W\" target=\"_blank\" rel=\"noreferrer noopener\">GPS: 38\u00b0 42&#8242; 54&#8243; N , 09\u00b0 07&#8242; 29&#8243; W<\/a><\/p>\n\n\n\n<p class=\"has-text-align-right has-secondary-color has-text-color has-link-color wp-elements-78d8d3e95fe4b2368ca9eee9bcbbdd32 wp-block-paragraph\"><a href=\"https:\/\/reverbdata.ipl.pt\/pt\/reverbdata\/national-pantheon-church-of-santa-engracia\/\" data-type=\"page\" data-id=\"1743\">Ou\u00e7a algumas amostras de \u00e1udio e obtenha os ficheiros RIR<\/a><\/p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-826109c2 wp-block-buttons-is-layout-flex\" style=\"padding-right:0;padding-left:0rem\">\n<div class=\"wp-block-button is-style-outline is-style-outline--15\"><a class=\"wp-block-button__link has-base-color has-custom-color-1-background-color has-text-color has-background has-link-color has-text-align-left has-extra-small-font-size has-custom-font-size wp-element-button\" href=\"#3-portuguese-spaces_list-\" style=\"padding-right:var(--wp--preset--spacing--30);padding-left:var(--wp--preset--spacing--30)\">Ir para a lista de Espa\u00e7os Portugueses<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-custom-color-1-color has-alpha-channel-opacity has-custom-color-1-background-color has-background is-style-wide\"\/>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 id=\"national-theatre-d-maria-ii\" class=\"wp-block-heading has-custom-color-1-color has-text-color has-link-color wp-elements-583fa9607ddaef5d7b06d20377f7dd0b\" style=\"padding-top:var(--wp--preset--spacing--40)\"><strong>Teatro Nacional D. Maria II<\/strong><\/h3>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-7387b849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h4 class=\"wp-block-heading has-text-align-left has-custom-color-1-color has-text-color has-link-color wp-elements-14020483ccfe0c4244e65771ae7cc21d\" id=\"49-garrett-hall\">Audit\u00f3rio Almeida Garrett<\/h4>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:45% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"696\" height=\"464\" src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/07\/Garrett-Hall.png\" alt=\"\" class=\"wp-image-25 size-full\" srcset=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/07\/Garrett-Hall.png 696w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/07\/Garrett-Hall-300x200.png 300w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:-0.2rem\">\u00c9 a sala principal do Teatro Nacional D. Maria II em Lisboa. O audit\u00f3rio Almeida Garrett foi projetado pelo arquiteto italiano Fortunato Lodi em formato cl\u00e1ssico de ferradura e inaugurado a 13 de abril de 1846. Em 1964, o teatro foi destru\u00eddo por um inc\u00eandio, que levou \u00e0 reconstru\u00e7\u00e3o total do edif\u00edcio, inaugurado em 1978. O projeto de restauro teve como foco proporcionar as melhores condi\u00e7\u00f5es ac\u00fasticas poss\u00edveis, visando um tempo de reverbera\u00e7\u00e3o de 1 segundo. Hoje em dia esta sala ainda \u00e9 utilizada principalmente para apresenta\u00e7\u00f5es teatrais, mantendo assim a sua finalidade original.<\/p>\n\n\n\n<p class=\"has-vivid-red-color has-text-color has-link-color has-extra-small-font-size wp-elements-4525264519e49857465e63d10c30dec4 wp-block-paragraph\"><a href=\"https:\/\/google.com\/maps\/?q=38\u00b042'53&quot;N,09\u00b008'23&quot;W\" target=\"_blank\" rel=\"noreferrer noopener\">GPS: 38\u00b0 42&#8242; 53&#8243; N , 09\u00b0 08&#8242; 23&#8243; W<\/a><\/p>\n\n\n\n<p class=\"has-text-align-right has-secondary-color has-text-color has-link-color wp-elements-18ca8e3ac481d05ca6788520fd19e7f7 wp-block-paragraph\"><a href=\"https:\/\/reverbdata.ipl.pt\/pt\/reverbdata\/garrett\/\">Ou\u00e7a algumas amostras de \u00e1udio e obtenha os ficheiros RIR<\/a><\/p>\n<\/div><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-826109c2 wp-block-buttons-is-layout-flex\" style=\"padding-right:0;padding-left:0rem\">\n<div class=\"wp-block-button is-style-outline is-style-outline--16\"><a class=\"wp-block-button__link has-base-color has-custom-color-1-background-color has-text-color has-background has-link-color has-text-align-left has-extra-small-font-size has-custom-font-size wp-element-button\" href=\"#3-portuguese-spaces_list-\" style=\"padding-right:var(--wp--preset--spacing--30);padding-left:var(--wp--preset--spacing--30)\">Ir para a lista de Espa\u00e7os Portugueses<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-custom-color-1-color has-alpha-channel-opacity has-custom-color-1-background-color has-background is-style-wide\"\/>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 id=\"portuguese-parliament\" class=\"wp-block-heading has-custom-color-1-color has-text-color has-link-color wp-elements-032aa69b2d7b42202cf8f97f0df1dc93\" style=\"padding-top:var(--wp--preset--spacing--40)\">Parlamento Portugu\u00eas (Assembleia da Rep\u00fablica)<\/h3>\n\n\n\n<div class=\"wp-block-media-text has-media-on-the-right is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:auto 55%\"><div class=\"wp-block-media-text__content\">\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:0;margin-right:0\">O edif\u00edcio do Parlamento Portugu\u00eas tamb\u00e9m designado por Pal\u00e1cio de S\u00e3o Bento tem as suas origens remotas no primeiro mosteiro beneditino edificado em Lisboa no ano de 1572.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--40);margin-right:0;margin-bottom:0rem;margin-left:0rem\">A necessidade de mais espa\u00e7o para albergar uma comunidade religiosa em crescimento, assim como motivos de salubridade e o desejo de maior proximidade com o n\u00facleo urbano e seus fi\u00e9is, originaram altera\u00e7\u00f5es \u00e0 primitiva localiza\u00e7\u00e3o. Em 1598, a Ordem Beneditina iniciou a constru\u00e7\u00e3o do novo mosteiro em terrenos na zona limite inferior da cerca mon\u00e1stica. Conhecido como Mosteiro de S\u00e3o Bento da Sa\u00fade, ou dos Negros (pela cor do h\u00e1bito beneditino), foi constru\u00eddo segundo projeto inicial do arquiteto r\u00e9gio Baltasar \u00c1lvares e continuado, ap\u00f3s a morte deste, pelos monges Pedro Quaresma e Jo\u00e3o Turriano.<\/p>\n<\/div><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"992\" height=\"723\" src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/05\/Parlamento.jpg\" alt=\"\" class=\"wp-image-2578 size-full\" srcset=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/05\/Parlamento.jpg 992w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/05\/Parlamento-300x219.jpg 300w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/05\/Parlamento-768x560.jpg 768w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/05\/Parlamento-16x12.jpg 16w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/05\/Parlamento-200x146.jpg 200w\" sizes=\"auto, (max-width: 992px) 100vw, 992px\" \/><\/figure><\/div>\n\n\n\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--40);margin-right:0;margin-bottom:0rem;margin-left:0rem\">Ainda n\u00e3o haviam sido terminadas as obras quando o mosteiro sofreu alguns danos com o terramoto de 1755. Por\u00e9m, foi na sequ\u00eancia da Revolu\u00e7\u00e3o Liberal de 1820 e por decreto real de D. Pedro IV, em setembro de 1833, que o edif\u00edcio ficou afeto \u00e0 instala\u00e7\u00e3o do Parlamento e passando a designar-se Pal\u00e1cio das Cortes.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--40);margin-right:0;margin-bottom:0rem;margin-left:0rem\">Foi, ent\u00e3o, entregue \u00e0 Reparti\u00e7\u00e3o das Obras P\u00fablicas a responsabilidade de uma abreviada adapta\u00e7\u00e3o do espa\u00e7o religioso \u00e0s necessidades das novas fun\u00e7\u00f5es, sendo aproveitada a Livraria conventual para a instala\u00e7\u00e3o da C\u00e2mara dos Pares e feita de raiz a C\u00e2mara dos Deputados, projetada pelo arquiteto Possid\u00f3nio da Silva, salas inauguradas com a abertura das Cortes em agosto de 1834.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--40);margin-right:0;margin-bottom:0rem;margin-left:0rem\">S\u00f3 em 1865, o arquiteto Jean-Fran\u00e7ois Colson projetou uma verdadeira reformula\u00e7\u00e3o, com a constru\u00e7\u00e3o de uma nova sala para a C\u00e2mara dos Pares, no local da primeira sala, tornando-a mais funcional e digna da nova utiliza\u00e7\u00e3o.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--40);margin-right:0;margin-bottom:0rem;margin-left:0rem\">O inc\u00eandio de 1895, que danificou a ala direita do edif\u00edcio, tornou urgente a reconstru\u00e7\u00e3o da Sala da C\u00e2mara dos Deputados, tendo, para tal, sido aberto um concurso que selecionou o projeto de Miguel Ventura Terra, caracterizado por uma est\u00e9tica neocl\u00e1ssica, o qual, al\u00e9m da constru\u00e7\u00e3o de uma nova sala e respetiva antec\u00e2mara \u2013 a Sala dos Passos Perdidos \u2013, acabaria por remodelar grande parte do edif\u00edcio mon\u00e1stico, conferindo-lhe monumentalidade, bem distante do discreto estilo-ch\u00e3o conventual, como convinha \u00e0 import\u00e2ncia do \u00f3rg\u00e3o de soberania a\u00ed instalado.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--40);margin-right:0;margin-bottom:0rem;margin-left:0rem\">A partir dos anos 20 do s\u00e9culo XX, a dire\u00e7\u00e3o das obras foi entregue ao arquiteto Adolfo Marques da Silva que concebeu algumas altera\u00e7\u00f5es ao projeto inicial de Ventura Terra, n\u00e3o apenas nos pormenores finais das fachadas, mas tamb\u00e9m em detalhes no acabamento dos interiores e, essencialmente, ao n\u00edvel de todo o programa decorativo. Outros arquitetos ficaram com a responsabilidade da reformula\u00e7\u00e3o da zona envolvente do Pal\u00e1cio, como Cristino da Silva, e de obras pontuais no interior, como Ant\u00f3nio Lino.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--40);margin-right:0;margin-bottom:0rem;margin-left:0rem\">During the 50 years that the works took place, the Grand Staircase, the Library and the Grand Hall were also built in the 1930s and 40s, conceived according to a new aesthetic and utilitarian concept characteristic of the Estado Novo (Salazarist regime).<\/p>\n\n\n\n<p class=\"has-body-text-color has-text-color has-link-color wp-elements-8e5b3a006971519bacf0c46af03f3e19 wp-block-paragraph\" style=\"padding-left:0rem\">Retirado de <a href=\"https:\/\/www.parlamento.pt\">https:\/\/www.parlamento.pt<\/a><\/p>\n\n\n\n<p class=\"has-vivid-red-color has-text-color has-link-color has-extra-small-font-size wp-elements-9674e5975dfbca4876237659f573f2fb wp-block-paragraph\"><a href=\"https:\/\/google.com\/maps\/?q=38\u00b042'45.29&quot;N,09\u00b009'13.88&quot;W\" target=\"_blank\" rel=\"noreferrer noopener\">GPS: 38\u00b0 42&#8242; 45&#8243; N , 09\u00b0 09&#8242; 14&#8243; W<\/a><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-7387b849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h4 class=\"wp-block-heading has-text-align-left has-custom-color-1-color has-text-color has-link-color wp-elements-92740a265db4285a4c5452f3f4c9da38\" id=\"sessions-hall\">Sala das Sess\u00f5es<\/h4>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:45% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"746\" src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/05\/Plenario_Foto-1024x746.jpg\" alt=\"\" class=\"wp-image-2579 size-full\" srcset=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/05\/Plenario_Foto-1024x746.jpg 1024w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/05\/Plenario_Foto-300x219.jpg 300w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/05\/Plenario_Foto-768x560.jpg 768w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/05\/Plenario_Foto-1536x1119.jpg 1536w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/05\/Plenario_Foto-2048x1493.jpg 2048w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/05\/Plenario_Foto-16x12.jpg 16w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/05\/Plenario_Foto-200x146.jpg 200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:-0.2rem\">A Sala das Sess\u00f5es, inaugurada em 1903, foi projetada pelo arquiteto Ventura Terra depois de um violento inc\u00eandio em 1895 ter destru\u00eddo a primeira sala da C\u00e2mara dos Deputados, desenhada pelo arquiteto Possid\u00f3nio da Silva.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\">A sala foi constru\u00edda no local de um dos quatro claustros mon\u00e1sticos, ocupando ainda uma capela que lhe ficava anexa. A ilumina\u00e7\u00e3o zenital da sala \u00e9 feita atrav\u00e9s de uma claraboia de estrutura em ferro e vidro. A decorar a sala, por detr\u00e1s da tribuna da Presid\u00eancia, est\u00e1 uma est\u00e1tua de corpo inteiro representando a Rep\u00fablica, com uma esfera armilar nas m\u00e3os, da autoria do escultor Anjos Teixeira, datada de 1916.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\">Between August 2008 and March 2009, renovations were carried out on the Parliament&#8217;s Session Hall, providing the room with more suitable conditions for parliamentary work, while essentially maintaining the space&#8217;s original architecture.<\/p>\n<\/div><\/div>\n\n\n\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:-0.2rem\">Nesta sala, realizam-se as sess\u00f5es plen\u00e1rias da Assembleia da Rep\u00fablica com os 230 deputados eleitos nas elei\u00e7\u00f5es legislativas. Realizam-se tamb\u00e9m nesta sala as sess\u00f5es solenes, como a sess\u00e3o comemorativa do 25 de Abril ou a sess\u00e3o de tomada de posse do Presidente da Rep\u00fablica.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"padding-left:0rem\">Retirado de <a href=\"https:\/\/www.parlamento.pt\">https:\/\/www.parlamento.pt<\/a><\/p>\n\n\n\n<p class=\"has-text-align-right has-secondary-color has-text-color has-link-color wp-elements-a76bcc2ffe91006edcb1eb77b4b2f6d5 wp-block-paragraph\"><a href=\"https:\/\/reverbdata.ipl.pt\/pt\/reverbdata\/sessions-hall\/\" data-type=\"page\" data-id=\"2595\">Ou\u00e7a algumas amostras de \u00e1udio e obtenha os ficheiros RIR<\/a><\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-7387b849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h4 class=\"wp-block-heading has-text-align-left has-custom-color-1-color has-text-color has-link-color wp-elements-750c977be01950121385b2c73414b793\" id=\"senate-hall\">Sala do Senado<\/h4>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:45% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"746\" src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/05\/Senado_Foto-1024x746.jpg\" alt=\"\" class=\"wp-image-2580 size-full\" srcset=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/05\/Senado_Foto-1024x746.jpg 1024w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/05\/Senado_Foto-300x219.jpg 300w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/05\/Senado_Foto-768x560.jpg 768w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/05\/Senado_Foto-1536x1119.jpg 1536w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/05\/Senado_Foto-2048x1492.jpg 2048w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/05\/Senado_Foto-16x12.jpg 16w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/05\/Senado_Foto-200x146.jpg 200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:-0.2rem\">A Sala do Senado resulta da reformula\u00e7\u00e3o da C\u00e2mara dos Pares instalada na ala esquerda do antigo mosteiro beneditino em 1834, ap\u00f3s uma breve adapta\u00e7\u00e3o da Livraria conventual concebida pela Reparti\u00e7\u00e3o das Obras P\u00fablicas, sob a orienta\u00e7\u00e3o de Jo\u00e3o Maria Feij\u00f3.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\">Por volta de 1865, o arquiteto Jean-Fran\u00e7ois Colson projetou uma nova sala para o mesmo espa\u00e7o, inaugurada em 1867. De planta semicircular e disposi\u00e7\u00e3o em anfiteatro, a sala organiza-se com tribunas simples em cada extremo e duas ordens de galerias com duas varandas superiores, com gradeamentos de metal fundido, separadas por uma s\u00e9rie colunas em lioz polido, de capitel comp\u00f3sito com o escudo nacional e as quinas.<\/p>\n<\/div><\/div>\n\n\n\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:0.2rem;margin-right:0;margin-bottom:0rem\">Nesta sala decorreram as reuni\u00f5es da primeira c\u00e2mara (tamb\u00e9m chamada c\u00e2mara alta) nas ocasi\u00f5es em que a lei fundamental portuguesa instituiu um sistema bicameralista, o que aconteceu com a Carta Constitucional (C\u00e2mara dos Pares), com a Constitui\u00e7\u00e3o de 1838 (C\u00e2mara de Senadores, 1838-1842) e com a Constitui\u00e7\u00e3o de 1911, a primeira do regime republicano (Senado). Durante o Estado Novo teve aqui assento a C\u00e2mara Corporativa.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:1rem\">Com a aprova\u00e7\u00e3o da Constitui\u00e7\u00e3o de 1976, que consagra um sistema monocameral, a sala passou a ser utilizada para reuni\u00f5es das comiss\u00f5es, pelos grupos parlamentares, para sess\u00f5es solenes, semin\u00e1rios e col\u00f3quios. Foi, ainda, adaptada para reuni\u00f5es internacionais, tendo a \u00faltima galeria cabines de tradu\u00e7\u00e3o simult\u00e2nea.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"padding-left:0rem\">Retirado de <a href=\"https:\/\/www.parlamento.pt\">https:\/\/www.parlamento.pt<\/a><\/p>\n\n\n\n<p class=\"has-text-align-right has-secondary-color has-text-color has-link-color wp-elements-e0ee118e533ccb60ffcfdd596ce2f063 wp-block-paragraph\"><a href=\"https:\/\/reverbdata.ipl.pt\/pt\/reverbdata\/parliament-senate-hall\/\" data-type=\"page\" data-id=\"2610\">Ou\u00e7a algumas amostras de \u00e1udio e obtenha os ficheiros RIR<\/a><\/p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-826109c2 wp-block-buttons-is-layout-flex\" style=\"padding-right:0;padding-left:0rem\">\n<div class=\"wp-block-button is-style-outline is-style-outline--17\"><a class=\"wp-block-button__link has-base-color has-custom-color-1-background-color has-text-color has-background has-link-color has-text-align-left has-extra-small-font-size has-custom-font-size wp-element-button\" href=\"#3-portuguese-spaces_list-\" style=\"padding-right:var(--wp--preset--spacing--30);padding-left:var(--wp--preset--spacing--30)\">Ir para a lista de Espa\u00e7os Portugueses<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-custom-color-1-color has-alpha-channel-opacity has-custom-color-1-background-color has-background is-style-wide\"\/>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 id=\"sao-carlos-national-theatre\" class=\"wp-block-heading has-custom-color-1-color has-text-color has-link-color wp-elements-2d269b73498eb403a6200a9d34e5101a\" style=\"padding-top:var(--wp--preset--spacing--40)\"><strong>Teatro Nacional de S\u00e3o Carlos<\/strong><\/h3>\n\n\n\n<div class=\"wp-block-media-text has-media-on-the-right is-stacked-on-mobile is-vertically-aligned-top\"><div class=\"wp-block-media-text__content\">\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:-0.2rem;margin-right:0\">Teatro de inspira\u00e7\u00e3o seiscentista, em estilo neocl\u00e1ssico e com algumas influ\u00eancias italianas, nomeadamente do teatro di San Carlo, de N\u00e1poles (tra\u00e7ado em 1737 por G. A. Medrano) e do teatro dela Scalla de Mil\u00e3o (de Guiseppe Piermarini e constru\u00eddo entre 1776 - 78). A sua fachada, de grande sobriedade decorativa, inspira-se especialmente neste \u00faltimo. Na decora\u00e7\u00e3o interior do teatro de S\u00e3o Carlos participaram v\u00e1rios artistas destacando-se, por exemplo, Cirilo Volkmar Machado (teto do vest\u00edbulo e pano da boca de cena), o italiano Appiani (camarote real) e Manuel da Costa (teto do sal\u00e3o). Constru\u00eddo como teatro de corte - com todas as suas caracter\u00edsticas na arquitetura interna e fun\u00e7\u00e3o - para a burguesia, constituindo o primeiro teatro p\u00fablico, aberto a todo e qualquer cidad\u00e3o pagante. A sua r\u00e1pida constru\u00e7\u00e3o, em apenas 6 meses, devido ao grande impulso do Intendente de Pina Manique, mas tamb\u00e9m ao facto de se implantar num terreno de declive e, segundo o arquiteto Lu\u00eds Benavente, aproveitar um tro\u00e7o da muralha fernandina que ali passava.<\/p>\n<\/div><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"533\" src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/01\/Largo_de_Sao_Carlos.jpg\" alt=\"\" class=\"wp-image-1274 size-full\" srcset=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/01\/Largo_de_Sao_Carlos.jpg 800w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/01\/Largo_de_Sao_Carlos-300x200.jpg 300w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/01\/Largo_de_Sao_Carlos-768x512.jpg 768w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/01\/Largo_de_Sao_Carlos-18x12.jpg 18w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/01\/Largo_de_Sao_Carlos-200x133.jpg 200w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/figure><\/div>\n\n\n\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:0;margin-right:0\">Da autoria do arquiteto Jos\u00e9 da Costa e Silva, o Teatro foi constru\u00eddo entre 1792 e 1793 e inaugurado a 30 de junho de 1793, com um programa composto pela \u00f3pera \u201cLa Ballerina Amante\u201d, de Domenico Cimarosa, seguido pelo bailado \u201cA felicidade lusitana\u201d, de Caetano Gioia e foi inclu\u00eddo um elogio cantado, composto por Ant\u00f3nio Leal Moreira, no \u00e2mbito das celebra\u00e7\u00f5es da gravidez da princesa Carlota Joaquina, a quem foi dedicado o Teatro de S\u00e3o Carlos.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\">Monumento Nacional desde 1996, o Teatro Nacional de S\u00e3o Carlos \u00e9 um dos mais antigos teatros da Europa e o \u00fanico teatro l\u00edrico em Portugal.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--40);margin-right:0;margin-bottom:0rem;margin-left:0rem;padding-left:0px\">Localizado no centro hist\u00f3rico de Lisboa, ao Chiado, est\u00e1 implantado entre pr\u00e9dios oitocentistas e tem nas proximidades outros im\u00f3veis classificados. O Teatro Nacional de S\u00e3o Carlos \u00e9 integrado por um conjunto arquitet\u00f3nico constitu\u00eddo por tr\u00eas im\u00f3veis: o corpo principal do Teatro, constru\u00eddo entre 1792 e 1793 e classificado Monumento Nacional, o anexo Duques de Bragan\u00e7a incorporado no ano de 1888 e um terceiro denominado anexo Serpa Pinto, incorporado em 1933. O corte longitudinal do Teatro, identifica claramente os tr\u00eas volumes articulados e uma cobertura diferenciada. No Interior est\u00e3o considerados os espa\u00e7os como: foyer, sal\u00e3o nobre, sala principal de \u00f3pera, de planta el\u00edptica com cinco ordens de camarotes, de tipo italiano, caixa de palco, zonas t\u00e9cnicas, camarins, salas de ensaios e salas administrativas.<\/p>\n\n\n\n<p class=\"has-vivid-red-color has-text-color has-link-color has-extra-small-font-size wp-elements-e227a20bb96fa1e8b147ff0c4410df66 wp-block-paragraph\"><a href=\"https:\/\/google.com\/maps\/?q=38\u00b042'34&quot;N,09\u00b008'30&quot;W\" target=\"_blank\" rel=\"noreferrer noopener\">GPS: 38\u00b0 42&#8242; 34&#8243; N , 09\u00b0 08&#8242; 30&#8243; W<\/a><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-7387b849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h4 class=\"wp-block-heading has-text-align-left has-custom-color-1-color has-text-color has-link-color wp-elements-4e512a82fe6764ea5207e1717458123b\" id=\"51-main-opera-hall\">Sala Principal de \u00d3pera<\/h4>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:45% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/02\/Vistas-Teatro-1-1024x683.jpg\" alt=\"\" class=\"wp-image-1329 size-full\" srcset=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/02\/Vistas-Teatro-1-1024x683.jpg 1024w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/02\/Vistas-Teatro-1-300x200.jpg 300w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/02\/Vistas-Teatro-1-768x512.jpg 768w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/02\/Vistas-Teatro-1-1536x1024.jpg 1536w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/02\/Vistas-Teatro-1-2048x1365.jpg 2048w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/02\/Vistas-Teatro-1-18x12.jpg 18w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/02\/Vistas-Teatro-1-200x133.jpg 200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:-0.2rem\">A sala principal de espet\u00e1culos do Teatro Nacional de S\u00e3o Carlos \u00e9 vocacionada para \u00d3pera. Atrav\u00e9s de coloca\u00e7\u00e3o de refletores em formato de concha ac\u00fastica a sala oferece tamb\u00e9m muito boas condi\u00e7\u00f5es ac\u00fasticas para concertos de m\u00fasica erudita.<\/p>\n\n\n\n<p class=\"has-text-align-right has-secondary-color has-text-color has-link-color wp-elements-48a7bc59afc5c7a8480d390ba122fc38 wp-block-paragraph\"><a href=\"https:\/\/reverbdata.ipl.pt\/pt\/reverbdata\/main-opera-hall-of-st-carlos-theatre\/\" data-type=\"page\" data-id=\"1249\">Ou\u00e7a algumas amostras de \u00e1udio e obtenha os ficheiros RIR<\/a><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-7387b849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h4 class=\"wp-block-heading has-text-align-left has-custom-color-1-color has-text-color has-link-color wp-elements-b328d260ef98ded98b9c7adb3185b02b\" id=\"52-great-hall\">Grande Audit\u00f3rio<\/h4>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:45% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"609\" src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/01\/Col-1-0_2-1024x609.jpg\" alt=\"\" class=\"wp-image-1276 size-full\" srcset=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/01\/Col-1-0_2-1024x609.jpg 1024w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/01\/Col-1-0_2-300x178.jpg 300w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/01\/Col-1-0_2-768x457.jpg 768w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/01\/Col-1-0_2-1536x913.jpg 1536w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/01\/Col-1-0_2-2048x1217.jpg 2048w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/01\/Col-1-0_2-18x12.jpg 18w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/01\/Col-1-0_2-200x119.jpg 200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:-0.2rem\">O Sal\u00e3o Nobre do Teatro Nacional de S\u00e3o Carlos encontra-se ao n\u00edvel da 4\u00aa ordem de camarotes da Sala principal de espet\u00e1culos, e apresenta uma rica decora\u00e7\u00e3o interior ao gosto dos finais do s\u00e9c. XVIII. Recebe recitais e concertos de diferentes forma\u00e7\u00f5es instrumentais, leituras de \u00f3pera e apresenta\u00e7\u00f5es mais intimistas.<\/p>\n\n\n\n<p class=\"has-text-align-right has-secondary-color has-text-color has-link-color wp-elements-96d8369e75edea431f825c00d29bdce7 wp-block-paragraph\"><a href=\"https:\/\/reverbdata.ipl.pt\/pt\/reverbdata\/great-hall-of-st-carlos-theatre\/\" data-type=\"page\" data-id=\"1257\">Ou\u00e7a algumas amostras de \u00e1udio e obtenha os ficheiros RIR<\/a><\/p>\n<\/div><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-826109c2 wp-block-buttons-is-layout-flex\" style=\"padding-right:0;padding-left:0rem\">\n<div class=\"wp-block-button is-style-outline is-style-outline--18\"><a class=\"wp-block-button__link has-base-color has-custom-color-1-background-color has-text-color has-background has-link-color has-text-align-left has-extra-small-font-size has-custom-font-size wp-element-button\" href=\"#3-portuguese-spaces_list-\" style=\"padding-right:var(--wp--preset--spacing--30);padding-left:var(--wp--preset--spacing--30)\">Ir para a lista de Espa\u00e7os Portugueses<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-custom-color-1-color has-alpha-channel-opacity has-custom-color-1-background-color has-background is-style-wide\" style=\"margin-top:1rem;margin-bottom:1rem\"\/>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 id=\"st-dominic-convent\" class=\"wp-block-heading has-custom-color-1-color has-text-color has-link-color wp-elements-7a2d05771f50f95e0c0fa8de5579450b\" style=\"padding-top:var(--wp--preset--spacing--40)\"><strong>Convento de S. Domingos<\/strong><\/h3>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-7387b849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h4 class=\"wp-block-heading has-text-align-left has-custom-color-1-color has-text-color has-link-color wp-elements-f780bcb9b6fcf1dca9bd4816fa5c87af\" id=\"54-church\">Igreja<\/h4>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:44% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/07\/St-Dominic-Convent-Church-1024x768.png\" alt=\"\" class=\"wp-image-29 size-full\" srcset=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/07\/St-Dominic-Convent-Church-1024x768.png 1024w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/07\/St-Dominic-Convent-Church-300x225.png 300w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/07\/St-Dominic-Convent-Church-768x576.png 768w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/07\/St-Dominic-Convent-Church-1536x1152.png 1536w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/07\/St-Dominic-Convent-Church-2048x1536.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:-0.2rem\">Inaugurado a 21 de Mar\u00e7o de 1994 pela Ordem Dominicana como o primeiro convento cat\u00f3lico masculino constru\u00eddo em Lisboa desde os \u00faltimos 250 anos. Projetada pelos arquitetos portugueses Jos\u00e9 Fernando Gon\u00e7alves e Jo\u00e3o Paulo Provid\u00eancia, \u00e9 uma igreja moderna, de linhas s\u00f3brias e minimalistas, com um piso retangular e um p\u00e9-direito consider\u00e1vel. O espa\u00e7o possui uma grande janela que se abre para o claustro interior, o ch\u00e3o \u00e9 ligeiramente inclinado para o altar e a sua decora\u00e7\u00e3o interior \u00e9 tamb\u00e9m muito minimalista, sem figuras ou imagens.<\/p>\n\n\n\n<p class=\"has-vivid-red-color has-text-color has-link-color has-extra-small-font-size wp-elements-9160f0cc1b6620fb51eaec88c7fd6fb6 wp-block-paragraph\"><a href=\"https:\/\/google.com\/maps\/?q=38\u00b045'02.19&quot;N,09\u00b010'43.86&quot;W\" target=\"_blank\" rel=\"noreferrer noopener\">GPS: 38\u00b0 45&#8242; 02&#8243; N , 09\u00b0 10&#8242; 44&#8243; W<\/a><\/p>\n\n\n\n<p class=\"has-text-align-right has-secondary-color has-text-color has-link-color wp-elements-642b0512a264c5e6db332451c60c6a6a wp-block-paragraph\"><a href=\"https:\/\/reverbdata.ipl.pt\/pt\/reverbdata\/st-dominic-convent\/\">Ou\u00e7a algumas amostras de \u00e1udio e obtenha os ficheiros RIR<\/a><\/p>\n<\/div><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-826109c2 wp-block-buttons-is-layout-flex\" style=\"padding-right:0;padding-left:0rem\">\n<div class=\"wp-block-button is-style-outline is-style-outline--19\"><a class=\"wp-block-button__link has-base-color has-custom-color-1-background-color has-text-color has-background has-link-color has-text-align-left has-extra-small-font-size has-custom-font-size wp-element-button\" href=\"#3-portuguese-spaces_list-\" style=\"padding-right:var(--wp--preset--spacing--30);padding-left:var(--wp--preset--spacing--30)\">Ir para a lista de Espa\u00e7os Portugueses<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-custom-color-1-color has-alpha-channel-opacity has-custom-color-1-background-color has-background is-style-wide\" style=\"margin-top:1rem;margin-bottom:1rem\"\/>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 id=\"st-george-cinema\" class=\"wp-block-heading has-custom-color-1-color has-text-color has-link-color wp-elements-032bde393b268e5cf33348d0a3b25f31\" style=\"padding-top:var(--wp--preset--spacing--40)\"><strong>Cinema S. Jorge<\/strong><\/h3>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-7387b849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h4 class=\"wp-block-heading has-text-align-left has-custom-color-1-color has-text-color has-link-color wp-elements-b48b3743c12c40e33eb405a301abe283\" id=\"56-manoel-de-oliveira-room\">Sala Manoel de Oliveira<\/h4>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:45% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"608\" src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/07\/St-George-Cinema-1024x608.png\" alt=\"\" class=\"wp-image-28 size-full\" srcset=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/07\/St-George-Cinema-1024x608.png 1024w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/07\/St-George-Cinema-300x178.png 300w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/07\/St-George-Cinema-768x456.png 768w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/07\/St-George-Cinema-1536x911.png 1536w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/07\/St-George-Cinema.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:-0.2rem\">A sala principal deste cinema de Lisboa chama-se Manoel de Oliveira (em homenagem ao famoso cineasta portugu\u00eas). O cinema foi inaugurado em 1950 e foi remodelado v\u00e1rias vezes, a \u00faltima remodela\u00e7\u00e3o ocorreu em 2001. \u00c9 uma sala com capacidade para 830 pessoas sentadas dividida em 3 bancadas de audi\u00eancia.<\/p>\n\n\n\n<p class=\"has-vivid-red-color has-text-color has-link-color has-extra-small-font-size wp-elements-12f69f047771647b27c107dcd0796d4e wp-block-paragraph\"><a href=\"https:\/\/google.com\/maps\/?q=38\u00b043'13.31&quot;N,09\u00b008'46.67&quot;W\" target=\"_blank\" rel=\"noreferrer noopener\">GPS: 38\u00b0 43&#8242; 13&#8243; N , 09\u00b0 08&#8242; 48&#8243; W<\/a><\/p>\n\n\n\n<p class=\"has-text-align-right has-secondary-color has-text-color has-link-color wp-elements-5c406074d4357019024766dd40405981 wp-block-paragraph\"><a href=\"https:\/\/reverbdata.ipl.pt\/pt\/reverbdata\/st-george\/\" data-type=\"link\" data-id=\"https:\/\/reverbdata.ipl.pt\/reverbdata\/st-george\">Ou\u00e7a algumas amostras de \u00e1udio e obtenha os ficheiros RIR<\/a><\/p>\n<\/div><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-826109c2 wp-block-buttons-is-layout-flex\" style=\"padding-right:0;padding-left:0rem\">\n<div class=\"wp-block-button is-style-outline is-style-outline--20\"><a class=\"wp-block-button__link has-base-color has-custom-color-1-background-color has-text-color has-background has-link-color has-text-align-left has-extra-small-font-size has-custom-font-size wp-element-button\" href=\"#3-portuguese-spaces_list-\" style=\"padding-right:var(--wp--preset--spacing--30);padding-left:var(--wp--preset--spacing--30)\">Ir para a lista de Espa\u00e7os Portugueses<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-custom-color-1-color has-alpha-channel-opacity has-custom-color-1-background-color has-background is-style-wide\" style=\"margin-top:1rem;margin-bottom:1rem\"\/>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 id=\"sao-vicente-de-fora-monastery\" class=\"wp-block-heading has-custom-color-1-color has-text-color has-link-color wp-elements-dc96f316d5d135f66a4cd2b2b2119908\" style=\"padding-top:var(--wp--preset--spacing--40)\">Mosteiro de S\u00e3o Vicente de Fora<\/h3>\n\n\n\n<div class=\"wp-block-media-text has-media-on-the-right is-stacked-on-mobile is-vertically-aligned-top\"><div class=\"wp-block-media-text__content\">\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:-0.2rem;margin-right:0\">O Mosteiro de S\u00e3o Vicente de Fora foi mandado construir por D. Afonso Henriques em 1147, na sequ\u00eancia de uma promessa durante o cerco de Lisboa: caso conseguisse conquistar a cidade de Lisboa aos mouros mandaria erguer o mosteiro dedicado a S\u00e3o Vicente, um santo muito venerado entre os mo\u00e7\u00e1rabes. Esse mosteiro foi fundado no mesmo ano, do lado de \u201cfora\u201d das muralhas da cidade e assim se justifica a topon\u00edmia do edif\u00edcio.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:0;margin-right:0\">Ao longo dos s\u00e9culos, os diferentes reis portugueses foram deixando a sua marca no mosteiro, destacando-se a imponente reconstru\u00e7\u00e3o do s\u00e9c. XVI ordenada por D. Filipe I de Portugal (II de Espanha), tornando o edif\u00edcio num dos exemplos pioneiros do Maneirismo em Portugal. Destaca-se ainda o rico recheio art\u00edstico decorativo aplicado nos faustosos reinados de D. Pedro II e D. Jo\u00e3o V.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-right:0\">Numa visita ao Mosteiro, com uma das melhores vistas panor\u00e2micas sobre o rio Tejo e a cidade de Lisboa, podem-se apreciar algumas pinturas de renome desde o s\u00e9c. XVII at\u00e9 finais do s\u00e9c. XVIII, bem como uma das maiores cole\u00e7\u00f5es de azulejos barrocos in situ no mundo, contando com mais de 100 mil azulejos, a qual inclui uma exposi\u00e7\u00e3o \u00fanica de 38 f\u00e1bulas de la Fontaine. <\/p>\n<\/div><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"556\" height=\"487\" src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/02\/portugal-lisbon-old-quarter-sao-vicente-de-fora_2.jpg\" alt=\"\" class=\"wp-image-1395 size-full\" srcset=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/02\/portugal-lisbon-old-quarter-sao-vicente-de-fora_2.jpg 556w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/02\/portugal-lisbon-old-quarter-sao-vicente-de-fora_2-300x263.jpg 300w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/02\/portugal-lisbon-old-quarter-sao-vicente-de-fora_2-14x12.jpg 14w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/02\/portugal-lisbon-old-quarter-sao-vicente-de-fora_2-200x175.jpg 200w\" sizes=\"auto, (max-width: 556px) 100vw, 556px\" \/><\/figure><\/div>\n\n\n\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:-0.2rem;margin-right:0\">No Mosteiro encontra-se tamb\u00e9m o pante\u00e3o real da \u00faltima dinastia de reis portugueses (Dinastia de Bragan\u00e7a), uma imponente igreja com um baldaquino e \u00f3rg\u00e3o hist\u00f3rico do per\u00edodo Barroco, dois claustros com as paredes revestidas a azulejos, salas revestidas com m\u00e1rmore embutido, entre outras variadas exposi\u00e7\u00f5es e espa\u00e7os.<\/p>\n\n\n\n<p class=\"has-vivid-red-color has-text-color has-link-color has-extra-small-font-size wp-elements-89fad4c5fb1dbcce38be5d7542dcb09d wp-block-paragraph\"><a href=\"https:\/\/google.com\/maps\/?q=38\u00b042'54&quot;N,09\u00b007'40&quot;W\" target=\"_blank\" rel=\"noreferrer noopener\">GPS: 38\u00b0 42&#8242; 54&#8243; N , 09\u00b0 07&#8242; 40&#8243; W<\/a><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-7387b849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h4 class=\"wp-block-heading has-text-align-left has-custom-color-1-color has-text-color has-link-color wp-elements-a8faf68b556bc61b7c6926e5547f5201\" id=\"58-church\">Igreja<\/h4>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:45% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"763\" height=\"1024\" src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/02\/1733065140952_6-763x1024.jpg\" alt=\"\" class=\"wp-image-1381 size-full\" srcset=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/02\/1733065140952_6-763x1024.jpg 763w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/02\/1733065140952_6-224x300.jpg 224w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/02\/1733065140952_6-768x1031.jpg 768w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/02\/1733065140952_6-1145x1536.jpg 1145w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/02\/1733065140952_6-1526x2048.jpg 1526w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/02\/1733065140952_6-9x12.jpg 9w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/02\/1733065140952_6-200x268.jpg 200w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/02\/1733065140952_6-scaled.jpg 1908w\" sizes=\"auto, (max-width: 763px) 100vw, 763px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:-0.2rem\">A Igreja do Mosteiro de S\u00e3o Vicente de Fora apresenta uma fachada de tipo italiano, s\u00f3bria e sim\u00e9trica, com uma torre de cada lado e as est\u00e1tuas dos santos Vicente, Agostinho e Sebasti\u00e3o sobre a entrada. A fachada cont\u00e9m dois torre\u00f5es que se erguem em colunas vistosas, abertos de ventanas, ornados de platibanda. Do meio deles emergem duas c\u00fapulas. Uma platibanda de trinta e tr\u00eas metros, adornada de enfeites, une os dois torre\u00f5es sobre o corpo central. A Igreja apresenta uma planta longitudinal composta em cruz latina, de nave \u00fanica com 6 capelas laterais intercomunicantes, transepto inscrito e capela-mor com retrocoro. No interior da Igreja destacam-se um conjunto de obras mandadas construir pelo rei D. Jo\u00e3o V:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li class=\"justify-text\" style=\"margin-bottom:0.5rem;margin-left:-1rem\">um baldaquino em estilo barroco de autoria de Machado de Castro, assente em quatro potentes colunas por cima do imponente altar, de autoria de Jo\u00e3o Frederico Ludovice (Johann Friedrich Ludwig), flanqueado por oito est\u00e1tuas de madeira pintada de branco em tamanho natural, sobre altos plintos destacam-se oito imagens monumentais ao gosto italianizante da Escola de Mafra Ludoviciana, duas representando S\u00e3o Vicente e S\u00e3o Sebasti\u00e3o, tendo sido executadas por Manuel Vieira, a quem se devem ainda as belas esculturas de anjos, colocadas sobre as portas de acesso ao coro dos c\u00f3negos;<\/li>\n\n\n\n<li class=\"justify-text\" style=\"margin-bottom:0.5rem;margin-left:-1rem\">um \u00f3rg\u00e3o hist\u00f3rico constru\u00eddo em 1765 pelo organeiro Jo\u00e3o Fontanes de Maqueira, constituindo um dos melhores e maiores exemplares da organaria portuguesa do s\u00e9culo XVIII;<\/li>\n\n\n\n<li class=\"justify-text\" style=\"margin-bottom:0.5rem;margin-left:-1rem\">um transepto, largo e de admir\u00e1vel sentido arquitet\u00f3nico, limitado em volta por uma ordem de seis pilastras, id\u00eanticas \u00e0s da nave. Sobre ele assentava o grande zimb\u00f3rio, que ruiu no terramoto de 1755. Atualmente, uma clarab\u00f3ia em rotunda, de madeira, rasgada por oito janelas retangulares, disfar\u00e7a de certo modo essa aus\u00eancia.<\/li>\n<\/ul>\n\n\n\n<p class=\"has-text-align-right has-secondary-color has-text-color has-link-color wp-elements-64ddf91d9e1235b5bd44bb1a0a00c5e3 wp-block-paragraph\"><a href=\"https:\/\/reverbdata.ipl.pt\/pt\/reverbdata\/church-of-sao-vicente-de-fora-monastery\/\" data-type=\"page\" data-id=\"1400\">Ou\u00e7a algumas amostras de \u00e1udio e obtenha os ficheiros RIR<\/a><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-7387b849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h4 class=\"wp-block-heading has-text-align-left has-custom-color-1-color has-text-color has-link-color wp-elements-fdca053c68e1ac455f5e7b0bddea0465\" id=\"59-cloister\">Claustro<\/h4>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:45% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"684\" src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/02\/igrejaSaoVicenteFora_ALA_4577_3-1024x684.jpg\" alt=\"\" class=\"wp-image-1371 size-full\" srcset=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/02\/igrejaSaoVicenteFora_ALA_4577_3-1024x684.jpg 1024w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/02\/igrejaSaoVicenteFora_ALA_4577_3-300x200.jpg 300w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/02\/igrejaSaoVicenteFora_ALA_4577_3-768x513.jpg 768w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/02\/igrejaSaoVicenteFora_ALA_4577_3-18x12.jpg 18w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/02\/igrejaSaoVicenteFora_ALA_4577_3-200x134.jpg 200w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/02\/igrejaSaoVicenteFora_ALA_4577_3.jpg 1181w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:-0.2rem\">O antigo mosteiro agostiniano adjacente \u00e0 Igreja, com acesso pela nave desta, conserva a sua cisterna do s\u00e9culo XVI e vest\u00edgios do antigo claustro. Destaca-se ainda pelos seus pain\u00e9is de azulejos do s\u00e9culo XVIII: \u00e0 entrada, junto ao primeiro claustro, est\u00e3o representadas cenas dos ataques de D. Afonso Henriques a Lisboa e Santar\u00e9m da autoria de Manuel dos Santos. Em volta dos dois claustros, pain\u00e9is de azulejos com cenas rurais, rodeados por desenhos florais e querubins, ilustram as f\u00e1bulas de La Fontaine.<\/p>\n\n\n\n<p class=\"has-text-align-right has-secondary-color has-text-color has-link-color wp-elements-28e7f6dd94a166722f92fc7a65d8ceb5 wp-block-paragraph\"><a href=\"https:\/\/reverbdata.ipl.pt\/pt\/reverbdata\/cloister-of-sao-vicente-de-fora-monastery\/\" data-type=\"page\" data-id=\"1418\">Ou\u00e7a algumas amostras de \u00e1udio e obtenha os ficheiros RIR<\/a><\/p>\n<\/div><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-826109c2 wp-block-buttons-is-layout-flex\" style=\"padding-right:0;padding-left:0rem\">\n<div class=\"wp-block-button is-style-outline is-style-outline--21\"><a class=\"wp-block-button__link has-base-color has-custom-color-1-background-color has-text-color has-background has-link-color has-text-align-left has-extra-small-font-size has-custom-font-size wp-element-button\" href=\"#3-portuguese-spaces_list-\" style=\"padding-right:var(--wp--preset--spacing--30);padding-left:var(--wp--preset--spacing--30)\">Ir para a lista de Espa\u00e7os Portugueses<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-custom-color-1-color has-alpha-channel-opacity has-custom-color-1-background-color has-background is-style-wide\" style=\"margin-top:1rem;margin-bottom:1rem\"\/>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 id=\"shrine-of-fatima\" class=\"wp-block-heading has-custom-color-1-color has-text-color has-link-color wp-elements-15d939bf51ca6666b82299bddeb5f69b\" style=\"padding-top:var(--wp--preset--spacing--40)\">Santu\u00e1rio de Nossa Senhora do Ros\u00e1rio de F\u00e1tima<\/h3>\n\n\n\n<div class=\"wp-block-media-text has-media-on-the-right is-stacked-on-mobile is-vertically-aligned-top\"><div class=\"wp-block-media-text__content\">\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:0;margin-right:0\">O Santu\u00e1rio de Nossa Senhora do Ros\u00e1rio de F\u00e1tima d\u00e1 express\u00e3o ao pedido de Nossa Senhora do Ros\u00e1rio, aludido j\u00e1 em 13 de agosto de 1917 e expressamente indicado na apari\u00e7\u00e3o de 13 de Outubro desse ano a L\u00facia de Jesus, Francisco Marto e Jacinta Marto: \u00abQuero dizer-te que fa\u00e7am aqui uma capela em minha honra, que sou a Senhora do Ros\u00e1rio\u00bb (Primeira Mem\u00f3ria da Irm\u00e3 L\u00facia). A capelinha foi erguida em 1919 no local das apari\u00e7\u00f5es de 1917 na Cova da Iria e, desde ent\u00e3o, o espa\u00e7o do Santu\u00e1rio foi sendo edificado, em resposta ao significativo afluxo de peregrinos.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:0;margin-right:0\">O Santu\u00e1rio de F\u00e1tima \u00e9 local de peregrina\u00e7\u00e3o, que faz mem\u00f3ria do seu acontecimento fundante, as apari\u00e7\u00f5es de Nossa Senhora aos tr\u00eas pastorinhos. O acolhimento pastoral dos peregrinos \u00e9 elemento primordial da sua miss\u00e3o.<\/p>\n<\/div><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/03\/Santuario_Foto_7-1024x683.jpg\" alt=\"\" class=\"wp-image-2368 size-full\" srcset=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/03\/Santuario_Foto_7-1024x683.jpg 1024w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/03\/Santuario_Foto_7-300x200.jpg 300w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/03\/Santuario_Foto_7-768x512.jpg 768w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/03\/Santuario_Foto_7-1536x1024.jpg 1536w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/03\/Santuario_Foto_7-2048x1366.jpg 2048w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/03\/Santuario_Foto_7-18x12.jpg 18w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/03\/Santuario_Foto_7-200x133.jpg 200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/div>\n\n\n\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:0;margin-right:0\">O Santu\u00e1rio de F\u00e1tima custodia a mensagem do acontecimento de F\u00e1tima. \u00c9 sua miss\u00e3o o estudo e a difus\u00e3o desta mensagem, trabalhada como meio de evangeliza\u00e7\u00e3o em Portugal e no mundo.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:0;margin-right:0\">O Santu\u00e1rio de F\u00e1tima \u00e9, por vontade expressa da S\u00e9 Apost\u00f3lica, um Santu\u00e1rio Nacional, tendo uma ineg\u00e1vel import\u00e2ncia mundial.<\/p>\n\n\n\n<p class=\"has-vivid-red-color has-text-color has-link-color has-extra-small-font-size wp-elements-f8df22ac99957287d300ff4f4404965d wp-block-paragraph\"><a href=\"https:\/\/google.com\/maps\/?q=39\u00b037'52&quot;N,08\u00b040'24&quot;W\" target=\"_blank\" rel=\"noreferrer noopener\">GPS: 39\u00b0 37&#8242; 52&#8243; N , 08\u00b0 40&#8242; 24&#8243; W<\/a><\/p>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-7387b849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h4 class=\"wp-block-heading has-text-align-left has-custom-color-1-color has-text-color has-link-color wp-elements-d6f35079881e5b3e6145314e96e9abbc\" id=\"61-basilica-of-our-lady-of-the-rosary-of-fatima\">Bas\u00edlica de Nossa Senhora do Ros\u00e1rio de F\u00e1tima<\/h4>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:45% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"669\" src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/02\/Fatima_Basilica_13-1024x669.jpg\" alt=\"\" class=\"wp-image-2328 size-full\" srcset=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/02\/Fatima_Basilica_13-1024x669.jpg 1024w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/02\/Fatima_Basilica_13-300x196.jpg 300w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/02\/Fatima_Basilica_13-768x502.jpg 768w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/02\/Fatima_Basilica_13-1536x1004.jpg 1536w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/02\/Fatima_Basilica_13-2048x1339.jpg 2048w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/02\/Fatima_Basilica_13-18x12.jpg 18w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/02\/Fatima_Basilica_13-200x131.jpg 200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:-0.2rem\">A Bas\u00edlica de Nossa Senhora do Ros\u00e1rio de F\u00e1tima ergue-se no local onde os tr\u00eas pastorinhos brincavam \u00aba fazer uma paredita\u00bb no dia 13 de Maio de 1917 quando viram um rel\u00e2mpago repentino que os surpreendeu e fez com que juntassem o rebanho, para regressarem a casa, com receio de que chovesse.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-bottom:30px\">O projecto foi concebido pelo arquitecto Gerardus Samuel van Krieken e continuado por Jo\u00e3o Antunes. A primeira pedra foi benzida em 13 de Maio de 1928 pelo arcebispo de \u00c9vora e a dedica\u00e7\u00e3o celebrou-se em 7 de Outubro de 1953. O t\u00edtulo de bas\u00edlica foi-lhe concedido por Pio XII, pelo breve Luce Superna, de 11 de Novembro de 1954.<\/p>\n<\/div><\/div>\n\n\n\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:-0.2rem\">A Bas\u00edlica \u00e9 constitu\u00edda por uma grande nave com capela-mor, transepto e duas sacristias. Tem 14 altares laterais (de m\u00e1rmore de Estremoz, Pero Pinheiro e F\u00e1tima); em cada um deles est\u00e1 representado um mist\u00e9rio do Ros\u00e1rio, em baixos-relevos de bronze, da autoria de Martinho de Brito e depois dourados por Alberto Barbosa. O 15.\u00ba mist\u00e9rio est\u00e1 representado na ab\u00f3bada da capela-mor; trata-se de um alto-relevo de Maximiano Alves. Os vitrais dos altares laterais representam invoca\u00e7\u00f5es da ladainha de Nossa Senhora e foram concebidos por Jo\u00e3o de Sousa Ara\u00fajo. O arco cruzeiro ostenta em toda a volta um mosaico, feito nas Oficinas do Vaticano e oferecido pelos cat\u00f3licos de Singapura, onde se l\u00ea \u00abRegina Sacratissimi Rosarii Fatimae Ora Pro Nobis\u00bb (Rainha do Sacrat\u00edssimo Ros\u00e1rio de F\u00e1tima, rogai por n\u00f3s).<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\">No bra\u00e7o esquerdo do transepto encontra-se a capela em que repousam, desde 1 de Maio de 1951, os restos mortais da Beata Jacinta, que morreu no dia 20 de Fevereiro de 1920, e os da Irm\u00e3 L\u00facia, que faleceu em 13 de Fevereiro de 2005 e para ali foi trasladada no dia 19 de Fevereiro do ano seguinte. No extremo oposto do transepto est\u00e1 a capela onde est\u00e3o depositados desde 13 de Mar\u00e7o de 1952 os restos mortais do Beato Francisco, que morreu em 4 de Abril de 1919.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\">O \u00f3rg\u00e3o que nos habitu\u00e1mos a ver no espa\u00e7o do coro, ao fundo da bas\u00edlica, foi constru\u00eddo e montado pela firma italiana Fratelli Ruffatti e inaugurado em 1952. Em 2015, no \u00e2mbito da celebra\u00e7\u00e3o do centen\u00e1rio das apari\u00e7\u00f5es de F\u00e1tima, esse \u00f3rg\u00e3o, que se encontrava h\u00e1 v\u00e1rios anos em avan\u00e7ado estado de deteriora\u00e7\u00e3o, foi objeto de uma profunda interven\u00e7\u00e3o de restauro\/reconstru\u00e7\u00e3o. Do \u00f3rg\u00e3o Ruffatti original foi utilizada uma parte substancial dos tubos, enquadrados agora numa nova caixa, concebida numa est\u00e9tica contempor\u00e2nea. A nova vers\u00e3o do instrumento \u2013 constru\u00edda pela firma Mascioni Organi \u2013 apresenta, tal como a anterior, cinco manuais, ainda que com uma disposi\u00e7\u00e3o reestruturada, e conta com cerca de 90 registos e 6500 tubos.<\/p>\n\n\n\n<p class=\"has-text-align-right has-secondary-color has-text-color has-link-color wp-elements-35a48f6844411bba36844efd7b406208 wp-block-paragraph\"><a href=\"https:\/\/reverbdata.ipl.pt\/pt\/reverbdata\/basilica-of-our-lady-of-the-rosary-of-fatima\/\" data-type=\"page\" data-id=\"2275\">Ou\u00e7a algumas amostras de \u00e1udio e obtenha os ficheiros RIR<\/a><\/p>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-7387b849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h4 class=\"wp-block-heading has-text-align-left has-custom-color-1-color has-text-color has-link-color wp-elements-caf0749be5470849da843e044fdb011d\" id=\"62-basilica-of-the-most-holy-trinity\">Bas\u00edlica da Sant\u00edssima Trindade<\/h4>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:45% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"597\" src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/02\/Santissima_4-1024x597.jpg\" alt=\"\" class=\"wp-image-2332 size-full\" srcset=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/02\/Santissima_4-1024x597.jpg 1024w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/02\/Santissima_4-300x175.jpg 300w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/02\/Santissima_4-768x448.jpg 768w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/02\/Santissima_4-1536x896.jpg 1536w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/02\/Santissima_4-2048x1195.jpg 2048w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/02\/Santissima_4-200x117.jpg 200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:-0.2rem\">A inten\u00e7\u00e3o de construir uma nova igreja no Santu\u00e1rio de F\u00e1tima remonta a 1973. Em 1997, o Santu\u00e1rio organizou um concurso internacional, do qual resultou a selec\u00e7\u00e3o do arquitecto grego Alexandros Tombazis, com um projecto que previa a constru\u00e7\u00e3o da nova igreja ao fundo do Recinto de Ora\u00e7\u00e3o, junto \u00e0 Pra\u00e7a de Pio XII.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\">O lan\u00e7amento da primeira pedra teve lugar em 6 de Junho de 2004, Solenidade da Sant\u00edssima Trindade. V\u00e1rias raz\u00f5es contribu\u00edram para a escolha de dedicar a nova igreja \u00e0 Sant\u00edssima Trindade: as apari\u00e7\u00f5es do Anjo da Paz, com o insistente convite \u00e0 adora\u00e7\u00e3o a Deus-Trindade; as palavras de Jo\u00e3o Paulo II proferidas na Capelinha das Apari\u00e7\u00f5es, em Maio de 1982, pelas quais elevou a sua ac\u00e7\u00e3o de gra\u00e7as \u00e0 Sant\u00edssima Trindade; o Grande Jubileu do Ano 2000, tamb\u00e9m dedicado \u00e0 Sant\u00edssima Trindade...<\/p>\n<\/div><\/div>\n\n\n\n<p class=\"justify-text wp-block-paragraph\" style=\"margin-top:-0.2rem\">A Igreja da Sant\u00edssima Trindade foi dedicada em 12 de Outubro de 2007 pelo cardeal Tarcisio Bertone, ent\u00e3o Secret\u00e1rio de Estado do Vaticano e legado de Bento XVI para o encerramento do 90.\u00ba anivers\u00e1rio das apari\u00e7\u00f5es de Nossa Senhora aos tr\u00eas pequenos pastores videntes.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\">Em 2012, foi concedido a este templo o t\u00edtulo de bas\u00edlica e que p\u00f4s em evid\u00eancia o seu relevo pastoral e, sobretudo, o especial v\u00ednculo de comunh\u00e3o com o santo padre \u2013 dimens\u00e3o particularmente importante da mensagem de F\u00e1tima \u2013 e simultaneamente o carinho que ele nutre por F\u00e1tima.<\/p>\n\n\n\n<p class=\"has-text-align-right has-secondary-color has-text-color has-link-color wp-elements-1458c62c3f646748f4d56117d7cb4274 wp-block-paragraph\"><a href=\"https:\/\/reverbdata.ipl.pt\/pt\/reverbdata\/basilica-of-the-most-holy-trinity\/\" data-type=\"page\" data-id=\"1418\">Ou\u00e7a algumas amostras de \u00e1udio e obtenha os ficheiros RIR<\/a><\/p>\n\n\n\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-826109c2 wp-block-buttons-is-layout-flex\" style=\"padding-right:0;padding-left:0rem\">\n<div class=\"wp-block-button is-style-outline is-style-outline--22\"><a class=\"wp-block-button__link has-base-color has-custom-color-1-background-color has-text-color has-background has-link-color has-text-align-left has-extra-small-font-size has-custom-font-size wp-element-button\" href=\"#3-portuguese-spaces_list-\" style=\"padding-right:var(--wp--preset--spacing--30);padding-left:var(--wp--preset--spacing--30)\">Ir para a lista de Espa\u00e7os Portugueses<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-custom-color-1-color has-alpha-channel-opacity has-custom-color-1-background-color has-background is-style-wide\" style=\"margin-top:1rem;margin-bottom:1rem\"\/>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h4 id=\"63-acknowledgments\" class=\"wp-block-heading has-body-text-color has-text-color has-link-color wp-elements-4848635c9dfc2156485cc3e8eb0b274b\">Agradecimentos<\/h4>\n\n\n\n<p class=\"justify-text wp-block-paragraph\">Os autores agradecem a todas entidades que proporcionaram o acesso aos seus espa\u00e7os, permitindo a cria\u00e7\u00e3o da REVERBDATA.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\">Agradecemos a todos os estudantes da Licenciatura em Tecnologias da M\u00fasica que t\u00eam participado no REVERBDATA.<\/p>\n\n\n\n<p class=\"justify-text wp-block-paragraph\">Agradecemos tamb\u00e9m o am\u00e1vel apoio da HEAD Acoustics por nos ter cedido gratuitamente a sua cabe\u00e7a artificial (Binaural Sensor Unit \u2013 BSU) para as aquisi\u00e7\u00f5es ac\u00fasticas no Pante\u00e3o Nacional - Igreja de Santa Engr\u00e1cia, no Mosteiro de Alcoba\u00e7a e no Mosteiro da Batalha.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"316\" src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/09\/Head_Acoustics-1.jpg\" alt=\"\" class=\"wp-image-1766\" style=\"width:140px;height:auto\" srcset=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/09\/Head_Acoustics-1.jpg 600w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/09\/Head_Acoustics-1-300x158.jpg 300w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/09\/Head_Acoustics-1-18x9.jpg 18w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/09\/Head_Acoustics-1-200x105.jpg 200w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--20);margin-right:0;margin-bottom:var(--wp--preset--spacing--20);margin-left:0\"><a href=\"http:\/\/www.head-acoustics.com\">www.head-acoustics.com<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"margin-top:20px;margin-bottom:20px\">Ao IPL\/IDI&amp;CA2023\/REVERBADATA_ESML por disponibilizar espa\u00e7o para alojar o site.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Excertos \u00e1udio utilizados:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li class=\"justify-text\" style=\"padding-top:0;padding-bottom:var(--wp--preset--spacing--20)\">Discurso Masculino e feminino, Guitar Capriccio Arabe (T\u00e1rrega) \u2013 adaptado de \u201cMusic for Archimedes\u201d \u2013 Bang &amp; Olufsen, 1992.<\/li>\n\n\n\n<li class=\"justify-text\" style=\"padding-top:0;padding-bottom:var(--wp--preset--spacing--20)\">Kyrie - Missa Notre Dame (Guillaume de Machaut) \u2013 D'Orazio, Dario (2019), \u201cAnechoic recordings of a Cantus Firmus\u201d, Mendeley Data, V2, doi: 10.17632\/mjn6fvxfxb.2.<\/li>\n\n\n\n<li class=\"justify-text\" style=\"padding-top:0;padding-bottom:var(--wp--preset--spacing--20)\">Hell of a Guy - \"Cologne University of Applied Sciences - Anechoic Recordings,\" Michio Woirgard, Philipp Stade, Jeffrey Amankwor, Benjamin Bernsch\u00fctz and Johannes Arend, 2012.<\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-custom-color-1-color has-alpha-channel-opacity has-custom-color-1-background-color has-background is-style-wide\" style=\"margin-top:1rem;margin-bottom:1rem\"\/>\n\n\n\n<h4 id=\"64-institutional-support\" class=\"wp-block-heading has-body-text-color has-text-color has-link-color wp-elements-ccff344a70bd5b52427627e39ed6cb30\">Apoio Institucional<\/h4>\n\n\n\n<p class=\"justify-text wp-block-paragraph\">SPA &#8211; Sociedade Portuguesa de Ac\u00fastica (<em>Portuguese Acoustical Society<\/em>)<\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"732\" height=\"313\" src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/11\/spacustica.png\" alt=\"\" class=\"wp-image-2083\" style=\"width:140px;height:auto\" srcset=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/11\/spacustica.png 732w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/11\/spacustica-300x128.png 300w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/11\/spacustica-18x8.png 18w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/11\/spacustica-200x86.png 200w\" sizes=\"auto, (max-width: 732px) 100vw, 732px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--20);margin-right:0;margin-bottom:var(--wp--preset--spacing--20);margin-left:0\"><a href=\"http:\/\/www.spacustica.pt\">www.spacustica.pt<\/a><\/p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-custom-color-1-color has-alpha-channel-opacity has-custom-color-1-background-color has-background is-style-wide\" style=\"margin-top:1rem;margin-bottom:1rem\"\/>\n\n\n\n<h2 class=\"wp-block-heading alignwide has-custom-color-1-color has-text-color has-link-color wp-elements-b1bfc772d55f2916df694fa44b7b1724\" id=\"RIR\" style=\"margin-top:var(--wp--preset--spacing--30);margin-right:0px;margin-bottom:var(--wp--preset--spacing--30);margin-left:0px;text-transform:uppercase\">Detalhes T\u00e9cnicos<\/h2>\n\n\n<div class=\"n2-section-smartslider fitvidsignore  n2_clear\" data-ssid=\"3\" tabindex=\"0\" role=\"region\" aria-label=\"Slider\"><div id=\"n2-ss-3-align\" class=\"n2-ss-align\"><div class=\"n2-padding\"><div id=\"n2-ss-3\" data-creator=\"Smart Slider 3\" data-responsive=\"auto\" class=\"n2-ss-slider n2-ow n2-has-hover n2notransition\">\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n<div class=\"n2-ss-slider-wrapper-inside\">\n        <div class=\"n2-ss-slider-1 n2_ss__touch_element n2-ow\">\n            <div class=\"n2-ss-slider-2 n2-ow\">\n                                                <div class=\"n2-ss-slider-3 n2-ow\">\n\n                    <div class=\"n2-ss-slide-backgrounds n2-ow-all\"><div class=\"n2-ss-slide-background\" data-public-id=\"1\" data-mode=\"fill\"><div class=\"n2-ss-slide-background-image\" data-blur=\"0\" data-opacity=\"100\" data-x=\"50\" data-y=\"50\" data-alt=\"\" data-title=\"\"><picture class=\"skip-lazy\" data-skip-lazy=\"1\"><img decoding=\"async\" src=\"\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/07\/wp6908788-slideshow-wallpapers.jpg\" alt=\"\" title=\"\" loading=\"lazy\" class=\"skip-lazy\" data-skip-lazy=\"1\"><\/picture><\/div><div data-color=\"RGBA(255,255,255,0)\" style=\"background-color: RGBA(255,255,255,0);\" class=\"n2-ss-slide-background-color\"><\/div><\/div><div class=\"n2-ss-slide-background\" data-public-id=\"2\" data-mode=\"fill\" aria-hidden=\"true\"><div class=\"n2-ss-slide-background-image\" data-blur=\"0\" data-opacity=\"100\" data-x=\"50\" data-y=\"50\" data-alt=\"\" data-title=\"\"><picture class=\"skip-lazy\" data-skip-lazy=\"1\"><img decoding=\"async\" src=\"\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/07\/wp6908788-slideshow-wallpapers.jpg\" alt=\"\" title=\"\" loading=\"lazy\" class=\"skip-lazy\" data-skip-lazy=\"1\"><\/picture><\/div><div data-color=\"RGBA(255,255,255,0)\" style=\"background-color: RGBA(255,255,255,0);\" class=\"n2-ss-slide-background-color\"><\/div><\/div><div class=\"n2-ss-slide-background\" data-public-id=\"3\" data-mode=\"fill\" aria-hidden=\"true\"><div class=\"n2-ss-slide-background-image\" data-blur=\"0\" data-opacity=\"100\" data-x=\"50\" data-y=\"50\" data-alt=\"\" data-title=\"\"><picture class=\"skip-lazy\" data-skip-lazy=\"1\"><img decoding=\"async\" src=\"\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/07\/wp6908788-slideshow-wallpapers.jpg\" alt=\"\" title=\"\" loading=\"lazy\" class=\"skip-lazy\" data-skip-lazy=\"1\"><\/picture><\/div><div data-color=\"RGBA(255,255,255,0)\" style=\"background-color: RGBA(255,255,255,0);\" class=\"n2-ss-slide-background-color\"><\/div><\/div><div class=\"n2-ss-slide-background\" data-public-id=\"4\" data-mode=\"fill\" aria-hidden=\"true\"><div class=\"n2-ss-slide-background-image\" data-blur=\"0\" data-opacity=\"100\" data-x=\"50\" data-y=\"50\" data-alt=\"\" data-title=\"\"><picture class=\"skip-lazy\" data-skip-lazy=\"1\"><img decoding=\"async\" src=\"\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/07\/wp6908788-slideshow-wallpapers.jpg\" alt=\"\" title=\"\" loading=\"lazy\" class=\"skip-lazy\" data-skip-lazy=\"1\"><\/picture><\/div><div data-color=\"RGBA(255,255,255,0)\" style=\"background-color: RGBA(255,255,255,0);\" class=\"n2-ss-slide-background-color\"><\/div><\/div><\/div>                    <div class=\"n2-ss-slider-4 n2-ow\">\n                        <svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewbox=\"0 0 800 1000\" data-related-device=\"desktopPortrait\" class=\"n2-ow n2-ss-preserve-size n2-ss-preserve-size--slider n2-ss-slide-limiter\"><\/svg><div data-first=\"1\" data-slide-duration=\"0\" data-id=\"11\" data-slide-public-id=\"1\" data-title=\"wp6908788-slideshow-wallpapers\" class=\"n2-ss-slide n2-ow  n2-ss-slide-11\"><div role=\"note\" class=\"n2-ss-slide--focus\" tabindex=\"-1\">wp6908788-slideshow-wallpapers<\/div><div class=\"n2-ss-layers-container n2-ss-slide-limiter n2-ow\"><div class=\"n2-ss-layer n2-ow n-uc-FjDZNr9YVLqR\" data-sstype=\"slide\" data-pm=\"default\"><div class=\"n2-ss-layer n2-ow n-uc-c4g08hofU73K\" data-pm=\"default\" data-sstype=\"content\" data-hasbackground=\"0\"><div class=\"n2-ss-section-main-content n2-ss-layer-with-background n2-ss-layer-content n2-ow n-uc-c4g08hofU73K-inner\"><div class=\"n2-ss-layer n2-ow n-uc-vaSgfumyo13k\" data-pm=\"absolute\" data-responsiveposition=\"1\" data-desktopportraitleft=\"40\" data-tabletportraitleft=\"40\" data-mobileportraitleft=\"20\" data-desktopportraittop=\"0\" data-tabletportraittop=\"0\" data-mobileportraittop=\"0\" data-responsivesize=\"1\" data-desktopportraitwidth=\"700\" data-tabletportraitwidth=\"1066\" data-mobileportraitwidth=\"700\" data-desktopportraitheight=\"auto\" data-tabletportraitheight=\"65\" data-mobileportraitheight=\"auto\" data-desktopportraitalign=\"left\" data-tabletportraitalign=\"left\" data-mobileportraitalign=\"left\" data-desktopportraitvalign=\"top\" data-tabletportraitvalign=\"top\" data-mobileportraitvalign=\"top\" data-parentid=\"\" data-desktopportraitparentalign=\"center\" data-desktopportraitparentvalign=\"middle\" data-sstype=\"layer\"><h1 id=\"n2-ss-3item1\" class=\"n2-font-b5019e54c997b63afc5384618ccc62b7-hover n2-style-993c107bfc317dd4efa0cad8f692114a-heading   n2-ss-item-content n2-ss-text n2-ow\" style=\"display:block;\">Equipamento usado na Aquisi\u00e7\u00e3o<\/h1><\/div><div class=\"n2-ss-layer n2-ow justify-text n-uc-tfZuPDI3XlG3\" data-pm=\"absolute\" data-responsiveposition=\"1\" data-desktopportraitleft=\"40\" data-tabletportraitleft=\"40\" data-mobileportraitleft=\"20\" data-desktopportraittop=\"60\" data-tabletportraittop=\"60\" data-mobileportraittop=\"60\" data-responsivesize=\"1\" data-desktopportraitwidth=\"700\" data-tabletportraitwidth=\"700\" data-mobileportraitwidth=\"700\" data-desktopportraitheight=\"auto\" data-tabletportraitheight=\"679\" data-mobileportraitheight=\"auto\" data-desktopportraitalign=\"left\" data-tabletportraitalign=\"left\" data-mobileportraitalign=\"left\" data-desktopportraitvalign=\"top\" data-tabletportraitvalign=\"top\" data-mobileportraitvalign=\"top\" data-parentid=\"\" data-desktopportraitparentalign=\"center\" data-desktopportraitparentvalign=\"middle\" data-sstype=\"layer\"><div class=\"n2-ss-item-content n2-ss-text n2-ow-all\"><div class=\"\"><p class=\"n2-font-4fc80333c1583f9d141ef2e9ffe64c79-paragraph  n2-style-654fb965c533036469fbf99fa08e4336-heading\">O procedimento de aquisi\u00e7\u00e3o em termos de hardware e software utilizados tornou-se mais ou menos est\u00e1vel.<br \/>\nForam usados os seguintes equipamentos:<br \/>\n<br \/>\nFonte Sonora:<br \/>\n\u2022  Lookline <a href=\"#\"><\/a><a href=\"#\"><\/a>DL-303 omni dodecahedron loudspeaker.<br \/>\n<br \/>\nMicrofones:<br \/>\n2 Microfones de medi\u00e7\u00e3o omnidirecionais Earthworks M30,<br \/>\n\u2022<span style=\"display:inline-block; width:2px;\"><\/span>1<span style=\"display:inline-block; width:2px;\"><\/span>1 Cabe\u00e7a Binaural Enthusiast B1-E com microfones BE-P1,<br \/>\n\u2022 1<span style=\"display:inline-block; width:2px;\"><\/span>Cabe\u00e7a Binaural Acoustics - BSU com sistema de aquisi\u00e7\u00e3o de dados SQobold,<br \/>\n1 Microfone Sennheiser Ambeo VR,<br \/>\n1 Microfone Ambisonics Zylia ZM-1-3E de 3\u00aa ordem.<br \/>\n<br \/>\nInterfaces de \u00c1udio:<br \/>\n\u2022 Steinberg UR44, ESI U108PRE.<br \/>\n<br \/>\nSoftware:<br \/>\nScripts e fun\u00e7\u00f5es personalizadas no GNU Octave 6.4.0, utilizando aritm\u00e9tica FP de dupla precis\u00e3o e desenvolvida nos \u00faltimos anos pelos autores.<\/p>\n<\/div><\/div><\/div><div class=\"n2-ss-layer n2-ow n-uc-skvzPRTPP8ZW\" data-pm=\"absolute\" data-responsiveposition=\"1\" data-desktopportraitleft=\"0\" data-tabletportraitleft=\"-1\" data-mobileportraitleft=\"-6\" data-desktopportraittop=\"752\" data-tabletportraittop=\"753\" data-mobileportraittop=\"752\" data-responsivesize=\"1\" data-desktopportraitwidth=\"543\" data-tabletportraitwidth=\"530\" data-mobileportraitwidth=\"528\" data-desktopportraitheight=\"191\" data-tabletportraitheight=\"167\" data-mobileportraitheight=\"173\" data-desktopportraitalign=\"center\" data-tabletportraitalign=\"center\" data-mobileportraitalign=\"center\" data-desktopportraitvalign=\"top\" data-tabletportraitvalign=\"top\" data-mobileportraitvalign=\"top\" data-parentid=\"\" data-desktopportraitparentalign=\"center\" data-desktopportraitparentvalign=\"middle\" data-sstype=\"layer\"><div class=\"n2-ss-item-image-content n2-ss-item-content n2-ow-all\"><img loading=\"lazy\" decoding=\"async\" id=\"n2-ss-3item3\" alt=\"\" class=\"skip-lazy\" width=\"2362\" height=\"826\" data-skip-lazy=\"1\" src=\"\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/10\/Acquisition-Setup_4.png\" \/><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div data-slide-duration=\"0\" data-id=\"12\" data-slide-public-id=\"2\" aria-hidden=\"true\" data-title=\"wp6908788-slideshow-wallpapers\" class=\"n2-ss-slide n2-ow  n2-ss-slide-12\"><div role=\"note\" class=\"n2-ss-slide--focus\" tabindex=\"-1\">wp6908788-slideshow-wallpapers<\/div><div class=\"n2-ss-layers-container n2-ss-slide-limiter n2-ow\"><div class=\"n2-ss-layer n2-ow n-uc-svrNZV6SGdVR\" data-sstype=\"slide\" data-pm=\"default\"><div class=\"n2-ss-layer n2-ow n-uc-MwHA81FEm3VW\" data-pm=\"default\" data-sstype=\"content\" data-hasbackground=\"0\"><div class=\"n2-ss-section-main-content n2-ss-layer-with-background n2-ss-layer-content n2-ow n-uc-MwHA81FEm3VW-inner\"><div class=\"n2-ss-layer n2-ow n-uc-ySunXZ2B3l78\" data-pm=\"absolute\" data-responsiveposition=\"1\" data-desktopportraitleft=\"40\" data-tabletportraitleft=\"40\" data-mobileportraitleft=\"20\" data-desktopportraittop=\"0\" data-tabletportraittop=\"0\" data-responsivesize=\"1\" data-desktopportraitwidth=\"700\" data-tabletportraitwidth=\"700\" data-mobileportraitwidth=\"700\" data-desktopportraitheight=\"37\" data-tabletportraitheight=\"50\" data-desktopportraitalign=\"left\" data-tabletportraitalign=\"left\" data-desktopportraitvalign=\"top\" data-tabletportraitvalign=\"top\" data-parentid=\"\" data-desktopportraitparentalign=\"center\" data-desktopportraitparentvalign=\"middle\" data-sstype=\"layer\"><h1 id=\"n2-ss-3item4\" class=\"n2-font-b5019e54c997b63afc5384618ccc62b7-hover   n2-ss-item-content n2-ss-text n2-ow\" style=\"display:block;\">Procedimento de Aquisi\u00e7\u00e3o<\/h1><\/div><div class=\"n2-ss-layer n2-ow n-uc-lseGUAcgEIO5\" data-pm=\"absolute\" data-responsiveposition=\"1\" data-desktopportraitleft=\"40\" data-tabletportraitleft=\"40\" data-mobileportraitleft=\"20\" data-desktopportraittop=\"60\" data-tabletportraittop=\"60\" data-mobileportraittop=\"50\" data-responsivesize=\"1\" data-desktopportraitwidth=\"700\" data-mobileportraitwidth=\"700\" data-desktopportraitheight=\"auto\" data-desktopportraitalign=\"left\" data-desktopportraitvalign=\"top\" data-parentid=\"\" data-desktopportraitparentalign=\"center\" data-desktopportraitparentvalign=\"middle\" data-sstype=\"layer\"><div class=\"n2-ss-item-content n2-ss-text n2-ow-all\"><div class=\"\"><p class=\"n2-font-901a5cf06d84438a5c4f4014857aca66-paragraph  n2-style-654fb965c533036469fbf99fa08e4336-heading\">O altifalante dodeca\u00e9drico foi utilizado para irradiar varrimentos sinusoidais exponenciais, ou varrimentos sinusoioidais exponenciais sincronizados, gerados no software Octave. Os varrimentos gravados com o conjunto de microfones foram registados de forma s\u00edncrona atrav\u00e9s da interface de \u00e1udio ASIO, compat\u00edvel com o software Octave o qual calculou as respostas ao impulso correspondentes: est\u00e9reo, binaural e Ambisonics formato A de 1\u00aa ordem (quando se utiliza o microfone Sennheiser Ambeo VR). Os varrimentos gravadas pelo microfone Zylia foram registados com o seu software propriet\u00e1rio (Zylia Studio) em ficheiros wave Ambisonics de formato A de 19 canais e as respostas ao impulso correspondentes foram tamb\u00e9m calculadas em Octave.<br \/>\n<br \/>\nAs respostas ao impulso foram obtidas desconvolvendo os varrimentos registados com o sinal inverso do varrimento exponencial sinusoidal utilizado e gerado no software Octave. Quando foram utilizados varrimentos sinusoidais exponenciais sincronizados, a deconvolu\u00e7\u00e3o foi feita analiticamente no dom\u00ednio da frequ\u00eancia empregando a Transformada de Fourier do sinal sinusoidal varrido de forma sincronizada.<br \/>\n<br \/>\nOs varrimentos gravados atrav\u00e9s de microfones est\u00e9reo, binaural e Ambisonics de 1\u00aa ordem foram digitalizados com uma taxa de amostragem de 96 kHz, exceto para as duas aquisi\u00e7\u00f5es mais antigas (ESML Great e Small Hall) onde foi utilizada uma taxa de amostragem de 44,1 kHz; foi utilizada uma profundidade de quantiza\u00e7\u00e3o FP de 32 bits em todos os casos. Para os varrimentos gravados com o microfone Ambisonics de 3\u00aa ordem foi empregue uma taxa de amostragem de 48 kHz com uma profundidade de quantiza\u00e7\u00e3o FP de 32 bits .<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div data-slide-duration=\"0\" data-id=\"13\" data-slide-public-id=\"3\" aria-hidden=\"true\" data-title=\"wp6908788-slideshow-wallpapers\" class=\"n2-ss-slide n2-ow  n2-ss-slide-13\"><div role=\"note\" class=\"n2-ss-slide--focus\" tabindex=\"-1\">wp6908788-slideshow-wallpapers<\/div><div class=\"n2-ss-layers-container n2-ss-slide-limiter n2-ow\"><div class=\"n2-ss-layer n2-ow n-uc-aLG2lXLmVnXy\" data-sstype=\"slide\" data-pm=\"default\"><div class=\"n2-ss-layer n2-ow n-uc-uFTRQHjj2VOE\" data-pm=\"default\" data-sstype=\"content\" data-hasbackground=\"0\"><div class=\"n2-ss-section-main-content n2-ss-layer-with-background n2-ss-layer-content n2-ow n-uc-uFTRQHjj2VOE-inner\"><div class=\"n2-ss-layer n2-ow n-uc-5E58zZyTUhyc\" data-pm=\"absolute\" data-responsiveposition=\"1\" data-desktopportraitleft=\"40\" data-tabletportraitleft=\"40\" data-mobileportraitleft=\"20\" data-desktopportraittop=\"0\" data-tabletportraittop=\"0\" data-mobileportraittop=\"0\" data-responsivesize=\"1\" data-desktopportraitwidth=\"700\" data-tabletportraitwidth=\"700\" data-mobileportraitwidth=\"700\" data-desktopportraitheight=\"37\" data-tabletportraitheight=\"60\" data-desktopportraitalign=\"left\" data-tabletportraitalign=\"left\" data-mobileportraitalign=\"left\" data-desktopportraitvalign=\"top\" data-tabletportraitvalign=\"top\" data-mobileportraitvalign=\"top\" data-parentid=\"\" data-desktopportraitparentalign=\"center\" data-desktopportraitparentvalign=\"middle\" data-sstype=\"layer\"><h1 id=\"n2-ss-3item6\" class=\"n2-font-8fd6f8de3d6ac1c0342a7dc2b31180ba-hover   n2-ss-item-content n2-ss-text n2-ow\" style=\"display:block;\">Processamento RIR<\/h1><\/div><div class=\"n2-ss-layer n2-ow n-uc-TGO5PHeHPfma\" data-pm=\"absolute\" data-responsiveposition=\"1\" data-desktopportraitleft=\"40\" data-tabletportraitleft=\"40\" data-mobileportraitleft=\"20\" data-desktopportraittop=\"60\" data-tabletportraittop=\"60\" data-mobileportraittop=\"50\" data-responsivesize=\"1\" data-desktopportraitwidth=\"700\" data-tabletportraitwidth=\"700\" data-mobileportraitwidth=\"700\" data-desktopportraitheight=\"auto\" data-tabletportraitheight=\"auto\" data-mobileportraitheight=\"auto\" data-desktopportraitalign=\"left\" data-tabletportraitalign=\"left\" data-mobileportraitalign=\"left\" data-desktopportraitvalign=\"top\" data-tabletportraitvalign=\"top\" data-mobileportraitvalign=\"top\" data-parentid=\"\" data-desktopportraitparentalign=\"center\" data-desktopportraitparentvalign=\"middle\" data-sstype=\"layer\"><div class=\"n2-ss-item-content n2-ss-text n2-ow-all\"><div class=\"\"><p class=\"n2-font-901a5cf06d84438a5c4f4014857aca66-paragraph\">O \u00e1udio bruto gravado in situ contendo os RIRs foi p\u00f3s-processado com o prop\u00f3sito de remo\u00e7\u00e3o de ru\u00eddo e para converter as respostas do formato A do Ambisonics em respostas convenientes do formato B. A elimina\u00e7\u00e3o de ru\u00eddo \u00e9 necess\u00e1ria devido ao ru\u00eddo de fundo inerente que est\u00e1 presente nos espa\u00e7os e, em menor grau, tamb\u00e9m na cadeia de aquisi\u00e7\u00e3o, que limita a rela\u00e7\u00e3o sinal-ru\u00eddo (SNR) alcan\u00e7\u00e1vel. Os SNRs obtidos (da ordem dos 80 \u2013 90 dB, banda larga) s\u00e3o mais que suficientes para a caracteriza\u00e7\u00e3o dos espa\u00e7os utilizando par\u00e2metros ac\u00fasticos de sala standard ISO 3382-1, mas o ru\u00eddo presente nos RIRs pode ainda ser aud\u00edvel quando utilizados para convolu\u00e7\u00e3o por reverbera\u00e7\u00e3o. A solu\u00e7\u00e3o adoptada consiste em truncar todas as respostas antes do decaimento atingir o n\u00edvel do ru\u00eddo de fundo. O procedimento empregue para este truncamento baseia-se no chamado algoritmo de Lundeby, que d\u00e1 resultados muito bons na maioria dos casos.<br \/>\n<br \/>\nAp\u00f3s a remo\u00e7\u00e3o de ru\u00eddo, os principais par\u00e2metros ac\u00fasticos associados, especificados na norma ISO 3382-1, foram calculados para cada RIR e armazenados em ficheiros de texto. O conjunto de par\u00e2metros calculados inclui os valores da rela\u00e7\u00e3o sinal-ru\u00eddo, tempos de reverbera\u00e7\u00e3o (EDT, T10, T20, T30, T60), \u00edndices de clareza (D50, C50, C80), tempos centrais e valores IACC, no caso das respostas binaurais.<br \/>\n<br \/>\nA convers\u00e3o do formato A para o formato B foi realizada no Reaper utilizando os plug-ins propriet\u00e1rios da Sennheiser (Ambeo AB Format Converter, v1.2.0) e da Zylia (Ambisonics Converter v1.7.0).<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div data-slide-duration=\"0\" data-id=\"14\" data-slide-public-id=\"4\" aria-hidden=\"true\" data-title=\"wp6908788-slideshow-wallpapers\" class=\"n2-ss-slide n2-ow  n2-ss-slide-14\"><div role=\"note\" class=\"n2-ss-slide--focus\" tabindex=\"-1\">wp6908788-slideshow-wallpapers<\/div><div class=\"n2-ss-layers-container n2-ss-slide-limiter n2-ow\"><div class=\"n2-ss-layer n2-ow n-uc-rPLVz3VTVgok\" data-sstype=\"slide\" data-pm=\"default\"><div class=\"n2-ss-layer n2-ow n-uc-8jXnw1uGvE6T\" data-pm=\"default\" data-sstype=\"content\" data-hasbackground=\"0\"><div class=\"n2-ss-section-main-content n2-ss-layer-with-background n2-ss-layer-content n2-ow n-uc-8jXnw1uGvE6T-inner\"><div class=\"n2-ss-layer n2-ow n-uc-EyEDGcS32ram\" data-pm=\"absolute\" data-responsiveposition=\"1\" data-desktopportraitleft=\"40\" data-tabletportraitleft=\"60\" data-mobileportraitleft=\"20\" data-desktopportraittop=\"0\" data-tabletportraittop=\"0\" data-mobileportraittop=\"0\" data-responsivesize=\"1\" data-desktopportraitwidth=\"700\" data-tabletportraitwidth=\"1041\" data-mobileportraitwidth=\"720\" data-desktopportraitheight=\"auto\" data-tabletportraitheight=\"auto\" data-mobileportraitheight=\"41\" data-desktopportraitalign=\"left\" data-tabletportraitalign=\"left\" data-mobileportraitalign=\"left\" data-desktopportraitvalign=\"top\" data-tabletportraitvalign=\"top\" data-mobileportraitvalign=\"top\" data-parentid=\"\" data-desktopportraitparentalign=\"center\" data-desktopportraitparentvalign=\"middle\" data-sstype=\"layer\"><h1 id=\"n2-ss-3item8\" class=\"n2-font-8fd6f8de3d6ac1c0342a7dc2b31180ba-hover   n2-ss-item-content n2-ss-text n2-ow\" style=\"display:block;\">Detalhes RIR para cada Espa\u00e7o.<\/h1><\/div><div class=\"n2-ss-layer n2-ow n-uc-sN2KeS3c0WhM\" data-pm=\"absolute\" data-responsiveposition=\"1\" data-desktopportraitleft=\"40\" data-mobileportraitleft=\"-3\" data-desktopportraittop=\"50\" data-mobileportraittop=\"45\" data-responsivesize=\"1\" data-desktopportraitwidth=\"700\" data-mobileportraitwidth=\"690\" data-desktopportraitheight=\"900\" data-mobileportraitheight=\"913\" data-desktopportraitalign=\"left\" data-mobileportraitalign=\"center\" data-desktopportraitvalign=\"top\" data-mobileportraitvalign=\"top\" data-parentid=\"\" data-desktopportraitparentalign=\"center\" data-desktopportraitparentvalign=\"middle\" data-sstype=\"layer\"><div class=\"n2-ss-item-image-content n2-ss-item-content n2-ow-all\"><img decoding=\"async\" id=\"n2-ss-3item9\" alt=\"\" class=\"skip-lazy\" loading=\"lazy\" width=\"1946\" height=\"2490\" data-skip-lazy=\"1\" src=\"\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/07\/Space-RIR-Details_v0.png\" \/><\/div><\/div><div class=\"n2-ss-layer n2-ow n-uc-1eec69aa2bc4a n2-ss-layer--auto\" data-pm=\"absolute\" data-responsiveposition=\"1\" data-desktopportraitleft=\"0\" data-tabletportraitleft=\"-268\" data-mobileportraitleft=\"-35\" data-desktopportraittop=\"950\" data-tabletportraittop=\"485\" data-mobileportraittop=\"478\" data-responsivesize=\"1\" data-desktopportraitwidth=\"263\" data-tabletportraitwidth=\"243\" data-mobileportraitwidth=\"343\" data-desktopportraitheight=\"38\" data-tabletportraitheight=\"auto\" data-mobileportraitheight=\"auto\" data-desktopportraitalign=\"left\" data-tabletportraitalign=\"center\" data-mobileportraitalign=\"left\" data-desktopportraitvalign=\"top\" data-tabletportraitvalign=\"middle\" data-mobileportraitvalign=\"middle\" data-parentid=\"\" data-desktopportraitparentalign=\"center\" data-desktopportraitparentvalign=\"middle\" data-sstype=\"layer\"><div class=\"n2-ss-button-container n2-ss-item-content n2-ow n2-font-6d3e388bb0a353dcc1215c6ec7838d7e-link  n2-ss-nowrap n2-ss-button-container--non-full-width\"><a class=\"n2-style-6373a2a6900f8ac17b19b5f25249eb4c-heading  n2-ow\" target=\"_blank\" href=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/07\/Space-RIR-Details.png\"><div><div>Ficheiro com os detalhes do RIR dos Espa\u00e7os<\/div><\/div><\/a><\/div><\/div><\/div><\/div><\/div><\/div><\/div>                    <\/div>\n\n                                    <\/div>\n            <\/div>\n        <\/div>\n        <div class=\"n2-ss-slider-controls n2-ss-slider-controls-absolute-right-top\"><div class=\"n2-ss-widget nextend-bar nextend-bar-horizontal n2-ss-widget-hidden n2-ow-all\" data-hide-desktopportrait=\"1\" data-hide-tabletportrait=\"1\" style=\"text-align: right;width:100%;\"><div class=\"n2-style-21a0f17c6cdff9aa9def29c07c44cd1a-simple\" style=\"display: inline-block;\"><span class=\"n2-font-cb1e0decdfeb006f25ddb5cc9c59907a-simple\">&nbsp;<\/span><\/div><\/div><\/div><div class=\"n2-ss-slider-controls n2-ss-slider-controls-absolute-left-center\"><div class=\"n2-ss-widget n2-style-107cb0e4b96e295f0c4852cfc0854d07-heading nextend-arrow n2-ow-all nextend-arrow-previous  nextend-arrow-animated-fade\" id=\"n2-ss-3-arrow-previous\" role=\"button\" aria-label=\"previous arrow\" tabindex=\"0\"><img loading=\"lazy\" decoding=\"async\" width=\"32\" height=\"32\" class=\"skip-lazy\" data-skip-lazy=\"1\" src=\"data:image\/svg+xml;base64,PHN2ZyB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciIHdpZHRoPSIzMiIgaGVpZ2h0PSIzMiIgdmlld0JveD0iMCAwIDMyIDMyIj4KICAgIDxwYXRoIGZpbGw9IiNmZmZmZmYiIG9wYWNpdHk9IjAuOCIgZmlsbC1ydWxlPSJldmVub2RkIgogICAgICAgICAgZD0iTTE4Ljk5NTggOC45OTA3YzAtLjQyNC0uMjA0LS43MjMtLjYxLS44OTgtLjQwOS0uMTczLS43NzItLjEwNC0xLjA5My4yMDlsLTcuMDA2IDYuOTc1Yy0uMjAxLjE5OS0uMjk3LjQzNy0uMjg2LjcxNiAwIC4yNjcuMDk2LjQ5OC4yODYuNjg5bDcuMDA2IDcuMDAxYy4zMjEuMzIxLjY4NC4zODkgMS4wOTMuMjA5LjQwNi0uMTc0LjYxLS40ODIuNjEtLjkyMlY4Ljk5MDd6Ii8+Cjwvc3ZnPg==\" alt=\"previous arrow\"><\/div><\/div><div class=\"n2-ss-slider-controls n2-ss-slider-controls-absolute-right-center\"><div class=\"n2-ss-widget n2-style-107cb0e4b96e295f0c4852cfc0854d07-heading nextend-arrow n2-ow-all nextend-arrow-next  nextend-arrow-animated-fade\" id=\"n2-ss-3-arrow-next\" role=\"button\" aria-label=\"next arrow\" tabindex=\"0\"><img loading=\"lazy\" decoding=\"async\" width=\"32\" height=\"32\" class=\"skip-lazy\" data-skip-lazy=\"1\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMzIiIGhlaWdodD0iMzIiIHZpZXdCb3g9IjAgMCAzMiAzMiIgeG1sbnM9Imh0dHA6Ly93d3cudzMub3JnLzIwMDAvc3ZnIj4KICAgIDxwYXRoIGQ9Ik0xMiA4Ljk5YzAtLjQyMy4yMDQtLjcyMi42MS0uODk3LjQwOC0uMTczLjc3Mi0uMTA0IDEuMDkyLjIxbDcuMDA2IDYuOTc0Yy4yMDIuMi4yOTguNDM3LjI4Ny43MTYgMCAuMjY3LS4wOTYuNDk4LS4yODcuNjlsLTcuMDA2IDdjLS4zMi4zMi0uNjg0LjM5LTEuMDkyLjIxLS40MDYtLjE3NS0uNjEtLjQ4My0uNjEtLjkyM1Y4Ljk5eiIKICAgICAgICAgIGZpbGw9IiNmZmZmZmYiIG9wYWNpdHk9IjAuOCIgZmlsbC1ydWxlPSJldmVub2RkIi8+Cjwvc3ZnPg==\" alt=\"next arrow\"><\/div><\/div><div class=\"n2-ss-slider-controls n2-ss-slider-controls-absolute-center-bottom\"><div style=\"--widget-offset:10px;\" class=\"n2-ss-widget n2-ss-control-bullet n2-ow-all n2-ss-control-bullet-horizontal\" data-hide-mobileportrait=\"1\"><div class=\"nextend-bullet-bar n2-bar-justify-content-center\" role=\"group\" aria-label=\"Choose slide to display.\"><div class=\"n2-bullet n2-style-6fb4614842e136e21f935cfaf06d5154-dot\" style=\"visibility:hidden;\"><\/div><\/div><\/div><\/div><\/div><\/div><ss3-loader><\/ss3-loader><\/div><\/div><div class=\"n2_clear\"><\/div><\/div><\/div>\n\n\n\n<div style=\"height:12px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 id=\"66-reverbdata-articles\" class=\"wp-block-heading has-body-text-color has-text-color has-link-color wp-elements-3ffb3fa211ea528c1eb7d367c373f3a0\" style=\"padding-right:3rem;padding-left:3rem\">Artigos sobre REVERBDATA<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li style=\"margin-top:var(--wp--preset--spacing--40);margin-bottom:var(--wp--preset--spacing--40);margin-left:3rem\">D. Alarc\u00e3o,&nbsp; A. Couto Pinto \u2013 &#8221; <em>The REVERBDATA Room impulse response database<\/em>&#8220;, AES Europe 2024, Madrid, Spain, 15 &#8211; 17 June 2024 (<a href=\"https:\/\/aes2.org\/publications\/elibrary-page\/?id=22551\">https:\/\/aes2.org\/publications\/elibrary-page\/?id=22551<\/a>)<\/li>\n\n\n\n<li style=\"margin-top:var(--wp--preset--spacing--40);margin-bottom:var(--wp--preset--spacing--40);margin-left:3rem\">D. Alarc\u00e3o,&nbsp; A. Couto Pinto, G. Marramaque, F. Mendon\u00e7a \u2013 &#8221; <em>REVERBDATA \u2013 a RIR database of Portuguese architectonic spaces<\/em>&#8220;, TECNIAC\u00daSTICA 2024, Faro, Portugal, 11 \u2013 13 September 2024 (<a href=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2025\/02\/REVERBDATA_livro_comunicacoes_v5.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ficheiro em PDF<\/a>)<\/li>\n\n\n\n<li style=\"margin-right:0;margin-left:3rem\">D. Alarc\u00e3o, G. Marramaque, A. Couto Pinto \u2013 &#8220;<em>REVERBDATA \u2013 an acoustic heritage archive of significant Portuguese spaces<\/em>&#8220;, SOUND IN MUSEUMS, Mafra, Portugal, 17 \u2013 19 October 2025 (<a href=\"https:\/\/www.researchgate.net\/publication\/396816603_REVERBDATA_-_an_acoustic_heritage_archive_of_significant_Portuguese_spaces\">Acesso ao ficheiro em PDF<\/a>)<\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-custom-color-1-color has-alpha-channel-opacity has-custom-color-1-background-color has-background is-style-wide\" style=\"margin-top:var(--wp--preset--spacing--70);margin-bottom:var(--wp--preset--spacing--70)\"\/>\n\n\n\n<div id=\"Contacts\" class=\"wp-block-group has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\">\n<h2 id=\"67-contacts\" class=\"wp-block-heading has-custom-color-1-color has-text-color has-link-color wp-elements-88bede5890122507d007d8af87538c79\" style=\"padding-right:3rem;padding-left:3rem;text-transform:uppercase\">Contactos<\/h2>\n\n\n\n<div style=\"margin-top:0;margin-bottom:var(--wp--preset--spacing--50);height:40px;width:32px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group is-nowrap is-layout-flex wp-container-core-group-is-layout-52783f4f wp-block-group-is-layout-flex\" style=\"padding-right:4rem;padding-left:4rem\">\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-9cb2c61b wp-block-group-is-layout-constrained\" style=\"padding-right:0;padding-left:0\">\n<div class=\"wp-block-group is-vertical is-layout-flex wp-container-core-group-is-layout-2c90304e wp-block-group-is-layout-flex\">\n<h3 id=\"68-prof-dr-diogo-alarc%C3%A3o\" class=\"wp-block-heading has-luminous-vivid-orange-color has-text-color has-link-color wp-elements-3662585063a7b2ed9ffbc4496b607962\">Prof. Dr. Diogo Alarc\u00e3o<\/h3>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\" style=\"margin-top:0;margin-bottom:0\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"835\" src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/11\/IMG_DA-1024x835.jpg\" alt=\"\" class=\"wp-image-1212\" style=\"width:400px\" srcset=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/11\/IMG_DA-1024x835.jpg 1024w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/11\/IMG_DA-300x245.jpg 300w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/11\/IMG_DA-768x626.jpg 768w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/11\/IMG_DA-1536x1252.jpg 1536w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/11\/IMG_DA-2048x1669.jpg 2048w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/11\/IMG_DA-15x12.jpg 15w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/11\/IMG_DA-200x163.jpg 200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-center\" style=\"margin-top:0rem;margin-bottom:-4rem;margin-left:2.4rem;padding-right:0rem;padding-bottom:0rem;padding-left:0rem;grid-template-columns:15% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"512\" src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/07\/Logo_CESEM_cor-1024x512.png\" alt=\"\" class=\"wp-image-2799 size-full\" srcset=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/07\/Logo_CESEM_cor-1024x512.png 1024w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/07\/Logo_CESEM_cor-300x150.png 300w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/07\/Logo_CESEM_cor-768x384.png 768w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/07\/Logo_CESEM_cor-18x9.png 18w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/07\/Logo_CESEM_cor-200x100.png 200w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/07\/Logo_CESEM_cor.png 1417w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<h6 class=\"wp-block-heading has-text-align-left has-body-text-color has-text-color has-link-color wp-elements-8a1b658071bc27670594f51d04c2f3e6\" id=\"69-cesem-centre-for-music-studies\" style=\"margin-left:-0.3rem\">   CESEM \u2013 Centro de EStudos Em M\u00fasica<\/h6>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-center\" style=\"margin-bottom:-3rem;margin-left:2rem;padding-left:0rem;grid-template-columns:15% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"480\" height=\"330\" src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/ESML_logo.png\" alt=\"\" class=\"wp-image-698 size-full\" srcset=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/ESML_logo.png 480w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/ESML_logo-300x206.png 300w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/ESML_logo-18x12.png 18w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/ESML_logo-200x138.png 200w\" sizes=\"auto, (max-width: 480px) 100vw, 480px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<h6 class=\"wp-block-heading has-text-align-left has-body-text-color has-text-color has-link-color wp-elements-37c37056d9f02a03067e1e006c6f01aa\" id=\"70-esml-music-technologies-lisbon-school-of-music\" style=\"margin-left:0rem\">ESML - Tecnologias da M\u00fasica, Escola Superior de M\u00fasica de Lisboa<\/h6>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-center\" style=\"margin-left:2rem;padding-left:0rem;grid-template-columns:15% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"835\" height=\"922\" src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/08\/upl_vertical_main.png\" alt=\"\" class=\"wp-image-3009 size-full\" srcset=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/08\/upl_vertical_main.png 835w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/08\/upl_vertical_main-272x300.png 272w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/08\/upl_vertical_main-768x848.png 768w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/08\/upl_vertical_main-11x12.png 11w\" sizes=\"auto, (max-width: 835px) 100vw, 835px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<h6 class=\"wp-block-heading has-text-align-left has-body-text-color has-text-color has-link-color wp-elements-5f06cb77df239ca80f098f22fdcb4dd2\" id=\"71-ipl-polytechnic-university-of-lisbon-portugal\" style=\"margin-left:0rem\">Universidade Polit\u00e9cnica de Lisboa<\/h6>\n<\/div><\/div>\n\n\n\n<p class=\"has-heading-color has-text-color has-link-color wp-elements-dff87b61fe5aed04220ee72cef4846a5 wp-block-paragraph\" style=\"padding-right:1rem;padding-left:1rem;font-size:20px\">email: <a href=\"mailto:dalarcao@esml.ipl.pt\" data-type=\"mailto\" data-id=\"mailto:dalarc\u00e3o@esml.ipl.pt\">dalarcao@esml.ipl.pt<\/a><\/p>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" style=\"margin-top:var(--wp--preset--spacing--70);margin-bottom:var(--wp--preset--spacing--70)\"\/>\n\n\n\n<div class=\"wp-block-group is-vertical is-layout-flex wp-container-core-group-is-layout-2c90304e wp-block-group-is-layout-flex\">\n<h3 id=\"72-prof-dr-ant%C3%B3nio-couto-pinto\" class=\"wp-block-heading has-luminous-vivid-orange-color has-text-color has-link-color wp-elements-edb5dee0c67c5f510b854399e0c234fd\">Prof. Dr. Ant\u00f3nio Couto Pinto<\/h3>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"771\" src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/11\/foto_acpinto_reverbdata-1024x771.jpg\" alt=\"\" class=\"wp-image-1220\" style=\"width:400px\" srcset=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/11\/foto_acpinto_reverbdata-1024x771.jpg 1024w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/11\/foto_acpinto_reverbdata-300x226.jpg 300w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/11\/foto_acpinto_reverbdata-768x578.jpg 768w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/11\/foto_acpinto_reverbdata-1536x1156.jpg 1536w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/11\/foto_acpinto_reverbdata-16x12.jpg 16w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/11\/foto_acpinto_reverbdata-200x151.jpg 200w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/11\/foto_acpinto_reverbdata.jpg 1600w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"margin-top:0;margin-bottom:-2rem;margin-left:2rem;padding-left:0;grid-template-columns:15% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"551\" src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/cedet_logo-1024x551.png\" alt=\"\" class=\"wp-image-644 size-full\" srcset=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/cedet_logo-1024x551.png 1024w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/cedet_logo-300x162.png 300w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/cedet_logo-768x414.png 768w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/cedet_logo-18x10.png 18w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/cedet_logo-200x108.png 200w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/cedet_logo.png 1181w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<h6 id=\"73-cedet-center-for-studies-and-development-of-electronics-and-telecommunications\" class=\"wp-block-heading has-body-text-color has-text-color has-link-color wp-elements-ded51128af7545a2a11502bd9c8c0939\" style=\"margin-top:0;margin-right:0;margin-bottom:0;margin-left:0\">CEDET - Centro de Estudos e Desenvolvimento de Electr\u00f3nica e Telecomunica\u00e7\u00f5es<\/h6>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"margin-bottom:-4rem;margin-left:2rem;padding-left:0rem;grid-template-columns:15% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"542\" src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/ISEL_logo.png\" alt=\"\" class=\"wp-image-645 size-full\" srcset=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/ISEL_logo.png 900w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/ISEL_logo-300x181.png 300w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/ISEL_logo-768x463.png 768w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/ISEL_logo-18x12.png 18w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/ISEL_logo-200x120.png 200w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<h6 id=\"74-isel-lisbon-engineering-institute\" class=\"wp-block-heading has-body-text-color has-text-color has-link-color wp-elements-d03e6cbc610b01bc2375faa3c22ee179\">ISEL - Instituto Superior de Engenharia de Lisboa<\/h6>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-center\" style=\"margin-bottom:-3rem;margin-left:2rem;padding-left:0rem;grid-template-columns:15% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"480\" height=\"330\" src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/ESML_logo.png\" alt=\"\" class=\"wp-image-698 size-full\" srcset=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/ESML_logo.png 480w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/ESML_logo-300x206.png 300w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/ESML_logo-18x12.png 18w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/08\/ESML_logo-200x138.png 200w\" sizes=\"auto, (max-width: 480px) 100vw, 480px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<h6 class=\"wp-block-heading has-text-align-left has-body-text-color has-text-color has-link-color wp-elements-eceabdea8a3547b376d6bd88998c6616\" id=\"75-esml-music-technologies-lisbon-school-of-music\" style=\"margin-left:0rem\">ESML - Tecnologias da M\u00fasica, Escola Superior de M\u00fasica de Lisboa<\/h6>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"margin-left:2rem;padding-left:0rem;grid-template-columns:15% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"835\" height=\"922\" src=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/08\/upl_vertical_main.png\" alt=\"\" class=\"wp-image-3009 size-full\" srcset=\"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/08\/upl_vertical_main.png 835w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/08\/upl_vertical_main-272x300.png 272w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/08\/upl_vertical_main-768x848.png 768w, https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2026\/08\/upl_vertical_main-11x12.png 11w\" sizes=\"auto, (max-width: 835px) 100vw, 835px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<h6 id=\"76-ipl-polytechnic-university-of-lisbon-portugal\" class=\"wp-block-heading has-body-text-color has-text-color has-link-color wp-elements-fb3c6388e3828da28438990406776ca8\">Universidade Polit\u00e9cnica de Lisboa<\/h6>\n<\/div><\/div>\n\n\n\n<p class=\"has-secondary-color has-text-color has-link-color wp-elements-34ddff36f03955e11724e334de364b3f wp-block-paragraph\" style=\"padding-right:1rem;padding-left:1rem;font-size:20px\">email: <a href=\"mailto:apinto@esml.ipl.pt\">apinto@esml.ipl.pt<\/a><\/p>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" style=\"margin-top:var(--wp--preset--spacing--70);margin-bottom:var(--wp--preset--spacing--70)\"\/>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:200px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<\/main>","protected":false},"excerpt":{"rendered":"<p>About REVERBDATA REVERBDATA is an Acoustic Heritage database of significant Portuguese spaces. It contains Room Impulse Responses \u2013 RIR of spaces that are selected based on their importance from the acoustical, architectural, cultural, and functional points of view. Multi-channel RIR are being registered at several locations inside the selected spaces, processed and fed to the [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":19,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-514","page","type-page","status-publish","has-post-thumbnail","hentry"],"featured_image_src":"https:\/\/reverbdata.ipl.pt\/wp-content\/uploads\/2024\/07\/IMG_1508-scaled.jpg","_links":{"self":[{"href":"https:\/\/reverbdata.ipl.pt\/pt\/wp-json\/wp\/v2\/pages\/514","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/reverbdata.ipl.pt\/pt\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/reverbdata.ipl.pt\/pt\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/reverbdata.ipl.pt\/pt\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/reverbdata.ipl.pt\/pt\/wp-json\/wp\/v2\/comments?post=514"}],"version-history":[{"count":628,"href":"https:\/\/reverbdata.ipl.pt\/pt\/wp-json\/wp\/v2\/pages\/514\/revisions"}],"predecessor-version":[{"id":3013,"href":"https:\/\/reverbdata.ipl.pt\/pt\/wp-json\/wp\/v2\/pages\/514\/revisions\/3013"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/reverbdata.ipl.pt\/pt\/wp-json\/wp\/v2\/media\/19"}],"wp:attachment":[{"href":"https:\/\/reverbdata.ipl.pt\/pt\/wp-json\/wp\/v2\/media?parent=514"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}